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Paula Furby

Australian painter, teacher and critic. In 1943 Braund studied at Royal Melbourne Institute of Technology (RMIT) and then undertook a five year diploma at the National Gallery School of Victoria (1944–9) with the modernist Alan Sumner (b 1911). Braund also studied privately with George Bell. In her final year Braund won prizes for Drawing the Figure and Painting a Still Life, which were judged by Constance Stokes. Braund travelled in Europe and England between ...

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Nancy Underhill

Australian painter, active also in France. Gibson exhibited at the Royal Academy London and Paris Salons when they stood as bulwarks against modernism. In 1905, after art studies under Godfrey Rivers (1859–1925) at the Central Technical College, Brisbane had very little to offer her. The National Gallery of Queensland had no collection and few exhibitions came, so her aesthetic mainstays were the British magazines ...

Article

Anne Kirker

Australian photographer and installation artist. Hall began her career as a photographer in the mid-1970s, relinquishing a formal training in painting. She produced black-and-white modernist images of people embedded in their surroundings, favouring the incidental and over-looked. However by 1978, when she had lived for a time in London, Hall shifted away from the documentary tradition. Impressed by the ...

Article

Kyla Mackenzie

New Zealand painter. Self-taught, Mrkusich pioneered abstract modernism in New Zealand in the 1940s, a period when there was little acceptance of abstract art there. He co-founded the Auckland design firm Brenner Associates in 1949. His interest in European and American modernism, and the Bauhaus school, informed both his early painting and architectural designs of the 1940s and 1950s, which in turn, influenced each other. His early works on paper explored spatial concerns using line, geometric and organic forms, and colour. Mrkusich’s approach to colour was generally informed by Kandinsky’s writing on the emotive and metaphysical power of colour and its receding and advancing qualities. The orchestration of irregular coloured squares and rectangles in ...

Article

Kyla Mackenzie

New Zealand painter and printmaker. Like Milan Mrkusich , Walters was dedicated to modernist abstraction during a period when the landscape genre predominated in New Zealand art. He trained as a graphic artist between 1935 and 1939 and studied art at Wellington Technical College (1939–40...

Article

New Zealand painter . He resolved to become a painter in the early 1930s, when the influence of early modernism was only just beginning to trickle down to colonial New Zealand. He had little formal training, but early paintings such as Artist’s Wife (c. 1937...