Mexican architect, theorist and writer, of Japanese descent. The son of a Japanese ambassador in Mexico, he studied philosophy, espousing neo-Kantianism and becoming politically a socialist. He became a supporter of Functionalism, with its emphasis on the social applications of architecture, and was a founder, with ...
Japanese architect, teacher and theorist. One of the leading architects of his generation, he became an influential proponent of the avant-garde conceptual approach to architecture that characterized the New Wave in Japan in the 1970s and after (see
British architect, planner and critic of Georgian birth. He was born into a prosperous Georgian family: his father was an admiral, and the family enjoyed numerous vacations throughout Europe. Lubetkin was in Moscow during the revolutionary year of 1917 and enrolled in the Vkhutemas, the school of art and architecture. He was taught by leading innovators of 20th-century art, including ...
German architect, teacher, and writer, active also in England, Palestine, and the USA. Mendelsohn was one of the most influential exponents of architectural Expressionism, and his sketches of fluid organic building forms and his Einstein Tower, Potsdam, are among the best-known products of the movement. Although his later work abandoned three-dimensional forms in favour of more conventional, geometric designs, these often incorporated curvilinear plans and retained an innovative dynamism....
Uriel M. Adiv
Israeli architect, urban planner and writer, of Polish birth. He settled originally in Palestine in 1920 with a group of young pioneers who were intent on reviving Jewish nationhood. He joined the kibbutz at Gan Shemuel, later taking charge of the planning and execution of the farm buildings and dwelling units. He studied architecture and building construction in Germany from ...
Mark Allen Svede
Latvian painter, printmaker, ceramicist, interior designer, tage and film set designer and theorist. He was the foremost ideologue for modernism in Latvia and was one of its greatest innovators. His militant defence of avant-garde principles befitted his experience as a soldier and as one of the artists who, after World War I, was denied a studio by the city officials and staged an armed occupation of the former premises of the Riga Art School. At the end of the war he painted in an Expressionist manner: ...