French sculptor, painter, collagist, printmaker, and poet of German birth. The son of a German father and French Alsatian mother, he developed a cosmopolitan outlook from an early age and as a mature artist maintained close contact with the avant-garde throughout Europe. He was a pioneer of ...
Belgian, 20th century, male.
Born 1907, in Termonde.
Belgian Surrealist Group.
Eemans trained at the Académie de Molenbeek St-Jean and the Académie de Bruxelles. In 1922 he met Servanckx and joined the first Belgian Constructivist group. He was also a poet and an art historian who wrote several works on modern art in Belgium....
American designer and painter, active in England. He studied painting first, at evening classes at the Mark Hopkins Institute, San Francisco (1910–12), at the Art Institute of Chicago, with lettering (1912), and in Paris at the Académie Moderne (1913–14). In ...
Term that refers to the technique of organizing various images into a single composition in both film and visual art. It is also frequently applied to musical and literary works that emphasize fragmentation and paratactic construction. In film, the term typically refers to the organization of individual shots to create a larger structure or narrative. This technique was developed most systematically by the film makers of the 1920s Russian avant-garde such as Sergey Eisenstein (...
German painter and draughtsman. He studied at the Bauhaus in Weimar under Johannes Itten (1921–5). His early work was influenced by Constructivism, but Oelze was soon impressed by Neue Sachlichkeit, with which he became familiar while living in Dresden (1926–9). At this time he also became acquainted with Otto Dix and his work. His pictures from the late 1920s, for example ...
Czech painter and illustrator. Although he was resident in France from 1921, he remained in close contact with contemporary Czech art, especially Surrealism, and with Czech poetry. He participated in a number of exhibitions in Czechoslovakia (e.g. of the Devětsil Union of Artists, and the international exhibition ...
Hungarian artists’ colony founded in 1928 in Szentendre on the Danube Bend near Budapest. Its founder-members had all been pupils of István Réti, a member of the Nagybánya colony and, though designed as a centre for the creation of a national art, it soon incorporated an eclectic variety of styles, from Neo-classicism to Surrealism. Its more interesting developments came from the influence of such international movements as Constructivism and Surrealism, although in both cases these received a peculiarly Hungarian interpretation. ...
Hungarian painter, draughtsman, collagist and printmaker. He studied in 1927–30 at the Art School in Budapest under István Csók. At this stage he was committed to Constructivism, left-wing political ideas and the Munka-kört (workers’ circle), run by Lajos Kassák. From 1930 to 1934 he lived in Paris, where Cubism and Surrealism impressed him, but his greatest interest was Soviet avant-garde film, which influenced the politically committed Surrealist simultaneous photomontages that he made in Paris. In ...