American historian of Iranian art. While studying mathematics at the University of California, Berkeley, Ackerman met and eventually married Arthur Upham Pope, with whom she had taken courses in philosophy and aesthetics. In 1926 she and Pope organized the first ever exhibition of Persian art at the Pennsylvania Museum and helped create the First International Congress of Oriental Art. In ...
Sheila S. Blair and Jonathan M. Bloom
Sheila S. Blair and Jonathan M. Bloom
Lebanese–American artist and writer. Daughter of a Greek Christian mother and a Syrian Muslim father, she was educated in Lebanon and at universities in France and the United States. For many years she taught the philosophy of art at Dominican College, San Rafael, CA. She also lectured and taught at many other colleges and universities until her retirement in the late 1970s. Also a novelist and poet, she combined Arabic calligraphy with modern language in her drawings, paintings, ceramics and tapestries. She explored the relationship between word and image in over 200 “artist books,” in which she transcribed in her own hand Arabic poetry from a variety of sources....
American sculptor of Iranian birth. Armajani studied in Iran at the University of Tehran before immigrating to the USA in 1960 to complete his studies in philosophy at Macalester College in Saint Paul, MN, where he settled permanently. He became a naturalized US citizen in ...
Milo Cleveland Beach
American dealer of Indian birth. Following the decline of the family textile business, his father, Munchersa Heeramaneck, became an antiquities dealer and shrewdly developed a speciality in Chinese ceramics. As a youth, Nasli was assigned to the New Delhi office, but in 1922 he was sent to Paris to study and open a branch. He soon moved to New York, which became the final location for ...
Barbara Stoler Miller
Austrian art historian, teacher, and museum curator, active in India and the USA. Her published writings begin with her PhD dissertation on early Buddhist art (1919), written at the University of Vienna under the supervision of
American, 20th century, male.
Active in the USA.
Born 7 March 1884, in Zahle, Lebanon; died 1972.
Painter. Religious subjects.
Nicolas Saleen Macsoud studied at the New York National Academy of Design. He belonged to the Salmagundi Club.
New York: The Holy Sepulchre
Taiwanese conceptual artist, active also in the USA. Lee spent his childhood in Taichung, where he studied Chan Buddhism from the age of eight. At 12, Lee spent time among Taiwanese expatriates in the Dominican Republic, and two years later moved to the USA, where he later studied biology at the University of Washington, Seattle. He transferred, however, to the California College of Arts and Crafts in Oakland, CA, where he focused on architecture and textiles (...
American photographer and video artist of Iranian birth. She studied at the University of California, Berkeley, where she was awarded a BFA in 1979 and an MFA in 1982. She became involved in the Storefront for Art and Architecture in New York when she was unable to return to Iran for political reasons. Years later, having settled in New York, she began making art in response to the situation she found after a visit to the post-Shah religious state. Using the Islamic veil, or chador, she made photographs that examined stereotypes of Muslim women as oppressed by the veil but also empowered by their refusal of the Western colonial gaze, as in ...
Noémie Goldman and Kim Oosterlinck
Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....