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Article

Eleanor Sims

Persian painter. He was one of a small group of artists working in Iran in the second half of the 17th century who painted in an eclectic manner that drew on European images and Mughal Indian styles (see Islamic art, §III, 4(vi)(a)). He appears to have been the earliest of this group, which included Muhammad Zaman and ‛Aliquli Jabbadar, to integrate these ‘exotic’ elements into his work. He invariably inscribed his work with the punning Persian phrase ...

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Sheila S. Blair and Jonathan M. Bloom

Bangladeshi painter and printmaker. He studied painting at the Government School of Art in Calcutta from 1933 to 1938, and then taught there until 1947. His work first attracted public attention in 1943 when he produced a powerful series of drawings of the Bengal famine. After the partition of India and Pakistan in ...

Article

‛Abid  

Jeffrey A. Hughes

Indian miniature painter, son of Aqa Riza and brother of Abu’l-Hasan. Both his father and his brother worked for the Mughal emperor Jahangir (reg 1605–27). Although ‛Abid probably began working in the royal atelier c. 1615, all of his known signed works are datable to the reign of ...

Article

Sheila S. Blair

Persian family of potters. The family is sometimes known, somewhat improperly, by the epithet Kashani [al-Kashani, Qashani], which refers to their home town, Kashan. It was a major centre for the production of lustre pottery in medieval Iran, and they were among the leading potters there, working in both the Monumental and the Miniature styles (...

Article

J. P. Losty

Indian painter.

In 1618 the Mughal emperor Jahangir (reg 1605–27) wrote in his memoirs that Abu’l-Hasan’s ‘work was perfect…At the present time he has no rival or equal… Truly he has become Nadir al-Zaman (“Wonder of the age”)’. Some of this artist’s paintings are among the greatest in Mughal art. He was born in Jahangir’s household in ...

Article

See Ghaffari family

Article

See Ghaffari family

Article

S. J. Vernoit

Persian painter. His only known work is a long composition depicting the Qajar monarch Fath ‛Ali Shah (reg 1797–1834) entertained by female musicians and dancers. The only surviving fragments of it are a painting of the shah (London, B. W. Robinson priv. col.) and three paintings of the entertainers (Tehran, Nigaristan Mus., ex-Amery priv. col.). The paintings of a woman playing a drum and of a woman playing a stringed instrument are signed ...

Article

See Abu Tahir family

Article

Howard Crane

Ottoman architect. His epithets, acemi (Persian) and esir (prisoner), suggest that he was captured in the 1514 campaign against the Safavids of Iran by the Ottoman sultan Selim I (reg 1512–20). He served as chief imperial architect from at least September 1525 until March 1537...

Article

Turkish sculptor. After military service in World War I he went in 1918 to the Fine Arts Academy in Istanbul, where he studied under the sculptor Ihsan Özsoy (1867–1944). With the help of his father he then went to Germany, where he studied at the Akademie der Bildenden Künste in Munich. From Munich he went to Paris, where, after failing to get lessons from Aristide Maillol, he worked independently, inspired by the work of Maillol and Emile-Antoine Bourdelle. After returning to Turkey in ...

Article

Sheila S. Blair and Jonathan M. Bloom

Lebanese–American artist and writer. Daughter of a Greek Christian mother and a Syrian Muslim father, she was educated in Lebanon and at universities in France and the United States. For many years she taught the philosophy of art at Dominican College, San Rafael, CA. She also lectured and taught at many other colleges and universities until her retirement in the late 1970s. Also a novelist and poet, she combined Arabic calligraphy with modern language in her drawings, paintings, ceramics and tapestries. She explored the relationship between word and image in over 200 “artist books,” in which she transcribed in her own hand Arabic poetry from a variety of sources....

Article

Persian painter. A noted court painter and portraitist under the Qajar rulers Muhammad Shah (reg 1834–48) and Nasir al-Din (reg 1848–96), Muhammad Hasan Afshar was awarded the title Painter Laureate (Pers. naqqāsh bāshī). A portrait dated 1847 in the Churchill Album (London, BL, Or. MS. 4938) depicts Muhammad Shah seated in a red tunic with blue sash and flashing diamonds. The artist’s most remarkable works are three life-size oil portraits of Nasir al-Din (Tehran, Gulistan Pal.; Tehran, Moghaddam priv. col. (see Robinson, ...

Article

Afzal  

Persian illustrator. Active during the reign of the Safavid shah ‛Abbas II (reg 1642–66), Afzal produced manuscript illustrations and single pages for albums in different styles. Most of the 62 paintings he made for the voluminous copy (St Petersburg, Saltykov-Shchedrin Pub. Lib., Dorn 333) of Firdawi’s ...

Article

Howard Crane

Ottoman architect. He followed the standard career pattern for architects at the Ottoman court: recruited as a janissary, he studied architecture under Sinan (see Sinan) in the imperial palace in Istanbul, rose to the rank of superintendent of the water supply, the second ranking official in the corps of imperial architects, in ...

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Howard Crane

Ottoman architect. He followed the typical career path for an architect at the Ottoman court: recruited as a janissary, he was trained in the imperial palace in Istanbul before his appointment (by 1626–7) as chief court architect. Twice exiled because of court intrigues and the fall of fellow Albanian officials, he always managed to return to the capital. Although Kasım Ağa had general responsibility for all imperial foundations during his tenure as chief court architect (...

Article

Howard Crane

Ottoman architect and worker in mother-of-pearl. He followed the typical career path of architects at the Ottoman court: recruited as a janissary (c. 1562), from 1569 to 1588 he studied architecture in the imperial palace under Sinan (see Sinan) and mother-of-pearl inlay under ...

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Howard Crane

Ottoman architect. Known as the ‘Mender’, owing to his early career as a repairer and restorer, he was appointed chief imperial architect on the removal of Kasım Ağa in 1644, although he reportedly spent so much on building stables at Üsküdar for Ibrahim (reg...

Article

Marcella Nesom-Sirhandi

Pakistani painter. She introduced non-traditional pictorial imagery in Pakistan and initiated a new era in painting. She completed a degree in political science at Kinnaird College, Lahore. Her introverted disposition and concentrated study of philosophy formed the background against which her abstract ‘idea’ paintings emerged. At the Lahore School of Fine Art (...

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Ahmad  

Persian painter. He specialized in oil portraits of the Qajar rulers Fath ‛Ali Shah (reg 1797–1834) and Muhammad (reg 1834–48). To judge from Ahmad’s style, he was a pupil of Mihr ‛Ali (see islamic art, §viii, 11(i)). His early works include two portraits of Fath ‛Ali Shah. One dated ...