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Article

French, 20th century, male.

Born 17 September 1881, in Mulhouse.

Painter, engraver (etching), illustrator. Landscapes, architectural views.

Achener had a full training, first at the École des Beaux-Arts in Strasbourg, then in Munich in the studios of the engraver Peter Halm and the painter Ludwig von Loefftz. He was also a pupil of Jean-Paul Laurens in Paris....

Article

Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between ...

Article

French, 19th century, male.

Born 28 April 1845, in Rouen; died September 1909, in Rouen.

Engraver, draughtsman, illustrator, architect, art writer.

Jules Adeline was a first-time exhibitor at the Paris Salon in 1873, when, as a young architect, he initially contributed sketches and architectural projects. From ...

Article

British, 20th century, female.

Born 1904, in London; died 1995.

Painter, illustrator. Portraits, scenes with figures. Murals, posters.

Mary Adshead was the only daughter of Stanley Adshead, an artist, architect and professor of town planning. She studied under Henry Tonks at the Slade School of Art in London ...

Article

French, 20th – 21st century, male.

Born 20 January 1951, in Paris.

Painter, sculptor, draughtsman, illustrator.

Agid began his studies in 1970-1971 by taking one course of teaching and research on the environment. He studied architecture between 1971 and 1976, before registering in fine arts at the Université de Paris VIII....

Article

John Steen

Dutch painter and draughtsman. Between 1936 and 1982 he worked as a bookkeeper for Enschede town council. As an artist he was self-taught. During World War II he came into contact with the art of Cézanne, Matisse, Braque and others, mainly through art journals, which influenced his work considerably. From ...

Article

French, 19th – 20th century, male.

Born 30 May 1855, in Bordeaux; died 12 November 1933, in Caudéran (Bordeaux).

Painter, illustrator. Architectural views.

Daniel Alaux was the grandson of Jean-Paul Alaux, otherwise known as Gentil. He studied under Pierre Victor Galland, and later Léon Bonnat at the École des Beaux-Arts de Paris ...

Article

British, 19th century, male.

Born 13 March 1804, in London; died 21 October 1872, in Barnes.

Painter, draughtsman, engraver, illustrator, architect. Landscapes with figures.

Thomas Allom studied architecture under Francis Goodwin and collaborated with him on various projects in towns throughout England. In 1834, he started drafting plans for the Houses of Parliament; these were engraved on the express instructions of the House of Commons....

Article

José Miguel Rojas

Costa Rican engraver, painter, illustrator, draughtsman, writer and critic. He studied for a year from 1931 at the Escuela Nacional de Bellas Artes but was otherwise initially self-taught, using Louis Gonse’s L’Art japonais (Paris, 1883) as a source. He produced a series of caricature drawings, influenced by Cubism, in the ...

Article

British, 18th – 19th century, male.

Born 1752; died 1821.

Engraver, draughtsman, illustrator. Portraits, architectural views, topographical views.

William Angus studied under William Walker and went on to produce a large number of well-executed and pleasing prints of manor houses and family seats in England and Wales. Angus worked as an illustrator and was retained by various topographical publishers of the day. He engraved from his own drawings but also from originals by Shothard, Paul Sandby, Edward Daynes, George Samuel and other leading artists. He is remembered for a series of plates for ...

Article

Phyllis Pray Bober

Italian painter, sculptor, illuminator, printmaker and draughtsman . He was born into a family of painters, and his youthful facility reportedly astonished his contemporaries. His work developed in the Emilian–Ferrarese tradition of Ercole de’ Roberti, Lorenzo Costa the elder and, above all, Francesco Francia. Until the re-evaluation by Longhi, critical assessment of Amico’s oeuvre was over-reliant on literary sources, especially Vasari’s unsympathetic account of an eccentric, half-insane master working so rapidly with both hands (the ‘chiaro’ in one, the ‘scuro’ in the other) that he was able to finish decorating an entire house façade in one day....

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time....

Article

Anne Pastori Zumbach

Swiss draughtsman, painter and illustrator. He began his career as an apprentice banker but abandoned this to study music and languages in Dresden, and then painting at the South Kensington School of Art, London (1895). In 1896 he went to Paris where he took courses in anatomy and became the pupil of ...

Article

Isabel Mateo Gómez

Spanish painter, miniaturist, sculptor, architect and writer. He belongs to the Toledan school of the second half of the 16th century. The son of the painter Lorenzo de Ávila, he developed a Mannerist style that is smooth and delicate and derives from his father’s and from that of Juan Correa de Vivar and of Francisco Comontes (...

Article

Dutch painter, draughtsman, calligrapher and printmaker of German origin. He was the son of Gerhard Backhusz. (Backhusen) of Emden, and he trained as a clerk in his native town. Shortly before 1650 he joined the Bartolotti trading house in Amsterdam, where his fine handwriting attracted attention. He practised calligraphy throughout his life (examples in Amsterdam, Rijksmus.; Dresden, Kupferstichkab.; London, BM). During his early years in Amsterdam he also displayed his skilled use of the pen in drawings, mainly marine scenes, done in black ink on prepared canvas, panel or parchment. He probably derived this technique and subject-matter from Willem van de Velde (ii) the elder’s pen drawings of the 1650s. Bakhuizen continued to produce pen drawings until the 1660s, some depicting recognizable ships and existing views, such as his ...

Article

Ioana Vlasiu

Romanian painter, illustrator, watercolourist, draughtsman and pastellist . She studied at the School of Fine Arts in Bucharest (1913–16) and had private lessons with the painters Eustaţiu Stoenescu (b 1885) and Gheorghe Petraşcu. Between 1919 and 1922 she studied in Paris at the Académies Julian and Ranson, and the Academia Pedro Correja d’Aranjò with ...

Article

British, 18th – 19th century, male.

Born 1754, in Norwich, baptised 5 June 1754; died 21 or 6 December 1828, in Hatfield, in very reduced circumstances.

Engraver (etching and stippling), illustrator, printmaker, draughtsman. Portraits, architecture, mythology, religious subjects.

The son of John Baldrey the Elder, John Baldrey the Younger entered the Royal Academy School to study engraving in ...

Article

Romanian, 20th – 21st century, male.

Active in France.

Born 8 July 1947, in Bucharest.

Painter, engraver, illustrator.

After graduating from the school of architecture and town planning in Bucharest in 1971, Tudor Banus went to the École Nationale des Beaux-Arts in Paris to study architecture, painting and engraving. In ...

Article

British, 19th century, male.

Activec.1890.

Engraver (etching), draughtsman, illustrator. Topographical views, architectural views, urban landscapes.

Charles Barrett illustrated topographical works in pen and went on to publish Essex, the first edition of which carried 99 illustrations and 13 etchings and the second 128 illustrations and 13 etchings; then ...

Article

Fiorella Sricchia Santoro

Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumi’s works is signed or dated, but his highly personal ...