French sculptor, collagist and draughtsman. Sister of (Henri-Robert-)Marcel Duchamp. Suzanne Duchamp’s work was significant to the development of Paris Dada and modernism and her drawings and collages explore fascinating gender dynamics. She worked closely with her husband, the artist Jean Crotti and her brother, which has exacerbated the tendency to subsume her particular production under their influence....
Australian photographer and installation artist. Hall began her career as a photographer in the mid-1970s, relinquishing a formal training in painting. She produced black-and-white modernist images of people embedded in their surroundings, favouring the incidental and over-looked. However by 1978, when she had lived for a time in London, Hall shifted away from the documentary tradition. Impressed by the ...
Hungarian painter, conceptual artist and teacher. By 1956 he was familiar with most modernist tendencies. In 1960 he graduated from the Academy of Fine Arts, Budapest, having already taken part in exhibitions as an undergraduate. Lakner’s unique Hungarian mixture of Surrealism and naturalism was primarily influenced by the Hungarian painter Tibor Csernus (...
Paula J. Birnbaum
American conceptual artist. Reichek earned a BFA from Yale University and a BA from Brooklyn College, where she studied painting with Ad Reinhardt. Well versed in the traditions of modernist painting, Reichek began critiquing those traditions in the 1970s by making art using the vehicles of embroidery, knitting, and weaving. She then engaged in a range of large-scale installation projects that retool domestic media and formats to analyse the patriarchal and modernist assumptions of American culture. In her series of samplers, including ...
French, 20th century, male.
Born 1 December 1896, in Paris; died 7 March 1988, in Paris.
Pastellist, painter (including gouache/mixed media), draughtsman, designer. Animals. Designs for stained glass, stage costumes and sets.
In 1913, Gaston Suisse studied at the school of decorative arts in Paris, where he learned the craft of lacquering. In 1920, he was taught by Paul Renouard, David, Albert d'Ys and Kruber. He was a friend of the decorative artist Dunand and of Jouve, Trémont, Sandoz, Petersen and Guyot, with whom he participated in all the major salons. He was awarded the Puvis de Chavannes prize in 1936. He executed decorative works for the Alhambra of Algiers in 1925, for the Galeries Lafayette's Pavillon de la Maîtrise and for the reception hall of the Conseil Municipal de Paris. He designed theatrical sets for the Paris Opéra and costumes for the Comédie-Française. He also produced fabric designs for Madame Duchesne, cartoons for stained glass windows for Grubber and a number of lacquered decorative panels for such celebrated individuals as Jansen, Straub, Ruhlmann and Boyer. He also produced many pencil, charcoal and pastel life drawings of animals which show a great understanding of animals and which he then executed in lacquer....
Bohemian critic, theorist, collagist and typographer. He was one of the founders of Devětsil (1920–31) and was the spokesman and theorist of the Czechoslovak Surrealist group (1934–51), inviting André Breton and Paul Eluard to Prague in 1935. His early works were influenced by Cubism. During the 1920s and 1930s he was an enthusiastic typographer, while in the 1940s he devoted himself primarily to making Surrealist collages, concentrating in particular on the female nude. As a theorist he was active from ...
German, 20th century, male.
Active from 1937 to 1954 active then naturalised in the Netherlands.
Born 1897 or 1899, in Osnabrück (Westphalia); died 1963, in Ulm.
Painter, collage artist.
Groups: 'K', De Stijl, Der Sturm, Cercle et Carré, Abstraction-Création.
Friedrich Vordemberge-Gildewart studied interior design and architecture in ...