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Kyla Mackenzie

New Zealand photographer. Aberhart became a leading photographer in New Zealand from the 1970s with his distinctive 8×10 inch black-and-white photographs, taken with a 19th-century large format Field Camera. He is particularly well known for his images of disappearing cultural history, often melancholic in tone, in New Zealand....

Article

Australian watercolourist, Soldier, colonist and businessman of English descent. The son of the watercolour painter John Absolon (1815–95), he served in the Queen’s Rifles and exhibited paintings and sketches with the Society of British Artists before first visiting Western Australia in 1869. Shipboard watercolour sketches and many studies of the bushland environs of Perth, such as ...

Article

Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between ...

Article

John Hovell

Maori painter, carver, weaver, costume and stage designer. His involvement with art began at Te Aute Maori Boys’ College (1954–7), Hawke’s Bay, Waipawa County, and continued with formal art training at Ardmore Teachers’ College (1958–9) and at Dunedin Teachers’ College (...

Article

Australian, 20th century, female.

Born in Sydney.

Miniaturist, watercolourist.

While studying in Paris with Camille Carlier-Vignal, Lilian Albert exhibited at the Salon des Artistes Français, obtaining an honourable mention in 1930 for a watercolour, The Soup, and a miniature.

Article

Michael Dunn

New Zealand painter. She studied at the Elam School of Fine Arts, Auckland, from 1960 to 1963 and subsequently travelled extensively in the USA and Europe. Her paintings are abstractions with a basis in nature, to which she alludes in her titles. An early and enduring influence on her work were the colour paintings of Helen Frankenthaler. Albrecht’s painting is distinguished by its strong colouring and feeling. Among her most important works are her ...

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Australian, 20th century, male.

Born 1888; died 1973.

Painter (gouache), watercolourist. Landscapes, seascapes.

Sydney, 6 Oct 1976: Seaside, Newport (oil on canvas remounted on board, 18 × 24 ins/46 × 61 cm) AUD 800

Sydney, 21 March 1978: The Loch Etive (1930, watercolour...

Article

Australian, 20th century, male.

Active in Australia from 1888 to the 1920s.

Born 1881, in Middlesborough, North England; died 1965, in London.

Painter.

Altson was a pupil of the English portrait painter, Bernard Lindsay Hall. He studied design and painting at the National Gallery of Victoria Schools in Melbourne ...

Article

Jennifer Taylor

Australian architect. After graduation from the Sydney Technical College in 1929, Ancher travelled in Europe. He formed a partnership with Reginald Prevost in Sydney, 1936–9, and in 1946 established Sydney Ancher and Partners. Ancher’s most influential work, principally his early houses, combines the visual characteristics of the International Style with a sensitive response to Australia’s geography (...

Article

Jennifer Taylor

Australian architect. He graduated from the University of Sydney in 1956 and from the Graduate School of Design, Harvard, in 1958. He established his practice in Toronto in 1962 and received early acclaim for the design of Scarborough College (1963), University of Toronto. This was followed by major commissions throughout North America, including Gund Hall (...

Article

Michael Dunn and Edward Hanfling

New Zealand painter. Angus studied at the Canterbury School of Art, Christchurch (1927–33). In 1930 she married the artist Alfred Cook (1907–70) and used the signature Rita Cook until 1946; they had separated in 1934. Her painting Cass (1936; Christchurch, NZ, A.G.) is representative of the regionalist school that emerged in Canterbury during the late 1920s, with the small railway station visualizing both the isolation and the sense of human progress in rural New Zealand. The impact of North American Regionalism is evident in Angus’s work of the 1930s and 1940s. However, Angus was a highly personal painter, not easily affiliated to specific movements or styles. Her style involved a simplified but fastidious rendering of form, with firm contours and seamless tonal gradations (e.g. ...

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Pamela Bell

Italian painter and art teacher active in Australia. He trained at the Accademia di S Luca, Rome. His conservative style emulates his teacher Alessandro Capalti’s use of drape, column and rhetorical gesture, as seen in Capalti’s portraits at the University of Sydney. On Bishop James Quinn’s advice, Anivitti emigrated to Brisbane in ...

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George Tibbits

Australian architect. He served articles with William Salway (1844–1902) in Melbourne and practised alone from the late 1880s to the early 1930s, with a circle of clients and friends drawn from varying levels of Melbourne society. As well as a commitment to the ideals of the Arts and Crafts movement, he aimed to create an Australian idiom and saw architecture as an art rather than a profession. His talent for sketching and his flair for writing on architecture were also recognized at an early stage in local building journals....

Article

Wystan Curnow

New Zealand sculptor and conceptual artist. He studied at the Royal College of Art in London in the early 1960s and first showed his work alongside that of fellow students such as David Hockney and Derek Boshier, helping to mark the emergence of British Pop art. The pseudonym that he adopted in ...

Article

Australian, 20th century, male.

Born c. 1920; died 1985.

Sculptor.

Apuatimi, an Aborigine, sculpted figures using the basic traditional technique, whereby the defining features - in other words the eyes, nose, mouth and dress - are painted on and feathers or various other decorations added. The risk of this type of relic of primitive art in the context of a developed society is that the primitive arts are easily reduced to folkloric handicrafts....

Article

Miles Lewis

Australian architect of Irish birth. He trained in the London office of the architect Charles Beazley and worked for five years for John Rennie, before spending eight years in architectural and engineering work in Ireland. In 1826 he was appointed Civil Engineer for Van Diemen’s Land (now Tasmania), and he arrived at Hobart Town in ...

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Marco Livingstone

Australian painter. While studying painting at Prahran College, Melbourne, from 1969 to 1971, he discovered airbrushes, technical tools employed by commercial artists which he adopted with alacrity as his favoured instrument for picture-making. At art school Arkley met the collage artist and painter Elizabeth Gower...

Article

J. N. Mané-Wheoki

New Zealand architect of English birth. In 1862, after a lengthy apprenticeship in Melbourne, Australia, Armson arrived in New Zealand. He spent two years (1862–4) in the engineering department of the Otago provincial government, Dunedin, and from 1866 to 1870 he practised in Hokitika on the West Coast. Christchurch, where he finally settled in ...

Article

Australian painter and writer . He attended the West London School of Art and, following the end of the Franco-Prussian War in 1871, the Académie Julian in Paris. In 1878 the newspaper owner David Syme invited Ashton to Melbourne to produce black-and-white illustrations for the Illustrated Australian News...

Article

British, 19th – 20th century, male.

Active from 1878 active in Australia.

Born 1851, in Surrey; died 1942, in Melbourne.

Painter, watercolourist, pastellist, draughtsman, illustrator. Portraits, genre scenes, landscapes.

Julian Rossi Ashton was a pupil at South Kensington School in London and Académie Julian in Paris. He settled in Australia, founded Sydney Art School in 1896, and taught there. He was a member of the committee of the National Art Gallery in Sydney from 1889 to 1899....