1-9 of 9 results  for:

  • Installation Art, Mixed-Media, and Assemblage x
  • American Art x
  • Textiles and Embroidery x
Clear all

Article

Chika Okeke-Agulu

American painter, sculptor, fibre and installation artist of Egyptian birth. Amer, one of the few young artists of African origin to gain prominence in the late 1990s international art scene, studied painting in France at the Villa Arson EPIAR, Nice (MFA, 1989), and the Institut des Hautes Etudes en Art Plastique, Paris (...

Article

Naomi Beckwith

American sculptor and multimedia artist working in fibre, installation, video, and performance. The youngest of seven sons born into a central Missouri family, Cave demonstrated an early acumen with hand-made objects and throughout his career has created works out of texturally rich materials imbued with cultural meaning. Cave received his BFA (...

Article

Joan Kee

Korean mixed-media artist, active also in the USA. Kim studied painting at Hongik University, Seoul, graduating in 1984. That same year she received a scholarship to study art at the Ecole Nationale Supérieure des Beaux-Arts in Paris. During the mid-1980s Kim became interested in employing commonly used Korean textiles in her work. Distinctively patterned and coloured, the textiles offered different formal possibilities, and early works featured various swathes cut and sewn together to form large, continuous surfaces. In ...

Article

Paula J. Birnbaum

American conceptual artist. Reichek earned a BFA from Yale University and a BA from Brooklyn College, where she studied painting with Ad Reinhardt. Well versed in the traditions of modernist painting, Reichek began critiquing those traditions in the 1970s by making art using the vehicles of embroidery, knitting, and weaving. She then engaged in a range of large-scale installation projects that retool domestic media and formats to analyse the patriarchal and modernist assumptions of American culture. In her series of samplers, including ...

Article

Courtney Gerber

American fibre and mixed-media artist . In 1941 she married George Tawney, who died shortly afterwards in 1943. Tawney attended the University of Illinois in Champaign-Urbana from 1943 to 1945 and then completed coursework in drawing, weaving and sculpture at the Chicago Institute of Design from ...

Article

Native American (Seneca Nation of New York), 21st century, female.

Born 1967, in Seattle.

Installation artist, sculptor, printmaker.

Marie Watt, an artist with Seneca ancestry, chooses to work in the areas of installation, sculpture and lithography to address themes which historically have had an impact on wider indigenous experience, including the ideas of community, continuity and exchange. She was born in Seattle, Washington, in ...

Article

American, 20th – 21st century, male.

Born 1961, in West Palm Beach (Florida).

Painter, installation artist, performance artist. Figures.

Keneth Weaver is based in New York. In the 1970s, he created the series Sexual Positions. In the wake of Warhol, he works on the mechanical reproduction of images, but ascribes some of his know-how to the 19th-century Romantic tradition. He has taken part in collective exhibitions in New York and has shown his works in solo exhibitions, notably in ...

Article

American, 20th – 21st century, female.

Born 1949, in Illinois.

Installation and textile artist.

Anne Wilson received her BFA from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 1972, and her MFA from the California College of Arts and Crafts, Los Angeles in 1976. She is Professor of Fiber and Material Studies at the Art Institute of Chicago, where she has taught since ...

Article

Geraldine Craig

American sculptor, animation, performance, and installation artist. Wilson was a leading figure among artists who began working in the progressive contemporary craft movement of the 1970s and1980s and gained prominence in the art mainstream by the 1990s. Influenced by the alignment of textiles with feminist art that emerged in the 1970s, Wilson employed the cultural associations of diverse source materials (table linens, bed sheets, human hair, lace, thread, wire, glass) to interrogate how craft and context can define a feminist position in art by subverting the boundaries of middle-class propriety and social values....