Austrian historian of Byzantine, Islamic and Indian art. He studied art history and archaeology at the universities of Vienna and Graz and in 1902 completed his doctorate at Graz under Josef Strzygowski and Wilhelm Gurlitt, a study of the paintings in a manuscript of Dioskurides’ ...
S. J. Vernoit
Barbara Stoler Miller
Austrian art historian, teacher, and museum curator, active in India and the USA. Her published writings begin with her PhD dissertation on early Buddhist art (1919), written at the University of Vienna under the supervision of
Indian writer. His posthumously published work, Essay on the Architecture of the Hindus (published for the Royal Asiatic Society of Great Britain and Ireland, 1834), was a pioneering attempt at acquainting the West with the ancient Hindu ‘science’ of architecture, through a translation of some surviving fragments of Sanskrit treatises. Coming from an aristocratic but impoverished family of Karnataka, Ram Raz rose from the position of clerk to that of Head English Master at the College of Fort St George, Madras, eventually becoming a local judge and magistrate at Bangalore. His translation from Marathi into English of an indigenous code of revenue regulations brought him to the attention of Richard Clarke, a British official of the Madras government. It was under Clarke’s initiative that he turned his linguistic skills towards the elucidation of the ancient temple architecture of south India. While the British turned to a ‘Hindu’ to uncode the age-old precepts ‘locked’ in the Sanskrit language, Ram Raz himself had to rely on traditional Brahman scholars and on the practising craftsmen of the ‘Cammata’ clan of Thanjavur in deciphering the abstruse language and technical vocabulary of the texts. Highlighting the difficulties of his study, he noted the gap in communication between the Brahmans, with their closely guarded high knowledge, and the working ‘lower orders’ of artisans; the result was that the original theories were either lost or vastly distorted....
Noémie Goldman and Kim Oosterlinck
Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....
Mary F. Linda
German art historian. He was trained in Sanskrit philology and comparative linguistics at the University of Berlin, graduating in 1913, and his interests embraced Hindu mythology and philosophy in both literary and visual forms. He taught at the Ernst-Moritz-Arndt Universität, Greifswald (1920–24), and he held the Chair of Indian philology at Heidelberg (...