Bangladeshi painter and printmaker. He studied painting at the Government School of Art in Calcutta from 1933 to 1938, and then taught there until 1947. His work first attracted public attention in 1943 when he produced a powerful series of drawings of the Bengal famine. After the partition of India and Pakistan in ...
Sheila S. Blair and Jonathan M. Bloom
Pakistani painter, sculptor and printmaker. Educated in Pakistan and abroad, he has consciously and successfully synthesized Eastern and Western aesthetic traditions. In 1963, a year after graduating from the National College of Arts, Lahore, he joined the faculty as a lecturer in art, later becoming a professor and head of the Department of Fine Arts. His studies abroad have included post-graduate work in London (...
Pakistani painter and etcher. Apprenticed at age five to Master Abdulla, a Mughal miniature artist of Lahore, by age fourteen Bux had become an accomplished signboard painter. He worked as a carriage painter for Mughalpura Railway and as a scene painter for Agha Hasher Kashmiri’s theatrical company. In ...
Filipino, 20th – 21st century, male.
Born 1942, in Malabon, Manila, Philippines.
Painter, printmaker, illustrator. Figures, portraits.
Baguio Arts Guild.
Bencab started drawing at the age of seven and was influenced by his older brother Salvador, an artist. He later studied at the University of the Philippines College of Fine Arts and worked for several publications as an illustrator and layout artist. In ...
Pakistani painter, etcher and engraver. Though he was self-taught, his early style is indistinguishable from that of the Bengal School (see Calcutta, §3). He may have been influenced by the Calcutta-trained painter Samenendranath Gupta, who was a teacher and vice-principal at the Mayo School of Arts during Chughtai’s years there in the early 1920s as a drawing master in the photolithography department....
Filipino, 20th century, female.
Active in France fromc.1972.
Born 4 June 1942, in Guimbal (Iloilo), Philippines.
Engraver, collage artist. Figure compositions, religious subjects.
Ofélia Gelvezon-Téqui graduated in art from the University of the Philippines in 1964, and again in 1966, in English. In ...
Indian painter, sculptor, printmaker and architect. Totally deaf from the age of 13, he studied painting at the Mayo School of Art, Lahore, from 1939 to 1944, and then at the Sir Jamshetjee Jeejebhoy School of Art, Bombay, from 1944 to 1947. After independence and the partition of India and Pakistan in ...
Printmaker of Indian birth. Zarina, known professionally by her first name only, received a BSc from Aligarh’s Muslim University in 1958. She worked at Atelier 17 in Paris from 1964 to 1967 and studied woodblock printing in Tokyo. With her works she opens up discussions of dislocation, exile, partition and migration. These loaded topics are handled in lighter ways; her black-and-white pictures do not burden viewers with a lot of visual information. Instead, her imagery relies on the extended meanings of lines and shapes: borders, separation and units, among other things. Her semi-abstract, minimal style does not have the cool formalism that one might associate with the Minimalist movement. Perhaps because she often utilizes the woodblock technique, she softens hard edges and customizes the style to her needs. Her subject matter is, likewise, a personalized interpretation of larger concerns....
Indonesian, 20th century, male.
Active in the Netherlands from 1938.
Born 1924, in Sabang, Indonesia.
Engraver, painter, collage artist, sculptor, draughtsman.
A self-taught artist, Anton Heyboer lived in Curaçao in the Dutch Antilles from 1933 to 1938.
He was in a concentration camp in 1943...
Dutch printmaker and painter. His experience in a Nazi concentration camp in 1943, where he nearly died, marked his work. In 1951, after a voluntary stay in a mental hospital, he decided to devote himself to a life as an artist. After 1961 Heyboer lived in an isolated community in a barn at Den Ilp, north of Amsterdam, which he shared with three women. His images from the early 1950s, almost exclusively etchings, show ships in Ijmuiden port and his shabby living dwellings. The first etchings reflecting his mental condition also date from this period. In ...
R. Siva Kumar
Indian printmaker, sculptor and painter. He began with visual reporting of the 1943 Bengal famine for the Communist Party organ Jannayuddha (People’s War); he was also associated with the 1946 peasant unrest. Later, at the Calcutta Art School, he mastered traditional printmaking media. He devoted himself seriously to printmaking in the 1950s, developing viscosity printing independently in ...
Indian painter, printmaker, photographer and film maker. He grew up in Indore, where his family moved in the year of his birth. After studying at the School of Art in Indore for one year he moved to Bombay in 1937 and worked as a painter of cinema hoardings and, from ...
Thai, 20th century, male.
Born 1942, in Bangkok.
Work by Itthi Khongkhakul was shown at the international print biennale in Tokyo in 1974.
Malayan, 20th – 21st century, male.
Born 1947, in Malaya.
Yew Puah Kok lives in Singapore. Works by him in a geometrical abstract style were shown at the international print biennale in Tokyo in 1974.
Chinese sculptor and printmaker, active in Hong Kong. Van moved with his family to Vietnam in 1935 and studied architecture and fine arts in Taiwan from 1953 to 1958; in 1960 he settled in Hong Kong. He became an influential figure in the local arts scene, not only assuming a leading role as a sculptor of the modern school, but also active in arts administration, publishing, design, education and politics. In the 1960s, inspired by contemporary international movements, Van experimented in different styles and media. He subsequently returned to his native tradition for imagery and aesthetic concepts, though retaining a Western approach in formal organization. Thereafter, his focus has been metal sculpture in geometric formations suggesting vitality and organic growth. His fascination with movement, particularly flight, inspired his ...
Vietnamese, 20th century, male.
Active in France from 1940.
Born 1921 or 1922, in Bich-La-Dong (Quang Tai, Hue); died 7 March 2015, in Paris.
Painter, printmaker, lithographer, draughtsman, sculptor. Stage costumes and sets.
Le Ba Dang came to Paris in 1939 and studied at the Écoles des Beaux-Arts in Toulouse and then Paris. He had his first solo exhibition at the Galerie du Globe in Paris in ...
Thai, 20th – 21st century, male.
Born 1947, in Angthong.
Viboon Leesuwan lives in Nakhon Pathom in Thailand. In 1974, works by him were shown at the Tokyo print biennale.
Singaporean, 20th century, female.
Active and naturalised in England.
Born 16 February 1936; died 1997.
Kim Lim grew up in Singapore and moved to London at the age of 18 to study at St Martins School of Art (1954-1956) and at Slade School of Art (...
Catherine M. Grant
British sculptor and printmaker of Chinese birth. She grew up in Singapore and at the age of 18 decided to go to London to study at Saint Martin’s School of Art (1954–6) where she took a particular interest in wood-carving; she then transferred to the Slade School of Art, where she concentrated on printmaking, graduating in ...
Malayan, 20th century, male.
Born 1944, in Malaya.
Thien Shih Long lives in Kuala Lumpur. In 1974, work by him was exhibited at the 9th International Print Biennale in Tokyo.