American historian of Iranian art. While studying mathematics at the University of California, Berkeley, Ackerman met and eventually married Arthur Upham Pope, with whom she had taken courses in philosophy and aesthetics. In 1926 she and Pope organized the first ever exhibition of Persian art at the Pennsylvania Museum and helped create the First International Congress of Oriental Art. In ...
Sheila S. Blair and Jonathan M. Bloom
American institution and art school promoting fine art that was active between 1802 and 1841 in New York. The Academy was the second art academy established in the USA, following the Columbianum Academy of Philadelphia. It was founded in 1802 as the New York Academy of the Fine Arts by its first president, mayor Edward Livingston, and his brother Robert R. Livingston, president from ...
Mexican illustrator, writer, gallery owner, and publisher, active in the USA. He was the son of a wealthy Mexican lawyer and publisher. De Zayas started his career as an artist by providing drawings for his father’s newspaper in Veracruz. In 1906 he moved on to Mexico City’s leading newspaper, ...
Nancy E. Green
American curator, scholar, collector, and educator. Fenollosa played a unique role in enhancing the appreciation of Japanese art in both its native country and within the USA. Educated at Harvard, after graduation he studied philosophy and divinity at Cambridge University, followed by a year at the newly founded art school at the Boston Museum of Fine Arts. He also formed important friendships with the collectors ...
Sheila S. Blair and Jonathan M. Bloom
American historian of Islamic art. The son of the Byzantinist André Grabar, Oleg Grabar studied at the University of Paris, Harvard and Princeton, where he received his Ph.D. in 1955. He began his teaching career at the University of Michigan in 1954 and taught at Harvard from ...
American architect, industrial designer and teacher of German birth. He was one of the most influential figures in the development of the Modern Movement, whose contribution lay as much in his work as theoretician and teacher as it did in his innovative architecture. The important buildings and projects in Gropius’s career—the early factories, the Bauhaus complex at Dessau (...
Native American (Cheyenne and Arapaho), 20th–21st century, male.
Born 22 November, 1954, in Wichita (Kansas).
Painter, draughtsman, sculptor, printmaker, installation artist, conceptual artist, educator.
Edgar Heap of Birds is one of the most distinguished North American indigenous artists of his generation. His works reveal a distinctly critical and historical awareness of the ways that American Indian peoples, their histories and their viewpoints have been ignored and written over under colonialism. He has received numerous honours, presenting his work in competition for the United States Pavilion at the 52nd Venice Biennale (...
American painter, teacher and theorist of German birth. He moved with his family to Munich in 1886 and in 1896 left home to become assistant to the director of public works of the State of Bavaria; he distinguished himself with a number of inventions, including an electromagnetic comptometer, a radar device for ships, a sensitized light bulb and a portable freezer unit for military purposes. In spite of his parents’ strong objection and their hopes for his career as a scientist, in ...
W. Eugene Kleinbauer
German art historian of late antiquity, Byzantium and Norman Sicily, active also in the USA. Kitzinger was a prominent medievalist who went to Rome in 1931 to begin doctoral work in medieval art history under the supervision of
A. Krista Sykes
American architectural historian and professor of Turkish birth. Kostof attended Robert College in Istanbul, an American-sponsored university preparatory school. In 1957 he arrived in the USA to study drama at Yale University, yet he switched to art history, studying under noted historian Vincent Scully and earning his doctorate in ...
Native American (Wintu-Nomtipom/Tenai), 20th–21st century, male.
Born 5 October 1937, in San Francisco.
Artist, poet, writer, traditional dancer.
Frank LaPena, of the Wintu-Nomtipom/Tenai of Northern California, is a key figure, along with a number of other important Native artists working in California during the 1970s, in what has been termed a ‘Renaissance’ in California Indian arts. Many of LaPena’s artworks engage directly with his awareness of California Indian experience and memory. He has used Mount Shasta significantly as a source of inspiration. As was usual for his generation, he attended a federal Indian boarding school (in Stewart, Nevada) and experienced its harsh assimilationist doctrines. He began to be interested in the arts during high school and this developed further during his undergraduate years at California State University, Chico. Later earning a teaching credential at San Francisco State University and a Masters of Arts degree at CSU, Sacramento, he would eventually teach at the latter as Professor of Art and Ethnic Studies. He has said that he learnt more from his California Indian elders than anything presented to him in the state education system. Now retired, he continues to hold leadership roles in the arts both locally and nationally....
Native American (Seneca and Tuscarora), 20th–21st century, male.
Born 1942, in Oshweken (Ontario).
Artist, educator, writer, curator.
George Longfish is a distinguished and internationally respected artist whose works often blend humour with a note of irony to draw attention to the problems of representation and stereotypic formulations found in many images and beliefs concerning American Indians. This is shown most effectively in the work ...
African American painter, writer, film production designer, and multimedia installation artist. Marshall’s works portray idealized subjects derived from African American experience in large-scale, multiple-figure paintings and installations that share many characteristics with European history painting in the “grand manner” of Peter Paul Rubens, Benjamin West...
French art historian and economist, active in the USA. Montias was a specialist in Eastern European command economies who in mid-career changed fields and became a historian of Dutch painting. His interest in the subject was threefold. Before he began writing on Dutch art, he collected it, with the advice of a leading specialist in the field, Egbert Haverkamp-Begemann, a fellow professor at Yale University. This led him to pursue knowledge concerning the minor masters he could afford, which brought him closer to the basics of the Dutch art world. It was an approach diametrically opposed to how most students learn about this material, which is from the iconic masterworks down. His second focus of interest was economic. Three-quarters of a century after the appearance of the last, largely anecdotal survey of the economics of Dutch art, by Hanns Floerke, Montias applied the techniques of neo-classical economics to the field in a way that was accessible to art historians. Entirely on his own, he opened up new perspectives that inspired art historians, economists, and economic historians alike to revisit the subject of Dutch art. Thirdly, Montias was entranced by the ...
Artists’ association, art school and exhibition space. The National Academy of Design (NAD; now known as the National Academy Museum and School of Fine Arts) was one of the earliest organizations in the USA devoted to the development of the fine arts. It was established in ...
Native American (Crow), 20th–21st century, female.
Born 1981, in Billings (Montana).
3D, collage and installation artist, photographer, printmaker.
Wendy Red Star, member of the Crow Nation and niece of noted Crow painter Kevin Red Star, works in a variety of media to produce multi-layered artworks which point to complexities in indigenous North American experience today. Drawing particularly on her years growing up near to the Crow Indian Reservation in Northern Montana, in collages such as ...
French critic and philosopher Nicolas Bourriaud adopted the term ‘relational aesthetics’ in the mid-1990s to refer to the work of a selected group of artists, and what he considers their novel approach to a socially conscious art of participation: an art that takes as its content the human relations elicited by the artwork. Its key practitioners, most of them emerging in the 1990s, include ...
Deborah A. Middleton
American art historian and museum curator. Rubin has been credited with defining the historical narrative of modern art through his writings and exhibitions at the
Margaret Moore Booker
Founded in 1871 by a small group of artists in New York City, the Salmagundi Club is one of the oldest professional art clubs in America. The Salmagundi Club began as a sketch class that met in the Broadway studio of sculptor Jonathan Scott Hartley (...
Fund-raising events organized by Sanitary Commissions in various cities from 1863 to 1865 in aid of the Union army. The fairs included some of the most influential public displays of the fine arts in America up to that point and were an impetus for the establishment of major art museums in American cities. The US Sanitary Commission, formed in early ...