Polish goldsmith, engraver and writer. He produced engraved frontispieces for J. Liberius’s book The Blessed Virgin Mary’s Sea Star (1670) and his own work St Elegius’s Life … (1687). He is noted in the guild records from 1689. Few of his silver pieces have been identified, as he did not use name marks. The impressive monstrance in St Mary’s church in Kraków is attributed to him. Works that are certainly by him include the ‘robes’ on the painting of the ...
Italian illuminator and goldsmith. The creator of some of the liveliest miniatures of the 15th century, his manuscripts are rich in stylistic innovation and thematic invention, sometimes elaborated in a very limited space. He worked for the most important patrons in Italy and abroad, beginning his artistic career under Cosimo il Vecchio and Piero I de’ Medici, and continuing it under Lorenzo the Magnificent. Vespasiano da Bisticci was his contact with patrons outside Florence, who included Federigo II da Montefeltro, Ferdinand I, King of Naples, Louis XI of France and Matthias Corvinus, King of Hungary. Francesco decorated texts of all kinds—literary, historical, scientific, religious—and of all sizes, from small Books of Hours to huge choir-books. Amid this variety of subjects his studies of the human figure and his introduction of portraits was innovative; he also established his own approach to landscape, with results similar to those of Antonio Pollaiuolo. His inventions, however, were reserved for privately commissioned books of small size. He created a new kind of ...
French family of medallists. Philippe Danfrie the elder (b 1531–5; d Paris, 1606) went to Paris in the 1550s and set up as an engraver of letter punches. He produced a number of books in partnership with Richard Breton in 1558–60 and later with ...
Francesco Paolo Fiore and Pietro C. Marani
Italian architect, engineer, painter, illuminator, sculptor, medallist, theorist and writer. He was the most outstanding artistic personality from Siena in the second half of the 15th century. His activities as a diplomat led to his employment at the courts of Naples, Milan and Urbino, as well as in Siena, and while most of his paintings and miniatures date from before ...
German goldsmith, engraver and draughtsman. Probably from a long-established Warburg family of freemen, he is first fully named in 1578, in an engraving that shows his connections with scholars as an illustrator of academic works. One of these was Michele Mercati, for whom Eisenhoit worked during a stay in Rome ...
Goldsmith, sculptor, and painter, probably of German origin. None of his works is known to have survived, but he is mentioned twice in mid-15th-century texts: in the second book of Lorenzo Ghiberti’s Commentarii and in the manuscript of the Anonimo Magliabecchiano. Both texts relate that Gusmin died during the reign of Pope Martin (i.e. Martin V, ...
Dutch, 16th – 17th century, male.
Born 1563, in Nuremberg; died 1618, in Nuremberg.
Goldsmith, engraver (burin).
Jamnitzer was a student and nephew of Wenzel, and probably the son of Albrecht Jamnitzer. In 1600, he published a series of three books, each containing 21 prints, entitled ...
French, 17th century, male.
Born 17th century, in Lyons.
Jordot was established in Grenoble in 1658, where he engraved colophons for printers and booksellers. An engraver of the name of Jordot engraved tokens towards the middle of the 17th century.
Pier Giorgio Pasini
Italian medallist, architect, painter and illuminator. He came from a good Veronese family (his father was a doctor, two of his brothers were in the church and three others were merchants). He is first documented in 1441, when he was working in Venice as painter to ...
German, 17th century, male.
Active in Nuremberg in 1618.
Engraver (burin), goldsmith.
Johann A. Sande engraved books on the goldsmith's trade.
Mary Margaret McDonnell Ford
Italian medallist, sculptor, bookbinder and dealer. He was an industrious student of the goldsmith Gianfrancesco Bonzagni, to whom he was related. In 1533 he produced a medal celebrating the foundation of the Venetian church of S Francesco della Vigna (begun by Jacopo Sansovino). This event was also commemorated in a medal (e.g. Brescia, Pin. Civ. Tosio–Martinengo) by a pupil of Vittore Gambello. Both works depict Doge Andrea Gritti, who laid the foundation-stone of the church in ...