Decorative style of the late 19th century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts, the aspects on which this survey concentrates. It is characterized by sinuous, asymmetrical lines based on organic forms; in a broader sense it encompasses the geometrical and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. There are wide variations in the style according to where it appeared and the materials that were employed....
Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.
The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....
Metal knob or boss used for decoration on a book or harness. The term can also denote a bull’s eye in glass and (in early modern English) trunk-hose that is puffed out at the top. It is also used to describe a heavy textile fringe in curtains, pelmets and the top covers of seat furniture....
French, 20th century, male.
Born 7 March 1912, in St-Étienne; died 5 December 1995, in Paris.
Painter, watercolourist, engraver, lithographer, illustrator, medallist. Wall decorations, designs for tapestries, designs for mosaics, designs for stained glass, frescoes, ceramics.
Jacques Despierre entered the studio of Lucien Simon at the École Nationale Superieur des Beaux-Arts in Paris in ...
German, 19th century, male.
Born 19 November 1865, in Hamburg; died 11 June 1902, in Badenweiler.
Painter, decorative artist, illustrator, engraver, designer, ceramicist, textile designer. Portraits, landscapes, flowers. Designs for stained glass, designs for tapestries, ex-libris plates, advertising posters, fabrics, ceramics, metal objects, ironware, lamps, furniture, typefaces, jewellery, wallpaper...
French, 20th century, male.
Born 29 September 1935, in Philippeville, Algeria.
Painter, draughtsman, watercolourist, engraver, medallist, illustrator. Figures, landscapes. Wall decorations, designs for stained glass, postage stamps.
Irolla's figurative painting is traditional, depicting the skies of Champagne, its valleys, vineyards, village churches and streets. He executed stained glass windows (Châlons-sur-Marne), mural decorations (Vitry-le-François, St-Memmie, Châlons-sur-Marne) and numerous postage stamps. He also illustrated several books, notably ...
Belgian, 20th century, male.
Born 1906, in Brussels; died 1987.
Painter, watercolourist, draughtsman, engraver, medallist, illustrator, designer. Designs for stained glass.
Mark Severin studied in Great Britain before going to teach in Antwerp, notably at the Hoger Instituut voor Schone Kunsten. He was a member of Belgium's royal academy. He worked principally as a woodcut and soft-point engraver and etcher, but also produced paintings and watercolours and a number of stained glass compositions....