American tapestry artist, painter and stained-glass designer. Adams studied painting at Syracuse University and with Hans Hoffmann in New York, where he was influenced by the medieval tapestries in the Cloisters and also by the work of Matisse. In the 1950s Adams was apprenticed to the influential French tapestry designer ...
Courtney Ann Shaw
Native American (Choctaw), 20th–21st century, male.
Born 1959, in Phoenix.
Beadworker, painter, fashion designer, glass artist , performance artist.
Marcus Amerman is a distinguished Choctaw artist who works in a number of media and in performance (as a figure called ‘Buffalo Man’) but is best known for creating his own approach to the Native American tradition of beadworking. Amerman has a BA in Fine Art from Whitman College in Walla Walla, Washington, and also studied at the Institute of American Indian Arts in Santa Fe and the Anthropology Film Center. He lives and works north of Santa Fe. Amerman uses a highly mimetic style in his beadwork to recreate, and hence reclaim, Indian images from history, as in his beaded version of the famous D.F. Barry photograph, ...
American, 20th – 21st century, male.
Born 19 February 1946, in Washington DC.
Painter, sculptor, draughtsman, engraver, photographer, video artist, glassmaker, decorative designer. Theatre design.
Akili Ron Anderson attended the Corcoran School of Art and Howard University in Washington DC where he lives and works. He is a member of AfriCobra (African Commune of Bad Relevant Artists) founded in ...
Descriptive term applied to a style of decorative arts that was widely disseminated in Europe and the USA during the 1920s and 1930s. Derived from the style made popular by the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925, the term has been used only since the late 1960s, when there was a revival of interest in the decorative arts of the early 20th century. Since then the term ‘Art Deco’ has been applied to a wide variety of works produced during the inter-war years, and even to those of the German Bauhaus. But Art Deco was essentially of French origin, and the term should, therefore, be applied only to French works and those from countries directly influenced by France....
Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.
The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....
American, 19th – 20th century, male.
Active in the USA.
Born 25 September 1871, in Italy.
Painter, draughtsman. Landscapes. Designs for stained glass.
Nicola d'Ascenzo went to America at a very young age and was a pupil at Philadelphia Fine Art Academy, where he later taught. He began his career as a portrait painter but in time had considerable success as a designer of stained glass. He was commissioned to create 11 windows for the chapel dedicated to George Washington in Valley Forge, a window for the John D. Rockefeller Church in New York, and a window for the Folger Shakespeare Library in Washington DC....
American potter and sculptor of Finnish descent who is best known as a figurative ceramicist but has also worked in bronze, concrete, glass and metal. His works are normally in stoneware with incised decorations, but Autio began to work in porcelain while working at the ...
Bell Los Angeles from 1957 to 1959. After experimenting with geometrically shaped paintings, he turned to constructed paintings made of mirrored and transparent glass and canvas, for example Untitled (Magic Boxes) (canvas, acrylic, glass, 1964; Los Angeles, CA, Co. Mus. A.). The optical ambiguities created by the reflections of the viewer’s image and the ambient space became the hallmark of Bell’s work. Dissatisfied with the limitations of two-dimensional art, he began making faceted boxes of mirrored and transparent glass, the reflecting and refracting surfaces of which greatly extended the optical complexities and ambiguities of his earlier glass and canvas paintings. By late ...
American painter. A popular painter of rural and urban genre scenes, he spent his youth in England, where he served an apprenticeship as a glasscutter. By 1853 he was employed in Brooklyn, NY. After serious study he became, in 1860, a fully fledged member of the New York artistic community, with a studio in the Tenth Street Studio Building and participating regularly in National Academy of Design exhibitions....
American, 19th – 20th century, female.
Active in New York.
Painter, illustrator, stained glass painter.
American glass designer and technician of English birth. He trained as an assistant in his father’s salt-glazed stoneware factory in Stourbridge, Staffs, and attended evening classes at the Stourbridge School of Art and the Dudley Mechanics Institute, Dudley, W. Midlands, where he came under the tutelage of ...
American furniture designer. He normally worked in wood (sometimes exotic wood), but has also made furniture in plastic and fibreglass; his finest work reflects his mastery of laminated wood. Castle’s decorative furniture is strongly sculptural; his designs are markedly individualistic, but nonetheless evince debts to the traditions of Art Nouveau and the Arts and Crafts Movement. His best-known designs are the Molar chair and loveseat designed for Stendig in ...
American, 20th – 21st century, male.
Born 20 September 1941, in Tacoma (Washington).
Glassmaker, sculptor, installation artist.
Dale Chihuly studied at the University of Washington, Seattle, where he received a BA in 1965, the University of Wisconsin, Madison in 1967, where he obtained an MS, and Rhode Island School of Design, where he obtained an MFA in ...
Jane Shadel Spillman
American glass manufactory in Corning, NY. In 1851 Amory Houghton (1813–82), a Boston businessman, became a director of a glass company in Cambridge, MA, and subsequently owner of his own glass factory. Later he sold his Massachusetts glass interests and bought the idle ...
Ellen Paul Denker
American glass manufacturer of French birth. He was apprenticed to his uncle at the age of ten to learn glassmaking at the Compagnie des Verreries et Cristalleries de St Louis in eastern France and in 1846 moved to the USA with his family. He first worked in a small glasshouse in Philadelphia. Between ...
S. J. Vernoit
American painter and stained-glass artist, of Lebanese birth. After an apprenticeship with the Lebanese painter Habib Srour (1860–1938) in Beirut, he studied from 1932 to 1936 at the Ecole des Beaux-Arts, Paris. In 1934 he received the top award for drawing at the school and later exhibited his work at the Salon des Artistes Français. After graduating in ...
American, 19th–20th century, female.
Active New York City 1888–1908 or 1909.
Born 15 December 1861 in Tallmadge, Ohio; died 6 November 1944.
Art glass designer.
Clara Pierce Wolcott graduated from the Western Reserve School of Design for Women, then briefly studied architectural decoration at New York City’s Metropolitan Museum School in the late 1880s. In ...
American, 20th century, male.
Born 7 June 1931, in Eatonton (Georgia).
Painter, draughtsman (including ink), collage artist, print artist, sculptor, collector, art historian. Religious subjects, figures, portraits, figure compositions, scenes with figures, landscapes. Designs for stained glass.
David C. Driskell earned a BFA at Howard University in ...
American, 20th century, male.
Active in France.
Born 1907, in St Louis (Missouri); died 1972, in Acheux-en-Vimeu, France.
Painter. Designs for stained glass.
William Einstein was a pupil at the St Louis School of Fine Arts. He went to France at the age of twenty, studying the Old Masters at the Louvre, while taking a course at the École du Louvre. At the same time, in ...
Robert M. Craig
Architectural movement of the 1950s and 1960s. New Formalism was a reaction to the so-called “Miesian” aesthetic of corporate America during the 1950s; the architecture of the glass curtain wall. Rejecting the modernist generation’s abstract functionalist design based on volume and surface skin, Formalist architects instead sought a more articulate, representational, and expressive language of architecture. They reshaped building elements, both structural and formal, and reintroduced historic references and styles to the design of buildings. When fashionably adorned with a “new ornamentalism,” the more stylized Formalist buildings became Mannerist in expression....