Russian painter, graphic artist, sculptor and designer of Ukrainian birth. He studied painting at the School of Art in Odessa (1901–7) under Kiriak Kostandi (1852–1921), at the same time attending classes in sculpture. In 1908–9 he made a series of pointillist paintings. He visited Vienna and Munich in ...
Israeli painter of Polish birth. As a young boy he greatly admired El Greco, Goya and Rembrandt. From 1920 to 1925 he studied at the Bauhaus, Weimar, under Klee, Kandinsky, Johannes Itten and Lyonel Feininger and the following year studied painting techniques at the Akademie der bildenden Künste in Munich under ...
German architect, teacher and writer, active in Palestine . He studied architecture (1895–1901) at the Technische Hochschule, Charlottenburg, Berlin, spending one summer term at the Technische Hochschule, Munich. His student works revealed exceptional skill as a draughtsman and he won the Schinkel Medal (...
He graduated at the Art Academy, St Petersburg, in 1911, and practised in St Petersburg until 1921, when he settled in Palestine. After two years as chief architect of the Public Works Office of the Histadruth (the General Federation of Jewish Labour in Eretz-Israel), he set up in private practice in Tel Aviv. In his early buildings Berlin developed a highly personal vocabulary of simplified classicist ornament adapted to the simple materials and craftsmanship then available in the city. A notable example is the power station (...
Uruguayan conceptual artist and teacher, of German birth. Of Jewish ancestry, he fled with his family to Uruguay in 1939. He studied at the University of Uruguay between 1953–57 and 1959–62 before a Guggenheim fellowship took him to New York in 1961 to study printmaking. Although he settled in the USA, he retained his Uruguayan citizenship. From the 1970s, Uruguay and Latin America in general inspired a series of conceptual installations that addressed such issues as language, identity, freedom, repression and the role of art. Politics is a dominant element in Camnitzer’s work, expressed in ethical and artistic debate rather than in rhetoric. For Camnitzer, the task of the artist was to be aware of and express the problems that surround him, an attitude that challenged a perceived lack of meaning prevalent in much contemporary work. His questioning of traditional values applied not only to the theme of his work, but to its material form: employing objects of little intrinsic value, he rejected traditional notions of art as beautiful and of commercial worth. Through the use of texts, images and objects, such as those employed in ...
French painter, draughtsman, printmaker, designer, sculptor, ceramicist, and writer of Belarusian birth. A prolific artist, Chagall excelled in the European tradition of subject painting and distinguished himself as an expressive colourist. His work is noted for its consistent use of folkloric imagery and its sweetness of colour, and it is characterized by a style that, although developed in the years before World War I, underwent little progression throughout his long career (see.g. ...
South African, 20th–21st century, male.
Active in France.
Born 11 August 1962, in Johannesburg.
Printmaker, choreographer, performance artist. Identity politics.
Steven Cohen was the first South African artist under apartheid to create confrontational performance art engaging with sexual and cultural identity. He began his career in the 1980s, while conscripted into the South African army, when he went absent without leave and learnt how to screenprint at Cape Town’s Ruth Prowse School of Art....
Term applied to the loose affiliation of artists working in Paris from the 1920s to the 1950s. It was first used by the critic André Warnod in Comoedia in the early 1920s as a way of referring to the non-French artists who had settled and worked in Paris for some years, many of whom lived either in Montmartre or Montparnasse, and who included a number of artists of Eastern European or Jewish origin....
David M. Sokol
American painter of Russian-Polish origin. He claimed to have carved wooden ceremonial objects as a young boy, but ceased to create until he retired from his clothing manufacturing concern and began to paint. When Sidney Janis was arranging an exhibition of American folk art for the Museum of Modern Art (MOMA), New York, in ...
Hungarian painter. After attending drawing classes in Kassa, he continued his studies at the Akademie der Bildenden Künste in Vienna. In 1860 he won a scholarship, enabling him to travel to Paris, where he settled, painting mostly portraits and genre pictures. In 1868 he moved to Warsaw, where he completed the biblical composition ...
Israeli sculptor and video, performance and installation artist. She studied at the Bezalel Academy of Art and Design in Jerusalem, where she was awarded a BFA in 1994 and continued post-graduate studies in 1995. She spent a semester at the Cooper Union School of Art and Design, New York, as an exchange student in ...
South African, 20th century, male.
Born 8 May 1903, in Plungian, Lithuania; died 25 October 1980, in Kiryat Tivon, Israel.
Sculptor in diverse materials, draughtsman, printmaker.
In 1908, Isreal-Isaac Lipshitz emigrated to South Africa where he remained, apart from trips abroad, until his retirement to Israel in ...
Israeli art historian of Jewish art. Educated first at the Hebrew University of Jerusalem, he moved to London and earned an MA in art history at the Courtauld Institute (1959) and a PhD at the Warburg Institute (1962). Returning to Jerusalem, Narkiss rose steadily through the ranks from ...
Russian, 20th–21st century, male.
Born 27 September 1939, in Leningrad, Soviet Union (now St Petersburg, Russia).
From 1954 until 1957, Alexander Ney studied at the Secondary Art School of the Ilya Repin Institute for Painting, Sculpture, and Architecture in Leningrad. While he was trained in the official style of Socialist Realism, Ney resisted this restriction, developing alternative artistic practices. When continuing his studies at the Art School of the Surikov Institute in Moscow in ...
Noémie Goldman and Kim Oosterlinck
Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....
Lithuanian sculptor and painter, active in Palestine. Born into a poor, orthodox Jewish family, he attended rabbinical school in Vilna (now Vilnius; 1882–7). During this period he studied art at the local academy and, affected by the anti-Semitism of the period, developed left-wing political interests and the connections to an emancipated Jewish art form. His personal history generated three distinct artistic periods: the early activities in Paris (until ...
Art historian and scholar of Jewish and Christian art, active in France. Known as the ‘grande dame’ of Jewish art, Sed-Rajna came to Paris in 1948. She became Director of the Hebraic Section of the Institut de Recherche et d’Histoire des Textes at the Centre national de la recherche scientifique (CNRS) and then taught at the Ecole Pratique des Hautes Etudes and at the Institut d’Etudes Juives of the Université Libre in Brussels. In ...
Milo Cleveland Beach
French jeweller and collector. Vever directed the family jewellery business, begun in Metz by his grandfather Pierre-Paul Vever (d 1853). After the capture of Metz in the Franco-Prussian War (1871), the family moved to Luxembourg and then Paris, where the Maison Vever became well established on the Rue de la Paix, winning the Grand Prix of the universal expositions in ...