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Lillian B. Miller

American businessman, collector, patron and dealer. He began collecting art in 1869 with paintings by American Hudson River school artists and conventional European works, Chinese porcelain, antique pottery and 17th- and 18th-century English furniture. By 1883 his taste had focused entirely on American works, especially on paintings by ...

Article

S. J. Vernoit

English collector. The eldest son of a Greek merchant, Eumorfopoulos worked for the merchant firm of Ralli Brothers. He initially collected European porcelains and Japanese tea bowls but then turned to Chinese objects, which became his largest collection, emphasizing pottery and porcelains. His second interest was metalwork, and he formed a fine collection of Chinese bronzes; he was also interested in other media, such as jade. He chose items based on his aesthetic response rather than archaeological or rarity value, and he thus placed himself at the forefront of Western taste for Chinese art. From ...

Article

Linda Whiteley

American family of ceramics decorators and manufacturers and collectors, active in France. They were of English Quaker origin, established in America since 1642. In 1838 David Haviland (1814–79), six of whose seven brothers were in the porcelain trade, formed an importation and retail business, ...

Article

S. J. Vernoit

Swedish collector. His first interest was in the polychrome porcelains of the Qing period (1644–1911), which were imported into Sweden in large quantities during the 18th century by the Swedish East India Company, founded in 1731. During a visit to China in 1935...

Article

Nancy E. Green

American archaeologist, ethnologist and decorative tile designer and manufacturer. Mercer grew up in a privileged Philadelphia family, and at a young age he began his lifelong love of travel, which would take him eventually throughout Europe, the Middle East and Mexico. These travels would later influence his tile designs for the Moravian Pottery and Tile Works. From ...

Article

Leila Krogh

Danish painter, printmaker, sculptor, ceramicist, architect and collector. He studied from 1881 at the Kunstakademi in Copenhagen and in 1886 at Peder Severin Krøyer’s Frie Skole there. His style changed radically during his travels in France and Spain (1888–9) and during a stay in France, where he met and exhibited with French artists, including Paul Gauguin. In Brittany he painted several scenes of local people, similar to Gauguin’s work of this period, for example ...