1-9 of 9 results  for:

  • Publisher or Printer x
  • Twentieth-Century Art x
  • Collecting, Patronage, and Display of Art x
Clear all

Article

A. Deirdre Robson

American publisher and collector. He trained at the National Academy of Design and the Art Students League in New York before working in publishing. In 1950 he set up his own publishing company, Harry N. Abrams Inc., one of the first American companies to specialize in art books. In ...

Article

Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between ...

Article

Margaret Kelly

American publisher and collector. In his position as Chairman and Editor-in-chief of the fortnightly American business magazine Forbes, he established one of the oldest corporate art collections in America in the 1950s when he began to acquire objets d’art created by Peter Carl Fabergé: the collection contains over 300 pieces, including 12 Imperial Easter eggs. A man of eclectic tastes, and spurred by fond childhood memories, Forbes assembled a collection of 100,000 lead soldiers and over 500 tin clockwork toy boats. The Fabergé works and selected toys are displayed at the Forbes Magazine Galleries in New York with American presidential manuscripts and related historical memorabilia that Forbes believed ‘better depict each [president] than the likenesses that abounded in their time’. Numbering over 3000 pieces, the collection is the finest of its kind in private hands....

Article

Valerie Holman

Austrian publisher, active in England; he acquired British nationality in 1946. He founded Phaidon Verlag with Ludwig Goldscheider in Vienna in 1923 and initially published bibliophile editions of literature with great attention to good design. This was followed by literary masterpieces and contemporary criticism, and in ...

Article

Laurie A. Stein

German publisher, patron and collector. He was influential in the reform movements in art, in particular Jugendstil, the German version of Art Nouveau. Through his publications he hoped to free art from the constraints of the studio, elevate public taste and encourage the creation of a style that would be in keeping with an ideal modern culture. Trained as a printer, he started a magazine of the carpet trade, ...

Article

Concha Vela

Spanish collector, publisher and patron. He studied law in Barcelona and c. 1882 settled in Madrid, where his enthusiasm for art and literature rapidly developed. In 1888 he founded a publishing enterprise, España Moderna, and a journal of the same name containing contributions by such leading writers and intellectuals as Juan Valera and Emilia Pardo Bazán. Lázaro Galdiano used the journal to publish the most significant writings on Spanish art and translations of such books as ...

Article

Christina Lodder

Russian painter, patron, musician, writer and publisher. He pursued a highly original line of artistic thought and practice and developed an organic perception of the world, deriving his inspiration from nature rather than machines, unlike many of his Russian Constructivist contemporaries.

Matyushin trained initially as a musician at the Moscow Conservatory (...

Article

Judith Zilczer

American photographer, editor, publisher, patron and dealer. Internationally acclaimed as a pioneer of modern photography, he produced a rich and significant body of work between 1883 and 1937 (see fig.). He championed photography as a graphic medium equal in stature to high art and fostered the growth of the cultural vanguard in New York in the early 20th century....

Article

Zervos  

Isabelle Monod-Fontaine

French collectors, writers and patrons. Christian Zervos (b Cephalonia, Greece, 1 Jan 1889; d Paris, 12 Sept 1970) was of Greek origin and worked briefly for the magazine L’Art d’aujourd’hui, before founding Cahiers d’art in 1926. Covering contemporary painting and sculpture, music, architecture, film and photography, this magazine was internationally acclaimed not only for its promotion of major modernist artists but also for its immaculate presentation and typography. Its authors included critics, historians and aestheticians (Zervos himself, ...