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Leland M. Roth and Gordon Campbell

American architect, stage designer, furniture designer and writer of Austrian birth. In 1920 he worked with Adolf Loos in Vienna. He was also in contact with the artists associated with De Stijl and began experimenting with innovative theatre designs. In 1924 he produced the Endless Theatre design. The ‘Endless’ was a double-curved shell of reinforced concrete that could enclose any irregularly traditional divisions into floor, wall, and ceiling but offered the inhabitant an open interior that could be modified at will. For the theatre he adapted the ‘Endless’ by devising a double-spiral stage interconnected by ramps and rings of spectator seats. Kiesler believed that the Endless Theatre, without proscenium or curtain, projecting out into the audience, with perpetually moving walls bathed in light of ever changing colour, would promote greater interaction between actors and audience....

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Celia Rabinovitch

American painter, printmaker, sculptor, stage designer and writer of Swiss birth. He studied at the Ecole des Beaux-Arts in Geneva (1920) and at the Accademia di Belle Arti in Florence (1927). From this training he drew upon two dominant influences, combining a predilection for the illusionistic deep space and the clear vibrant colour of the Italian tradition with the fantastic narratives explored by earlier Swiss artists such as Johann Heinrich Füseli, Ferdinand Hodler, Urs Graf and Niklaus Manuel Deutsch....

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Whitney Chadwick and Amy Lyford

American painter, sculptor, illustrator, stage designer, and writer. She studied at the school of the Art Institute of Chicago in 1932 before moving to New York, where she saw the exhibition Fantastic Art, Dada, Surrealism (1936–7; New York, MOMA) and was inspired to become a painter. After meeting ...