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American, 19th–20th century, male.

Born 23 July 1864, in South Dedham, Massachusetts; died 2 November 1933, in Norwood, Massachusetts.

Photographer, publisher. Portraits, nude studies, religious and mythological subjects.

The Linked Ring.

Pictorialism.

During the 1880s F. Holland Day worked for A.S. Barnes and Company booksellers in Boston and began experimenting with the camera. In 1893 he established, along with Herbert Copeland, the Copeland and Day publishing house, and over the course of the decade his photographic work flourished. In 1896 he began making pictures of male nudes, often highly accessorized and posed, and also pursued religious themes, culminating in 1898 with a series of 250 photographs of Day performing the life of Christ. Following this controversial pursuit, he organized a major exhibition of Pictorialist photography, ...

Article

Polish, 19th – 20th century, male.

Active in Germany.

Born 23 May 1874, in Drohobycz (Galicia, Ukraine); died 17 June 1925, in Brunswick.

Painter, engraver (etching), illustrator, book designer, photographer. Religious subjects, scenes with figures, landscapes with figures.

Ephraïm Lilien was apprenticed to a sign painter before studying at the school of fine art, Cracow, under the painter Matejko from 1890 to 1892, after which he returned to his home town to work as a commercial painter. Lacking the means to enroll at the Vienna Academy, in 1899 he settled in Berlin, where he became friends with Börries von Münchhausen. With other figures from the Zionist Congress of 1901 he founded the publishing house Jüdischer Verlag in 1902, publishing a great many works of art and literature on the Jewish Renaissance. Also in 1902 he published the ...

Article

Zervos  

Isabelle Monod-Fontaine

French collectors, writers and patrons. Christian Zervos (b Cephalonia, Greece, 1 Jan 1889; d Paris, 12 Sept 1970) was of Greek origin and worked briefly for the magazine L’Art d’aujourd’hui, before founding Cahiers d’art in 1926. Covering contemporary painting and sculpture, music, architecture, film and photography, this magazine was internationally acclaimed not only for its promotion of major modernist artists but also for its immaculate presentation and typography. Its authors included critics, historians and aestheticians (Zervos himself, ...