Hungarian painter, draughtsman and etcher. He trained as a drawing teacher at the College of Fine Arts, Budapest (1912–14). In 1913 he worked at the Szolnok colony and he served in World War I. He taught drawing for a while at the Technical University, Budapest. In ...
Italian, 16th century, male.
Born c. 1495, in Vercelli.
A pupil of the distinguished Roman architect Antonio da Sangallo, Antonio dell'Abacco soon gained a reputation to rival that of his teacher. In 1558 he published an important work entitled: Libro d'Antonio d'Abacco, appartenante a l'architectura...
Italian, 16th century, male.
Active at the end of the 16th and at the beginning of the 17th centuries.
Born in Rome.
Son of the line engraver Mario dell'Abacco, and grandson of the architect Antonio dell'Abacco, Antonio di Mario dell'Abacco's work is not known but his name appears, followed by the title of painter, in records of ...
17th century, male.
Born 1639, in Antwerp.
Painter, engraver, architect.
Engravings by Hendrik Abbé have survived in Antwerp cathedral and the artist is also cited by Heinecken as responsible for the illustrations to Ovid's Metamorphoses as published by Barrier. He is further believed to have been responsible for a ...
Swiss painter, draughtsman and engraver. In 1741 he moved to Berne, where he took drawing lessons with Johann Grimm (1675–1747), whose school of drawing he took over in 1747. He visited the Bernese Oberland with Emanuel Handmann, Christian Georg Schütz (1718–91) and Friedrich Wilhelm Hirt (...
C. J. A. Wansink
See Bloemaert family
French, 20th century, male.
Born 17 September 1881, in Mulhouse.
Painter, engraver (etching), illustrator. Landscapes, architectural views.
Achener had a full training, first at the École des Beaux-Arts in Strasbourg, then in Munich in the studios of the engraver Peter Halm and the painter Ludwig von Loefftz. He was also a pupil of Jean-Paul Laurens in Paris....
Italian, 19th century, male.
Born 1780, in Rome; died 1847, in Rome.
Draughtsman, engraver (line-engraving). Urban landscapes, architectural views, ruins.
Under the name of Acquaroni it is possible to find an Antonio, a Giuseppe and a Giovanni, who are probably all one and the same artist....
British, 18th – 19th century, male.
Active at the end of the 18th and at the beginning of the 19th century.
Painter, engraver. Architectural views.
S. Acton lived in London between 1791 and 1802 and exhibited at the Royal Academy.
French, 18th – 19th century, male.
Active at the beginning of the 19th century.
Engraver. Architectural views.
Jean Adam was a pupil of the older Sellier and of Van Mechel. He made the plates for Belidore's Hydraulic Architecture ( Architecture Hydraulique), for Carnot's Attack and Defence of Strongholds...
British, 18th century, male.
Born 3 July 1728, in Kirkcaldy (Fife); died 3 March 1792, in London.
Draughtsman, watercolourist, engraver, architect. Landscapes, architectural views, interiors, ruins. Decorative models.
Robert Adam was the son of William Adam, a well-known Scottish architect. He initially trained in his father's practice in partnership with his bothers, John and James. Examples of his early architectural work include Hopetoun House in Lothian (c. ...
Italian painter, draughtsman and printmaker. He was given a rigorous training as a draughtsman between 1951 and 1954 in Achille Funi’s studio at the Accademia di Belle Arti di Brera, Milan, which provided the basis for his mature work. Before developing his characteristic contour line and flat surfaces, he experimented briefly with an expressionistic style that combined violent and humorous imagery inspired by the explosive forms in space favoured by Roberto Matta and by strip cartoons; typical of this phase is one of his earliest large canvases, ...
British, 16th century, male.
Born 1540, in London; died 1595, in London.
Architect, draughtsman, engraver.
Robert Adams was a talented man and his competence earned him the position of architect to Queen Elizabeth I of England. A series of rare engravings by Augustus Ryther, based on Adams' drawings, was published in ...
Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between ...
French, 19th century, male.
Born 28 April 1845, in Rouen; died September 1909, in Rouen.
Engraver, draughtsman, illustrator, architect, art writer.
Jules Adeline was a first-time exhibitor at the Paris Salon in 1873, when, as a young architect, he initially contributed sketches and architectural projects. From ...
Swiss, 15th – 16th century, male.
Active in Fribourg from 1498 to 1509.
Sculptor, engraver (stone), architect.
Gylian Aetterli worked in the funerary chapel of St Nicholas in Fribourg, and in 1501 sculpted the baptismal font for the church at Guin in the canton of Fribourg....
Italian, 18th century, male.
Active in Milanc.1700.
Essentially a portraitist, but also painted several emblematic subjects and architectural themes. His engravings include a series of plates representing Milan Cathedral that he signed in conjunction with the architect Carlo Butio.
Italian, 18th century, male.
Active in Ferrarac.1740.
Engraver, designer of ornamental architectural features.
Christine Mullen Kreamer
Togolese painter, sculptor, engraver, stained glass designer, potter and textile designer. Beginning in 1946, he received his secondary education in Dakar, where he also worked in an architecture firm. He travelled to France and received his diplôme supérieur from the Ecole des Beaux-Arts, Paris. A versatile artist, Ahyi is best known for his murals and for monumental stone, marble and cement public sculptures. His work reflects the fusion of his Togolese roots, European training and an international outlook, and he counts among his influences Moore, Braque, Modigliani, Tamayo, Siqueiros and Tall. His work combines ancient and modern themes and materials, maternity being a prominent topic. The messages of his larger, public pieces operate on a broad level to appeal to the general populace, while smaller works often reflect his private engagement with challenges confronting the human condition. His compositions are both abstract and figurative and evoke the heroism and hope of the two world wars, Togo's colonial period and the struggle for independence from France, as well as the political efforts of the peoples of Vietnam, South Africa and Palestine. Ahyi has won numerous international prizes, including the prize of the city of Lyon (...
Italian, 17th century, male.
Active in Parma.
Engraver (etching), designer of ornamental architectural features.