Brazilian printmaker and teacher. He worked initially as a printmaker and painter until 1933 when, influenced by Lasar Segall’s expressionism, he abandoned painting for wood-engraving, which he had first practised in São Paulo c. 1926. He initially treated social themes such as the São Paulo working class. Between ...
Swiss, 19th – 20th century, male.
Born 28 March 1868, in Solothurn; died 1961, in Oschwand (Bern).
Painter, watercolourist, pastellist, engraver, lithographer, sculptor. Figure compositions, portraits, landscapes, still-lifes.
Die Brücke group. School of Pont-Aven.
Cuno Amiet began his artistic training under Frank Buchser in Feldbrunnen from 1884 to 1886. From 1886 to 1888 he trained at the academy of fine art in Munich. From 1888 to 1891 he trained under the guidance of William Bouguereau and Tony Robert-Fleury at the Académie Julian in Paris. Up to that point he had been influenced by Impressionism, which was still very much in evidence. Then in 1892, he went to Pont-Aven and made contact with O'Connor, Émile Bernard, Sérusier and Armand Seguin. They introduced him to the ideas and techniques suggested by Gauguin to those who would soon be classed as the École de Pont-Aven. They would also call themselves 'Nabis'....
German sculptor and printmaker. He experimented with several media because he believed that conventional forms of communication were too formulaic and often failed to make tangible the essence of artistic vision. In his plastic and literary oeuvres Barlach sought to define and externalize the inner processes of humanity and nature through depriving his subject of its superficial mask and extraneous detail....
German painter, draughtsman, printmaker and teacher. He was one of the most important German painters of the 20th century. He was initially influenced by traditional styles, but during World War I he rejected perspective and classical proportion in favour of a more expressive objective art. He was persecuted by the Nazis in the 1930s but continued to work, painting his celebrated secular triptychs in the late 1930s and the 1940s....
German group of painters and printmakers active from 1905 to 1913 and closely associated with the development of Expressionism (see Expressionism, §1).
The Künstlergruppe Brücke was founded on 7 June 1905 in Dresden by four architecture students: Fritz Bleyl (1880–1966), Erich Heckel, ...
Timothy O. Benson
German painter, printmaker and stained-glass artist. He attended the Fachschule für Textilindustrie and the Kunstgewerbeschule in Krefeld (1905–9), where his teacher Johan Thorn Prikker showed him the power of line and colour and introduced him to the work of Vincent van Gogh and Paul Cézanne. In ...
Czech painter, printmaker and writer. He studied weaving (1901–3) in Vrchlabí and then from 1904 to 1910 decorative painting at the School of Applied Arts in Prague, where he was influenced by the highly decorative art of the Secession. During this period he wrote stories with his ...
French, 20th century, male.
Born 21 February 1914, in Bonifacio, Corsica; died 1992.
Painter, sculptor, lithographer, engraver.
Carréga attended art classes in studios around Montparnasse. His work is figurative with Expressionist undertones. Initially, he drew inspiration from the sea but as time went on his work became increasingly abstract and he started employing large areas of flatly-applied colour against transparent backgrounds....
Brazilian, 20th century, female.
Born 1940, in São Paulo.
Chiaverini's work is based on a style at once Symbolic and Expressionist.
Sharon Matt Atkins
American painter, printmaker and teacher. Colescott produced highly expressive and gestural paintings that addressed a wide range of social and cultural themes and challenged stereotypes. Interested in issues of race, gender and power, his work critiqued the representation of minorities in literature, history, art and popular culture. Stylistically, his work is indebted to European modernism, particularly Cubism and Expressionism, but also makes references to African sculpture, African American art and post–World War II American styles....
Belgian painter and printmaker. He studied from 1889 to 1896 at the Académie Royale des Beaux-Arts in Ghent, and together with his younger brother Léon De Smet (1881–1966), also a painter, he helped his father Jules De Smet with the decoration of inns, stores and fairground buildings. From ...
Belgian, 20th – 21st century, male.
Painter, engraver, lithographer.
Désiro went through a major Expressionist period. His Crucifixion in Red ( Crucifixion en Rouge) shows the painter in a studio cluttered with paintings, in the middle of painting or crucifying a larger than life, suffering Christ. In his later work, he gave his abstract compositions a circular dynamism....
Croat, 20th century, male.
Born 1905, in Križevci.
Marijan Detoni studied at the academy in Zagreb, where he became professor in 1945. His first works were close to Expressionism, and revealed a profound anguish and violent social satire. After World War II, he adhered to the doctrine of Socialist Realism. He then evolved towards a somewhat abstract kind of painting, evoking complex imaginary worlds....
German painter, printmaker and watercolourist (see fig.). His initial training (1905–14) in Gera and Dresden was as a painter of wall decorations, but he taught himself the techniques of easel painting from 1909 and began concentrating on portraits and landscapes in a veristic style derived from northern Renaissance prototypes. After seeing exhibitions of paintings by Vincent van Gogh (Dresden, ...
Anneke E. Wijnbeek
French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdam’s red-light district and illustrations of Queen Wilhelmina’s coronation. Van Dongen’s first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in ...
French painter, draughtsman and printmaker. He began painting in 1903, studying in Paris and frequenting the Académie de la Palette and the studios of Luc Oliver Merson and Jean-Paul Laurens. After doing his military service he shared a studio with Jean-Louis Boussingault in 1907 and befriended Luc-Albert Moreau and Lucien Mainssieux. In ...
Paul Vogt and Ita Heinze-Greenberg
International movement in art and architecture, which flourished between c. 1905 and c. 1920, especially in Germany. It also extended to literature, music, dance and theatre. The term was originally applied more widely to various avant-garde movements: for example it was adopted as an alternative to the use of ...
Czech painter, printmaker, sculptor, writer and collector. After a short period at a business school and in an insurance office in Brno, he became a student at the Academy of Fine Arts in Prague (1903). In 1904 he won the Academy’s first prize. At the end of the year he set out on a lengthy journey to Germany, the Netherlands, Belgium, France and Italy. He became absorbed in the Old Masters, especially Rembrandt. His own style passed from Post-Impressionism to a more expressive dominance of colour. In ...
Finnish painter, graphic artist and designer. He learnt the elements of drawing and painting in Helsinki at the School of the Finnish Arts Society and the studio of the painter Adolf von Becker (1831–1909).
His first significant painting, The Boy and the Crow...
French, 20th century, male.
Sébastien de Ganay first exhibited in Paris in a solo exhibition at the Galerie Jacqueline Moussion.
His work is suggestive of Abstract Expressionism but is based on an original process. He covers the stretcher with sheets of plastic film containing paint and waits for several weeks for the colour to set....