American painter, writer and Playwright. After working in England with Benjamin West between 1784 and 1787, Dunlap concentrated primarily on the theatre for the next 20 years. His two main interests are documented in his large Portrait of the Artist Showing his Picture of Hamlet to his Parents...
American, 20th – 21st century, female.
Born 18 June 1960, in New York City.
Performance artist, writer, art historian, curator. Multimedia, video, film, Internet art. Multiculturalism, feminism.
Coco Fusco studied semiotics at Brown University (1982) and received a MA in Modern Thought and Literature from Stanford University (...
(b Ibadan, 1961).American computer artist, technologist, writer, and researcher of Nigerian birth. Goldberg grew up in Bethlehem, PA. He received dual BS degrees in Electrical Engineering and Economics from the University of Pennsylvania in 1984, and a PhD in Computer Science from Carnegie Mellon University in ...
Native American (Cheyenne and Arapaho), 20th–21st century, male.
Born 22 November, 1954, in Wichita (Kansas).
Painter, draughtsman, sculptor, printmaker, installation artist, conceptual artist, educator.
Edgar Heap of Birds is one of the most distinguished North American indigenous artists of his generation. His works reveal a distinctly critical and historical awareness of the ways that American Indian peoples, their histories and their viewpoints have been ignored and written over under colonialism. He has received numerous honours, presenting his work in competition for the United States Pavilion at the 52nd Venice Biennale (...
American dealer, collector, and writer. He first worked as a professional ballroom dancer, aeronautical mechanic, and businessman. During business trips to New York he began visiting museums and art galleries in the 57th Street area. He moved to New York in 1924, married Harriet Grossman (...
One of the characteristics of Korean contemporary art is a continuous effort in employing and interpreting international art practices and discourses. Art movements from Europe and North America in particular, including
Native American (Wintu-Nomtipom/Tenai), 20th–21st century, male.
Born 5 October 1937, in San Francisco.
Artist, poet, writer, traditional dancer.
Frank LaPena, of the Wintu-Nomtipom/Tenai of Northern California, is a key figure, along with a number of other important Native artists working in California during the 1970s, in what has been termed a ‘Renaissance’ in California Indian arts. Many of LaPena’s artworks engage directly with his awareness of California Indian experience and memory. He has used Mount Shasta significantly as a source of inspiration. As was usual for his generation, he attended a federal Indian boarding school (in Stewart, Nevada) and experienced its harsh assimilationist doctrines. He began to be interested in the arts during high school and this developed further during his undergraduate years at California State University, Chico. Later earning a teaching credential at San Francisco State University and a Masters of Arts degree at CSU, Sacramento, he would eventually teach at the latter as Professor of Art and Ethnic Studies. He has said that he learnt more from his California Indian elders than anything presented to him in the state education system. Now retired, he continues to hold leadership roles in the arts both locally and nationally....
American art historian, musician and patron. He came from a wealthy and cultivated family. After completing his studies at Harvard University, Cambridge, MA, in 1843, he travelled to Europe. While studying drawing and painting in Rome, he commissioned the marble group Hebe and Ganymede (Boston, MA, Mus. F.A.) from his friend the sculptor ...
French critic and philosopher Nicolas Bourriaud adopted the term ‘relational aesthetics’ in the mid-1990s to refer to the work of a selected group of artists, and what he considers their novel approach to a socially conscious art of participation: an art that takes as its content the human relations elicited by the artwork. Its key practitioners, most of them emerging in the 1990s, include ...
Native American (Tuscarora), 20th century, female.
Born 1956, in Sanborn (New York).
Photographer, installation artist, curator, and professor.
Jolene Rickard received her BFA from the Rochester Institute of Technology, an MS from Buffalo State College and her doctorate from the University of Buffalo. Rickard is particularly interested in the transfer of Native oral traditions and cultural knowledge both on and off the reservation. Her art installations and photographs reference her Haudenosaunee/Tuscarora heritage and the importance of teaching and learning in the Native community. In the exhibit ...
Culture of images and visuality that creates meaning in our world today. This includes media forms such as photography, film, television, and digital media; art media such as painting, drawing, prints, and installations; architecture and design; comic books and graphic novels; fashion design, and other visual forms including the look of urban life itself. It also encompasses such social realms as art, news, popular culture, advertising and consumerism, politics, law, religion, and science and medicine. The term visual culture also refers to the interdisciplinary academic field of study that aims to study and understand the role that images and visuality play in our society; how images, gazes, and looks make meaning socially, culturally, and politically; how images are integrated with other media; and how visuality shapes power, meaning, and identity in contemporary global culture....