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Article

A  

15th – 17th century (?), male.

Monogram of an engraver (wood).

Cited by Brulliot as having engraved a Conversion of St Paul.

Article

A. A.  

14th – 17th century (?), male.

Initials of a painter and engraver.

Cited by Bartsch and Defer; known for an engraving of Young Satyr and Old Satyr copied from an etching by Marcantonio Raimondi.

Article

German (?), 14th – 17th century (?), male.

Monogram of an engraver.

Brulliot made a reference to this artist. His monogram is usually interpreted as A. A. B., but it could also be read as M. B. He left a cartouche, held by two eagles and topped by a ram's head....

Article

A. B.  

German (?), 14th – 17th century (?), male.

Monogram of an engraver (stippling).

Brulliot makes a reference to A. B. He produced decorations in gold and silver.

Article

German, 16th – 17th century (?), male.

Monogram of an engraver.

The signature A. C. T. is to be found on a copy of Bagpipe Player, an engraving by Albrecht Dürer.

Article

15th – 17th century (?), male.

Monogram of a painter.

Cited by Ris-Paquot.

Article

French, 14th – 17th century (?), male.

Active in Troyes.

Monogram of a glass painter.

School of Champagne.

According to Ris Paquot, A. L. B. worked at the church of St-Nizier.

Article

A. M.  

German, 14th – 17th century (?), male.

Monogram of a draughtsman, engraver (wood).

The monogram A. M. is found on an engraving on wood of a View of the Town of Meissen.

Article

German, 14th – 17th century (?), male.

Monogram of an engraver.

Article

15th – 17th century (?), male.

Monogram of an engraver.

Cited by Ris-Paquot.

Article

A. P.  

14th – 17th century (?), male.

Monogram of an artist.

Cited by Defer; noted for his Statue of Diana at Ephesus. Probably the same artist as in the preceding entry.

Article

15th – 17th century (?), male.

Monogram of a draughtsman, engraver (wood).

Monogram found on a three-plate chiaroscuro etching of Absalom's Death at the Hands of Joab.

Article

A. V.  

14th – 17th century (?), male.

Monogram of an engraver.

Article

A. V.  

French, 15th – 17th century (?), male.

Active in Limoges.

Monogram of an enameller.

The monogram A. V., listed by Ris Paquot, appears on an enamel in the Le Carpentier Collection.

Article

French, 16th – 17th century, male.

Born in Argentan.

Glass painter.

The second son of Geoffroy I, Geoffroy Abot II married in Alençon, France, in 1593. His profession is given as painter on his marriage certificate.

Article

French, 16th – 17th century, male.

Born in Argentan.

Glass painter.

Jean Abot married in Alençon, France, in 1585, where he settled. In 1599 and 1604 he restored the stained glass windows of the church of Notre-Dame in Alençon and also undertook various painting jobs there....

Article

Flemish, 16th – 17th century, male.

Born c. 1527, in Brussels; died 1612, in Rome.

Engraver, draughtsman, print publisher.

Flemish School.

Nicolaus van Aelst learned drawing and engraving in his home town of Brussels, then went to Rome where he set up a thriving trade in prints. This was his main activity, although he continued to engrave with a burin. It should be noted, however, that he was only the printer of the engraving of the statue of Henry II, the original artist being Tempesta....

Article

Dutch, 16th – 17th century, male.

Painter.

Antwerp School.

Dirk Aertsen was the son of Pieter Aertsen. He is possibly the same artist as the Dierck Aertsen who became a free master of the Guild of St Luke in Antwerp in 1607, and who travelled to France to work at Fontainebleau....

Article

Dutch, 16th – 17th century, male.

Born 1540; died 1603.

Painter.

Amsterdam School.

Pieter Pietersz. Aertsen was the son of Pieter Aertsen (Lange Pier) and the brother of Aert Pietersz.

Amsterdam (Rijksmus.)

Haarlem (Frans Halsmus.)

Article

Italian, 16th – 17th century, male.

Active in Romec.1620.

Born 1570, in Sorrento.

Painter. Landscapes.

A pupil of Roncali known as 'delle Pomarancie', Giuseppe Agellio possessed remarkable talent as a landscape artist and was often employed by painters of that period to execute the landscapes and backgrounds of their works. He also demonstrated great ability in the painting of architectural motifs....