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Jeremy Lewison

American sculptor, printmaker, and draughtsman. He studied at Syracuse University, NY, from 1945 to 1949, and between 1951 and 1952 he served in the US Army in Japan and Korea, where he was able to visit oriental shrines, temples, and gardens. In 1953 he moved to New York, where he attended the Cartoonists and Illustrators School. From ...

Article

Singaporean, 20th century, female.

Active and naturalised in England.

Born 16 February 1936; died 1997.

Sculptor, printmaker.

Minimal Art.

Kim Lim grew up in Singapore and moved to London at the age of 18 to study at St Martins School of Art (1954-1956) and at Slade School of Art (...

Article

Morgan Falconer and Mary Chou

Japanese painter and sculptor. He studied at Tokyo National University of Fine Art and Music (BFA 1986, MFA 1988, PhD 1993). Murakami began to gain recognition as a sculptor in the early 1990s. Drawing on Minimalism and conceptual art, his work often explored the clash between contemporary Japanese and American culture. ...

Article

Michael Turner

Israeli sculptor. He studied painting in Tel Aviv with Rafi Levi (b 1936). Visiting New York in 1973, he confronted the idioms of Minimalism, and devoted his time to creating site-specific sculptures. Back in Israel he started a period of activity with the series ...

Article

Xiao  

Chinese, 20th century, male.

Born 1935, in Shanghai.

Painter, sculptor.

Minimal Art.

After studying in Taipei, in the studio of the painter Li Chun-sen, Xiao lived in Milan and then in New York, where he made his home. In 1957 he was the co-founder of the first Chinese group of abstract artists, ...

Article

Morgan Falconer

Japanese sculptor. He studied at Musashino Art University, Tokyo, and completed a fellowship in sculpture at Yale University, New Haven, CT, in 1990. Initially Yanagi was influenced by the Minimalist and Conceptualist orientation of the Japanese Monoha movement of the late 1960s and early 1970s; soon after he became known for a series of performances using coloured gas. He rose to international prominence in the 1990s following the success of a number of seminal installations that employed ants as metaphors for global migration. In the ...