1-20 of 128 results  for:

  • Contemporary Art x
Clear all

Article

Kyla Mackenzie

New Zealand photographer. Aberhart became a leading photographer in New Zealand from the 1970s with his distinctive 8×10 inch black-and-white photographs, taken with a 19th-century large format Field Camera. He is particularly well known for his images of disappearing cultural history, often melancholic in tone, in New Zealand....

Article

In the 1990s, Aboriginal art gained for the first time a substantial audience as contemporary art. Ten years earlier it had been the preserve of anthropologists and marketed as ‘primitive fine art’ to collectors of tribal art. In 1980, Andrew Crocker, the newly-appointed manager of Papunya Tula Artists Pty Ltd—the Western Desert artist-run company formed in ...

Article

Michael Dunn

New Zealand painter. She studied at the Elam School of Fine Arts, Auckland, from 1960 to 1963 and subsequently travelled extensively in the USA and Europe. Her paintings are abstractions with a basis in nature, to which she alludes in her titles. An early and enduring influence on her work were the colour paintings of Helen Frankenthaler. Albrecht’s painting is distinguished by its strong colouring and feeling. Among her most important works are her ...

Article

Marco Livingstone

Australian painter. While studying painting at Prahran College, Melbourne, from 1969 to 1971, he discovered airbrushes, technical tools employed by commercial artists which he adopted with alacrity as his favoured instrument for picture-making. At art school Arkley met the collage artist and painter Elizabeth Gower...

Article

The collecting cycles and art market trends in Australia from 1995 to 2010 clearly reflected the developments in art markets all around the world. The market for all periods in Australian art peaked in 2007, decreasing by a third before forming a plateau. Primarily, the building of Australian art collections dominated art sales, with only a small percentage of collectors involved in collecting international art. Although the latter was a growing trend, accessibility to the international art market limited this area of collecting....

Article

Ian J. Lochhead

New Zealand architect. He studied at the University of Auckland School of Architecture (1961–3) and joined Structon Group Architects, Wellington, in 1963, becoming a partner in 1965. In 1968 he formed Athfield Architects with Ian Dickson (b 1949) and Graeme John Boucher (...

Article

From the 1990s onwards, Australian contemporary art experienced significant growth in exhibition venues, both quantitatively, in terms of the number and scale of available spaces, and qualitatively, in terms of their scope, ambition and critical impact. The boom in physical exhibition spaces including museums, artist spaces, and commercial and non-profit galleries on the one hand and, on the other, the boom in such event-based institutions as biennales, triennials and festivals is consistent with global trends but also sits within the more general process of increasing confidence and internationalization of Australian art and its institutions that has been under way since the late 1960s. As such, these changes were a response to the country’s specific geographical and cultural conditions, and to shifts within art practice itself. It is important to note, however, that they have been neither constant nor consistent, and have involved significant challenges at the level of sustainability....

Article

As late as the early 1990s, it seemed to many Australian art critics that a multicultural, appropriation-based Post-modernism would constitute a distinctively Australian contribution to art (see Tillers, Imants). However, by the mid-1990s, for reasons at the same time political, economic and simply artistic, it was no longer possible to reduce the art made at the so-called periphery (in Australia) and art created at the so-called centre (at the traditional North Atlantic hubs of art production and consumption) to relationships between Post-modern (even post-colonial) copies and North Atlantic originals. Post-modernism as a coherent framework for explaining either Australian or international art was finished....

Article

Vanuatuan, 20th – 21st century, male.

Active in France.

Born 1965, in Vanuatu (Melanesia).

Painter, draughtsman, installation artist.

Neo-Conceptual Art.

Gilles Barbier graduated from the faculty of letters in Aix-en-Provence and from the Luminy art school in Marseilles. Illustrating expressions or words in their most literal form, declaiming Latin or foreign language proverbs to stuffed animals or transcribing the pages of a dictionary in pictures - the works of Gilles Barbier are a problematic examination of the role of language and thought in relation to art. His work hinges upon the principles of uncertainty and superimposition, allowing him infinite scope to play on all the products of imagination, using scientific and medical terminology (viruses, parasites, clones, trans-schizophrenia) as a means to introduce points of reference into a universe which is constantly undergoing deconstruction. He also lifts objects from their original context and endows them with a disconcerting, strange character - for example, in the ...

Article

Ian McLean

Australian Aboriginal painter (see fig.). A member of the Gija people from the East Kimberley region in north-western Australia. The transforming moment for Gija-speakers of his generation was the 1969 government legislation for equal pay on cattle stations. Bedford’s life as a stockman was suddenly terminated since stations would not pay their Aboriginal staff. Like many Gija at the time, he eventually settled at the former ration station of Turkey Creek (now Warmun). In the 1970s it became the hub for ceremonial revival and, by the end of the decade, the nascent Gija painting movement. Bedford, however, settled into the role of important ceremonial elder. While this included painting for pedagogical and ceremonial purposes, he only took up painting for exhibition in ...

Article

Rex Butler

Australian Aboriginal painter. Bennett came to art late, after working throughout most of his 20s as a linesman for Telecom, he began studying at the Queensland College of Art, Brisbane, in 1986. He came to critical attention while still at art school, and just three years after graduating won the prestigious Moët et Chandon Australian Art Fellowship in ...

Article

Carol Magee

Zimbabwean sculptor. Bickle studied at Durban University and Rhodes University. She showed extensively in Zimbabwe in the 1980s and exhibited in India, Sweden and New Zealand in the late 1980s and early 1990s. Active in the arts in Bulawayo, she was a founding member of its Visual Artists’ Association. Her pieces are philosophical, both specifically in that she cites Foucault and Yourcenar, and generically in that they comment on the human condition: on hopes, dreams, conflicts and fantasies. Made of multiple manufactured and natural materials, her simple forms speak to complex situations, as seen in ...

Article

Bio Art  

Suzanne Anker

From Anatomical studies to landscape painting to the Biomorphism of Surrealism, the biological realm historically provided a significant resource for numerous artists. More recently, Bio Art became a term referring to intersecting domains that comprise advances in the biological sciences and their incorporation into the plastic arts. Of particular importance in works of Bio Art is to summon awareness of the ways in which the accelerating biomedical sciences alter social, ethical and cultural values in society....

Article

Australian, 20th – 21st century, male.

Active in France.

Born 1952, in Adelaide.

Painter. Figures, interiors with figures, still-lifes.

Peter Bond lives and works in Paris. He practises a very washed-out technique, making it difficult to read his themes. One can decipher figures in meditative postures and unusual objects that are hard to identify placed delicately on small tables or stools. Sometimes it seems that the figures are prostrating themselves before these objects. His use of colour is soft and discretely harmonious, with pastel tones of violet, blue, yellows and reddish-purples, washed out with spirit to create veils of vertical run-offs....

Article

John-Paul Stonard

Australian fashion designer and performance artist. He arrived in Britain from Australia in 1980 and set up as a fashion designer in London’s Kensington Market, selling clothes he had made with his partner. His regular and increasingly outlandish appearances on the club circuit led to his opening the club Taboo in Leicester Square in ...

Article

Australian, 20th – 21st century, male.

Active in France.

Born 1959.

Painter. Scenes with figures.

Gil Bruvel lived first in the south of France, where he worked as a picture restorer before beginning to produce his own paintings. He retains from his early training as a restorer a smooth and precise technique. This has perhaps encouraged his taste for fantastic themes that derive from Surrealist imagery. These require a particularly detailed technique and are reminiscent of the cosmic imagination of Hieronymus Bosch in ...

Article

Rory Spence

Australian architect. He graduated from the University of Melbourne (1970) and worked for Daryl Jackson Evan Walker Architects before starting his own practice in 1972. Burgess’s architecture, inspired by esoteric literature, particularly Asian writings, and by the ideas of Rudolf Steiner, was concerned with human responses to form and space, the expansion of human consciousness and encouraging a sense of spiritual wholeness. He was also influenced by the Melbourne tradition of improvisatory ‘bush’ architecture and perhaps by the geometrical plans of such architects as Roy Grounds in the 1950s. Burgess’s buildings generally have strong, complex geometries, often combined with more intuitive organic forms, conveying a sense of spiritual struggle in a contradictory modern world. He designed many houses, often largely in timber, for example the Hackford House (...

Article

David O’Halloran

Australian painter. Campbell fostered his interest in art at Footscray Technical College in 1979, before attending RMIT, where he completed a BA in Fine Art in 1982. He subsequently completed a Graduate Diploma in Painting at the Victorian College of the Arts in 1985. When Campbell commenced art school in ...

Article

Australian, 20th – 21st century, male.

Born 1951.

Painter.

Pop Art.

Bob Clutterbuck's work consists of slogans that have been cut out of newspaper articles and other printed material combined with drawings that recall traditional aboriginal art.

Adelaide (AG of South Australia): Stop the Merchants of Nuclear Death...

Article

William McAloon

New Zealand painter of Maori descent. Cotton studied at the University of Canterbury, graduating with a Bachelor of Fine Arts in 1988. He is prominent amongst a generation of Maori artists that emerged in the 1980s and 1990s including Michael Parekowhai (b 1968), Lisa Reihana (...