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Eveline Vermeulen

Dutch architect and designer. He studied from 1906 to 1911 at the Birmingham School of Art, where he was influenced by the Arts and Crafts Movement, the Glasgow school and the theories of W. R. Lethaby. He then studied (1911–14) at the Architectural Association in London, where he met David Bomberg and became acquainted with the Futurist and Vorticist avant-garde. His first executed designs—Løvdalla (...

Article

Sjarel Ex

Hungarian painter, decorative artist, typographer and writer, active in the Netherlands. He studied at the Academy of Applied Arts in Budapest from 1901 to 1903, and then at the academy in Munich (1904). For a short period he was a member of the artists’ colonies of ...

Article

Leland M. Roth and Gordon Campbell

American architect, stage designer, furniture designer and writer of Austrian birth. In 1920 he worked with Adolf Loos in Vienna. He was also in contact with the artists associated with De Stijl and began experimenting with innovative theatre designs. In 1924 he produced the Endless Theatre design. The ‘Endless’ was a double-curved shell of reinforced concrete that could enclose any irregularly traditional divisions into floor, wall, and ceiling but offered the inhabitant an open interior that could be modified at will. For the theatre he adapted the ‘Endless’ by devising a double-spiral stage interconnected by ramps and rings of spectator seats. Kiesler believed that the Endless Theatre, without proscenium or curtain, projecting out into the audience, with perpetually moving walls bathed in light of ever changing colour, would promote greater interaction between actors and audience....

Article

Marijke Küper

Dutch architect and furniture designer. He started work in his father’s furniture workshop at the age of 12, and then from 1906 to 1911 he worked as a draughtsman for C. J. Begeer, a jeweller in Utrecht. During 1904–8 he took evening classes in drawing and the study of ornamentation at the Kunstindustrieel Onderwijs der Vereeniging of the Museum van Kunstnijverheid in Utrecht. His interests nevertheless extended further than the applied arts. Around ...

Article

Sjarel Ex

Dutch designer and typographer . After working in the tradition of the Arts and Crafts Movement, he came into contact in 1917 with De Stijl, which fundamentally changed the course of his work. Through Vilmos Huszár and Jan Wils, he met H. P. Berlage, for whom he worked as a draughtsman, and international artists working in typographic design, such as Kurt Schwitters, El Lissitsky and Jan Tschichold. His international importance is based on typographical works, such as those he made between ...