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Article

Italian, 20th century, male.

Born 1904, in Loreto; died 1992, in Milan.

Painter. Still-lifes.

Attilio Alfieri began to paint under the dual influence of Cubism and Futurism. Around 1930 he experimented also with the collage technique. Afterwards he went through a period of Classical Representation, and then evolved in the direction of an informal, material Abstraction. Thick and generous materials are fairly constant throughout his many different periods. This is particularly true of his Representational art and can be observed in the skilful brushwork of his series of vegetable still-lifes....

Article

French, 20th–21st century, male.

Born 1960, in Paris.

Painter. Enamels. Still-lifes.

Gilles Apruzzese studied painting at a small atelier in Paris. His work, combining oil, acrylic and collage, was influenced by the cubism of Georges Braque and Pablo Picasso. He has also experimented with enamel on copper....

Article

Philip Cooper

Art form in which natural and manufactured, traditionally non-artistic, materials and objets trouvés are assembled into three-dimensional structures. As such it is closely related to Collage, and like collage it is associated with Cubism, although its origins can be traced back beyond this. As much as by the materials used, it can be characterized by the way in which they are treated. In an assemblage the banal, often tawdry materials retain their individual physical and functional identity, despite artistic manipulation. The term was coined by ...

Article

Swiss painter and multimedia artist . From 1890/91 she studied under Hugues Bovy (1841–1903) and Denise Sarkissof at the Ecole d’Art in Geneva. A travel scholarship enabled her to study in Munich for a year. From 1904 until the outbreak of World War I Bailly lived in Paris, where she associated with Cubist artists, including Albert Gleizes, Jean Metzinger, Fernand Léger, Marie Laurencin and Sonia Lewitska (...

Article

Lewis Kachur

French painter, collagist, draughtsman, printmaker and sculptor. His most important contribution to the history of art was his role in the development of what became known as Cubism. In this Braque’s work is intertwined with that of his collaborator Pablo Picasso, especially from 1908 to 1912...

Article

Collage  

Lewis Kachur

Art form and technique, incorporating the use of pre-existing materials or objects attached as part of a two-dimensional surface. Despite occasional usage by earlier artists and wide informal use in popular art, collage is closely associated with 20th-century art, in which it has often served as a correlation with the pace and discontinuity of the modern world. In particular it often made use of the ...

Article

Isabelle Monod-Fontaine

French sculptor, collagist, printmaker and illustrator. He came from a family of coopers and c. 1899 joined the studio of a sculptor of building ornaments, practising direct carving on building sites and studying academic drawings in the evenings. In 1902 he settled in the Montmartre district of Paris, where in ...

Article

Daniel Robbins

French painter, collagist, draughtsman and stage designer. A few years younger than most of the Cubists with whom he became associated, he received a traditional art education at the Ecole Nationale des Beaux-Arts in Paris from 1906 to 1910. He did not participate in any of the manifestations of Cubism that took place before World War I. His interest in the movement appears to have developed under the influence of Albert Gleizes, who painted his portrait while both served near the front in the 167th regiment at Toul in ...