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Article

American, 20th century, male.

Born 1940, in Pittsburgh.

Painter (mixed media), watercolourist, engraver, draughtsman.

Conceptual Art, Copy Art.

Mel Bochner studied at the Carnegie Institute of Technology in Pittsburgh. He settled in New York in 1964.

He stood out among the exponents of Conceptual Art in his use of writing systems as a primary material for artistic expression, especially figures or series. There is a similarity between certain works by Bochner and some of those of Berlewi, but whereas Berlewi, in the 1920s, used stencils to repeat geometrical structures in mechanical fashion, Mel Bochner, in the 1960s, drew his geometrical figures by hand, although they were also based on the repetition of the same element, usually the point. For a period of a few years, Bochner's interest in the problem of the representation of writing and the word led him to construct installations. From ...

Article

Native American (Confederated Salish and Kootenai Tribes of the Flathead Nation), 20th–21st century, male.

Born 1946, in Montana.

Printmaker, photographer, conceptual artist, installation artist.

Corwin Clairmont, or ‘Corky’, received his MFA from California State University, Los Angeles in 1971. His early work, concerning social and environmental issues, earned him a Ford Foundation Grant (...

Article

James Smalls

African American sculptor, printmaker, and conceptual artist. He grew up in New Jersey and attended the Boston University School of Fine Arts, the School of Visual Arts and the Art Students League of New York City. Cole is best known for assembling and transforming ordinary domestic objects, such as irons, ironing boards, high-heeled shoes, lawn jockeys, hair dryers, bicycle parts and other discarded appliances and hardware into imaginative and powerful configurations and installations embedded with references to the African American experience and inspired by West African religion, mythology and culture. Visual puns and verbal play characterized his works, thereby creating layered meanings. The objects he chose were often discarded mass-produced American products that had themselves acquired an alternate history through their previous handling and use....

Article

American, 20th – 21st century, male.

Born 1954, in Wichita (Kansas).

Engraver, screen printer.

Conceptual Art.

Hachivi Edgar's prints are often trenchant denunciations of what he sees as the inherent violence of American society. He was among the American artists invited to exhibit at the Salon de la Jeune Gravure Contemporaine in Paris in ...

Article

Native American (Cheyenne and Arapaho), 20th–21st century, male.

Born 22 November, 1954, in Wichita (Kansas).

Painter, draughtsman, sculptor, printmaker, installation artist, conceptual artist, educator.

Edgar Heap of Birds is one of the most distinguished North American indigenous artists of his generation. His works reveal a distinctly critical and historical awareness of the ways that American Indian peoples, their histories and their viewpoints have been ignored and written over under colonialism. He has received numerous honours, presenting his work in competition for the United States Pavilion at the 52nd Venice Biennale (...

Article

American, 20th century, male.

Born 7 August 1939, in Sharon (Pennsylvania); died 8 December 1996, in Richmond (Virginia).

Printmaker, painter, installation artist. Artists’ books.

Conceptual Art. Fluxus.

Davi Det Hompson was primarily known for making artists’ books, at a time in the 1970s when they had become a significant medium for artists in the Conceptualist tradition. Hompson studied at Anderson College in Indiana, and received an MFA in graphic design from Indiana University-Bloomington in ...

Article

American, 20th century, male.

Born 1930, in Bellingham (Washington State).

Engraver, lithographer, installation artist, sculptor.

Conceptual Art.

David Ireland studied industrial design and printmaking at the Californian College of Arts and Crafts, graduating in 1953. He worked as an architectural draughtsman, a carpenter and an African safari guide before returning to art education in the 1970s. In ...

Article

American, 20th century, male.

Active in Italy.

Born 9 September 1928, in Hartford (Connecticut); died 8 April 2007, in New York.

Painter (gouache), installation artist, sculptor, engraver, draughtsman, illustrator. Artists’ books.

Conceptual Art, Minimal Art.

From 1945 to 1949 Sol LeWitt was a student at the University of Syracuse, New York. In 1951–1952 he did military service in Japan and Korea. By 1953 he was studying in New York at Cartoons Illustrators, which later became the School of Visual Arts. He worked for the magazine ...

Article

Denise Carvalho

Brazilian interventionist, multimedia, installation and conceptual artist, considered the most influential contemporary artist of his country. While international critics have compared his work with North American Minimalism and Conceptual art, Meireles insisted that art should be seductive. He studied at the National School of Fine Arts and at the Museum of Modern Art in Rio de Janeiro. Coming of age at a time of the military dictatorship in Brazil (...

Article

American, 20th century, male.

Born 9 February 1931, in Kansas City.

Sculptor, painter, performance artist, draughtsman, engraver.

Conceptual Art, Minimal Art, Process Art, Antiform.

From 1948 to 1950 Robert Morris studied engineering and art at the University of Kansas City and from 1950 to 1952 at the California School of Fine Arts, San Francisco. In 1961 he studied art history at Hunter College, New York. He settled in Gardiner, New York State....

Article

American, 20th – 21st century, male.

Born 16 December 1937, in Omaha (Nebraska), United States.

Painter, engraver, film producer, photographer. Artists’ books.

Conceptual Art.

In 1942, the family of Edward Joseph Ruscha moved to Oklahoma City. Ruscha trained as a commercial artist at the Chouinard Art Institute (now California Institute of the Arts), Los Angeles, from 1956; he then settled in Los Angeles....

Article

American, 20th – 21st century, female.

Born 1960, in Brooklyn (New York City).

Engraver, photographer, mixed media, installation artist.

Conceptual Art, Identity Art.

Lorna Simpson studied at the University of San Diego and then at the New York School of Visual Arts. She started out as a photo-journalist and her work has retained a connection between the photograph and text. She is an African American artist who works from texts and photographs and sometimes makes sound installations. She portrays the black female body and questions the usual stereotypes, as in the series ...

Article

American painter, printmaker, and conceptual artist. She wanted to become an artist from an early age. She studied graphic art at the Pratt Institute, New York (1956–8), and painting and comparative literature at Boston University (1958–60). Steir noted her teachers Richard Lindner and ...

Article

American, 20th century, male.

Born 2 December 1942, in Holyoke, Massachusetts.

Painter, watercolourist, draughtsman (ink), lithographer, photographer, mixed media, video artist. Figures, portraits, landscapes.

Bad Painting, Conceptual Art.

William Wegman graduated from the Massachusetts College of Art, Boston, and went on to study printmaking at the University of Illinois, Urbana-Champaign. His early work consisted of Minimalist paintings and sculptures, but he later began making conceptual works, which he documented with photographs. He made his name in the 1970s with photographs and videos of his Weimaraner dog Man Ray, who also features in his paintings and drawings. He adds captions to his paintings and drawings, some copying text from 1950s children’s encyclopaedias. In the 1980s Wegman continued making photographs of his dogs, generating public attention from children and adults. These deadpan, quirky portraits give them a near-human quality, especially when Wegman began posing them in period costumes, roller skates, and in tableau-vivant settings of everyday life. His series of fairy-tale portraits of the dogs have been described as transfigurations. He returned to painting in the mid-1980s and in 1998, after a 20-year hiatus, Wegman began making video works, usually depicting himself performing monologues. The light-hearted and ironic tone of his videos explores what has been described as ‘the aesthetic of boredom’. In 2003, he showed works in which he had painted around postcards glued to wood panels. He experiments with varied styles, from conceptual art to Hyperrealism, from Orientalism to Luminism. He is based in New York....