The final decades of the 20th century and the beginning of the 21st century witnessed an increasing propensity for artists to incorporate aspects of science in their own art. In many fields of scientific research—including the cloning of mammals, the genetic modification of crops, the creation of bioengineered organs and tissues, advances in nanotechnology and robotics, experimental research in how the human mind works and the study of artificial intelligence—the frontiers of knowledge pushed outward at an accelerated pace. In the spirit of creative inquiry, or in order to critique the goals and outcomes of scientific experimentation and application, artists regularly borrowed subjects, tools and approaches from science as a means to the production of art (...
Jean Robertson and Craig McDaniel
Chinese-Australian, 20th – 21st century, male.
Born 1956, in Hong Kong.
Painter, performance artist, writer. Multimedia.
John Zerunge Young emigrated from Hong Kong for Australia in 1967 during Hong Kong’s period of unrest and riots. He spent his formal school years in Sydney and went on to study philosophy at the city’s university. His interest in painting, however, remained a constant part of his early childhood, and he furthered his studies in painting and sculpture at the Sydney College of the Arts. It was there that he came into contact with a number of leading visual artists of the time, including the conceptual artist Imants Tillers. Young’s investigation into Western late modernism prompted a period in which his works dealt with themes of his dual nationality and the diasporic Chinese communities in Australia. Young has participated in many regional group travelling exhibitions. In ...