French critic and philosopher Nicolas Bourriaud adopted the term ‘relational aesthetics’ in the mid-1990s to refer to the work of a selected group of artists, and what he considers their novel approach to a socially conscious art of participation: an art that takes as its content the human relations elicited by the artwork. Its key practitioners, most of them emerging in the 1990s, include ...
African Art
American Art
Art of the Middle East/North Africa
Contemporary Art
Early Christian/Byzantine Art
Aesthetics
Archaeology
Architecture and Urban Planning
Art Education
Art History and Theory
Art Law and Crime
Art Markets
Art Materials and Techniques
Books, Manuscripts, and Illustration
Ceramics and Pottery
Collecting, Patronage, and Display of Art
Conservation and Preservation
Digital, Multimedia, and Sound
Fashion, Jewellery, and Body Art
Film and Video
Gardens and Landscape Design
Subscriber sign in
Narrow Your Choices
Medium
- Aesthetics (1)
- Architecture and Urban Planning (1)
- Art Education (1)
- Art History and Theory (1)
- Installation Art, Mixed-Media, and Assemblage (1)
- Performance Art and Dance (1)
Occupation
- Artist, Architect, or Designer (1)
- Patron, Collector, or Dealer (1)
- Writer or Scholar (1)
Copyright © Oxford University Press
2019.
Printed from Oxford Art Online. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice).
date: 19 February 2019
