Italian painter, draughtsman, engineer and stage designer, active also in central Europe and Spain . He was a pupil of Giovanni Bilivert from 1612 to 1620 and studied with Giulio Parigi. In 1622 he went to Vienna as assistant to Giovanni Pieroni da Galliano and thence to Prague, where he decorated the chapel (...
Alfonso Rodríguez Ceballos
W. Georg Rizzi
Italian architect, decorative artist, stage designer and painter, active also in Austria. He trained as a quadratura painter in Bologna, where he was a pupil of Giovanni Gioseffo dal Sole. He was recorded as working as a figure and quadratura painter in Vienna for Prince Montecuccoli in ...
Alfonso Rodríguez Ceballos
Italian architect, painter, urban planner and stage designer, active in Spain. He was a pupil in Piacenza of the painters Bartolomeo Rusca (1680–1745), Andrea Galluzzi (fl 1700–1743) and Giovanni Battista Galluzzi (fl c. 1730–40). In 1728 he was one of a number of artists summoned to Spain by the Marchese ...
Italian architect and painter. She was the first woman to practise architecture whose reputation has survived to the present day. Her father, Giovanni Bricci (1579–1645), was a painter and musician, and her brother Basilio Bricci (1621–92) was himself an architect and painter. The full extent of her activities remains to be explored, but two commissions in Rome stand out. The first of these, the ...
Italian architect and stage designer, active in Austria. He went to Vienna in 1651 as the apprentice of his father, Giovanni Burnacini (d 1655), the Venetian theatre architect who introduced to Vienna the system of stage design developed by Giovanni Battista Aleotti and who produced stage sets in the Florentine–Venetian style of Giulio and Alfonso Parigi and Giacomo Torelli. Lodovico Burnacini was his father’s assistant until the latter’s death and succeeded him in the office of theatre architect and imperial court engineer to Emperor ...
Italian, 16th – 17th century, male.
Born 1559, in Castelvecchio, in Cigoli according to the Larousse Dictionary; died 1613, in Rome.
Painter, sculptor, architect, poet, musician.
Lodovoco Cardi began his studies under Alessandro Allori, and later became one of the most brilliant followers of Santi di Tito. According to Lanzi, he was taught drawing by Buontalenti. He was elected to membership of the Florence academy, following the submission of his painting of ...
French, 16th – 17th century, male.
Active in Laon, then in Rheims.
Born c. 1550; died c. 1620, in Laon.
Draughtsman, calligrapher, musician.
Paris (BNF): series of drawings
Rheims (Bibliothèque): series of drawings
Susan Harrison Kaufman
Italian painter and stage designer. His earliest known work, the Flagellation of Christ (c. 1706; Venice, Mus. Diocesano S Apollinia), for the Scuola del Cristo of S Marcuola, is a dark, shadowy painting that reveals the strong influence of tenebrist trends of the 17th century. Crosato, however, belonged to the generation of Venetian painters such as Jacopo Amigoni, Sebastiano Ricci and Giovanni Antonio Pellegrini, who were developing a lighter, more colourful style. His tonality changed from the darkened shadows of the ...
Italian painter and stage designer. A specialist in illusionistic architectural settings, or quadratura, he trained with Cesare Baglione (c. 1550–1615). His dramatically lit settings, which display realistic and well-proportioned architecture, departed from Baglione’s Mannerist fantasy and established classical ceiling decoration in Bologna. His ...
Italian architect, stage designer and musician, active in Poland. He arrived in Poland before 1632, being court architect first to King Sigismund III, then to Vladislav IV and John II Kazimir. Between 1643 and 1654 Gisleni was noted at the Polish court not only as a singer and composer but also as a director and designer of ephemeral decorations. His immense though mostly unrealized architectural and decorative oeuvre is chiefly known from three collections: the album ...
German painter and stage designer. From 1957 to 1964 he studied under the German painter Peter Janssen (b 1906) at the Hochschule für Bildende Künste in West Berlin. At first he painted figurative works influenced by Baroque models and by 19th-century history painting. In aligning himself with the great tradition and the values of figurative painting in the idiom of Rubens or Hans Makart, he deliberately set himself apart from all the artistic tendencies predominant in West Germany in the 1950s and 1960s. Characteristic of his painting is a theatrical element that in the 1960s occasionally took on a quality of caricature. This is in keeping with his interest in the theatre, in which he also worked as an actor, musician, playwright and scene painter (particularly in the 1980s, when he was associated with the director Peter Zadeck in Berlin and Hamburg). As a 20th-century artist who thought in historical terms, Grützke played on the contradiction between the traditional form of figure painting and its contemporary content. In some works, such as ...
Italian, 17th century, male.
Born 1588, in London; died 1665, in London.
Painter, engraver, musician.
The son of the musician Jérôme Lanière, Nicolas came to England to join Queen Elizabeth's orchestra, and was leader of Charles I's group of musicians. He composed, alone or in collaboration, the music of several ...
Spanish, 17th century, male.
Born 1613, in Madrid; died 1667, in Madrid.
Painter, poet, musician. Portraits.
Eugenio de las Cuevas was the son and pupil of Pedro de las Cuevas. His small portraits were much admired at the Spanish court. He was painter to Philip IV and taught drawing to the Infante, Don Juan of Austria....
Spanish painter and writer, also active in Portugal. He received a classical education at Santiago de Compostela and participated at court in the activities of music, dance and painting. In Madrid he was a personal friend of Diego Velázquez. Machado wrote sonnets and picaresque novels and was also a friend of the Camões scholar Manuel de Faria e Sousa. He was interested in the history of the nobility and concerned with the defence of the Liberal Arts....
German, 17th century, male.
Thomas Macolino's portraits of Max Emanuel of Bavaria and Princess Marie Anne Christine were engraved in 1678 by G.G. Amling. He worked at the court of Munich.
Arthur R. Blumenthal
Italian family of architects and stage designers. The architect Alfonso di Santi Parigi, known as il Francia (b Florence, c. 1535; d Florence, 8 Oct 1590), was the nephew of Bartolomeo Ammanati and succeeded Giorgio Vasari as head of the Fabbrica degli Uffizi in ...
Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist’s role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola’s ...
Swiss architect and musician, active in Bolivia. He entered the Jesuit Order and in 1730 was sent to join the Jesuit missions to the indigenous Chiquito peoples of eastern Bolivia, in the Chaco rainforests bordering Brazil and Paraguay. In 1731 he organized the craft workshops in the mission of S Javier and began the construction of the church there. Like all the churches in that region, it is a timber structure with a rectangular ground-plan and a pitched roof. The plan is organized on the basis of five rows of timber columns, with the three central rows dividing the internal space into two aisles and the outer rows defining the enclosing walls and supporting the widely overhanging eaves. These churches were based on ancient Greek models and were adapted to the humid climate and forested nature of the region. Schmid also constructed the churches at S Rafael (...
Italian, 17th century, male.
Active in Rome.
Born 1582, in Brescia; died after October 1667, in Rome.
The son of Giacomo di Marco Antonio Stella, Lodovico Stella was a member of the Accademia di S Luca in Rome in 1618.
Italian architect, stage designer and engineer . He is first noted in 1618 and again in 1619 as a designer of theatrical effects for church festivities in Reggio Emilia. In 1631 he moved to Modena, where he worked on the city fortifications for Francesco I d’Este (ii), Duke of Modena, for whom he also built a garden casino (...