French writer, draughtsman, stage designer, actor and director . He learnt to draw and paint in 1918–19 while staying in an establishment near Neuchâtel where he had been sent suffering from a nervous complaint that had begun in 1914. There he was prescribed opium in May 1919...
French, 20th century, male.
Born 4 December 1937, in Paris.
Painter. Figure compositions, figures, portraits. Stage costumes and sets.
Jacques Bazin began painting when still at school. Initially influenced by Cubism, he soon discovered Surrealism and was a friend of Dalí for some 20 years. He began exhibiting work in ...
English painter, illustrator and stage designer. As a student at the Chelsea Polytechnic (1921–3) and the Royal College of Art (1923–5) he became a talented figure draughtsman. In the second half of the decade he spent much time in France painting intricately detailed urban scenes, which depicted the low life of Toulon and Marseille. Works such as the watercolour ...
Italian, 20th century, male.
Born 1913, in Milan; died 1993.
Painter (including gouache), watercolourist, engraver, sculptor, illustrator. Figures, landscapes, still-lifes, animals. Stage sets.
Clerici was a keen reader of the Surrealist review Le Minotaure in his youth, and this strongly influenced his later work.
From the outset of his career, he was active in creating stage sets for opera, ballet and the theatre, at the Fenice in Venice, the Rome opera house and other venues, for the works of Monteverdi, Purcell, Lulli, Goldoni and Stravinsky. He also worked as a book illustrator. In his more personal work, he first gained a reputation as a sculptor. After ...
Greek painter, stage designer and poet. He spent his school years in Constantinople (now Istanbul) and Paris. Between 1932 and 1938 he studied at the Higher School of Fine Arts in Athens under Konstantinos Parthenis and Yannis Kefallinos (1893–1957). At the same time he worked with ...
French painter, stage designer and illustrator of Argentine birth. She grew up in Trieste, Italy. Her first contact with art was through visits to European museums and in her uncle’s large library, where she gleaned her earliest knowledge of artists such as the Pre-Raphaelites, Aubrey Beardsley and Gustav Klimt. She had no formal training as an artist. Her first one-woman exhibition took place in Paris in ...
Leland M. Roth and Gordon Campbell
American architect, stage designer, furniture designer and writer of Austrian birth. In 1920 he worked with Adolf Loos in Vienna. He was also in contact with the artists associated with De Stijl and began experimenting with innovative theatre designs. In 1924 he produced the Endless Theatre design. The ‘Endless’ was a double-curved shell of reinforced concrete that could enclose any irregularly traditional divisions into floor, wall, and ceiling but offered the inhabitant an open interior that could be modified at will. For the theatre he adapted the ‘Endless’ by devising a double-spiral stage interconnected by ramps and rings of spectator seats. Kiesler believed that the Endless Theatre, without proscenium or curtain, projecting out into the audience, with perpetually moving walls bathed in light of ever changing colour, would promote greater interaction between actors and audience....
Margarita González Arredondo
Mexican painter, stage designer, illustrator and writer. He studied in Mexico City at the Escuela al Aire Libre de Coyoacán and at the Escuela Nacional de Artes Plásticas, before living in Paris from 1922 to 1930, where he trained as a stage designer from 1928 to 1930...
French, 20th century, male.
Born 4 January 1896, in Balagny (Oise); died 28 October 1987, in Paris.
Painter (including gouache), draughtsman, sculptor, engraver, illustrator. Stage sets.
Paris Surrealist group.
André Masson came from the region of Compiègne, Beauvais and Senlis. His father sold wallpaper. He lived in Balagny until the age of eight. Following a short stay in Lille his father's work took the family to Brussels, where he attended school until the age of 12. He then became an apprentice, working in the afternoons as a draughtsman in an embroidery studio and studying at the Académie Royale des Beaux-Arts in the mornings and evenings....
French painter, draughtsman, printmaker, and stage designer. His work played an important role in the development of both
Mexican painter, printmaker, illustrator and stage designer. In 1903 he began studying painting in Guadalajara under Félix Bernardelli, an Italian who had established a school of painting and music there, and he produced his first illustrations for Revista moderna, a magazine that promoted the Latin American modernist movement and for which his cousin, the poet Amado Nervo, wrote. In ...
Danish painter and stage designer. He studied at the art academy in Copenhagen from 1931 to 1932. In 1932 he visited Berlin with the painter Ejler Bille and saw paintings by Vasily Kandinsky, after which he began to make abstract pictures with pure, geometrical forms. He was also attracted by Surrealism and in his paintings of ...
French painter, stage designer and illustrator. After working briefly in an architect’s office in Nantes, he moved to Paris and enrolled at the Ecole Nationale des Beaux-Arts, which he disliked. He then worked on designs for the Exposition Universelle of 1900 before entering the Ecoles des Langues Orientales to learn Japanese and modern Greek. After this he studied at the Ecole des Arts Décoratifs under ...
American painter, printmaker, sculptor, stage designer and writer of Swiss birth. He studied at the Ecole des Beaux-Arts in Geneva (1920) and at the Accademia di Belle Arti in Florence (1927). From this training he drew upon two dominant influences, combining a predilection for the illusionistic deep space and the clear vibrant colour of the Italian tradition with the fantastic narratives explored by earlier Swiss artists such as Johann Heinrich Füseli, Ferdinand Hodler, Urs Graf and Niklaus Manuel Deutsch....
Czech, 20th century, male.
Born 11 August 1899, in Cerma near Geiersberg, Bohemia; died 21 March 1942, in Prague.
Painter, watercolourist, collage artist, draughtsman, engraver, illustrator. Stage sets.
Devetsil Group, Prague Surrealist group.
Styrsky studied at the academy of fine art in Prague from 1920 to 1923...
Whitney Chadwick and Amy Lyford
American painter, sculptor, illustrator, stage designer, and writer. She studied at the school of the Art Institute of Chicago in 1932 before moving to New York, where she saw the exhibition Fantastic Art, Dada, Surrealism (1936–7; New York, MOMA) and was inspired to become a painter. After meeting ...
Swiss painter, draughtsman and stage designer. He met Serge Stauffer (b 1930) in 1946, with whom he shared an admiration for Dada and Surrealism, and in particular for Hans Arp and Marcel Duchamp. In 1947 they started to exchange letters (some of which survive; see ...