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Article

17th century, male.

Born 1639, in Antwerp.

Painter, engraver, architect.

Engravings by Hendrik Abbé have survived in Antwerp cathedral and the artist is also cited by Heinecken as responsible for the illustrations to Ovid's Metamorphoses as published by Barrier. He is further believed to have been responsible for a ...

Article

Ilse O’Dell-Franke

Swiss draughtsman, woodcutter, engraver, etcher and painter. He was the youngest son of the noted scholar and Chorherr in Zurich, Johann Jakob Amman, a friend of Ulrich Zwingli and Gessner family, §2. Although a successful pupil at the renowned Collegium Carolinum where his father was a professor, Jost, like his brother ...

Article

German, 17th century, male.

Active in Ulm.

Died 1669, in Ulm.

Painter, engraver. Historical subjects, portraits, architectural views, flowers.

Jonas Arnold tried his hand successfully at several artistic genres. He had a facility for drawn or painted portraits, historical and architectural subjects, plants and flowers. His works include paintings illustrating 200 types of tulip in the collection of Christoph Weikmann in Ulm....

Article

Christiane Andersson

German painter, printmaker, draughtsman and stained-glass designer. Such contemporaries as Jean Pélerin (De artificiali perspectiva, 1521) and the Alsatian humanist Beatus Rhenanus in 1526 counted him among the greatest artists of his time. In the opinion of specialists today, Baldung’s work places him only half a step behind Grünewald, Dürer and Hans Holbein the younger. A prodigious and imaginative artist of great originality, versatility and passion, Baldung was fascinated with witchcraft and superstition and possessed a desire for novelty of subjects and interpretation that sometimes borders on the eccentric. The new themes he introduced include the supernatural and the erotic. He was the first to show the erotic nature of the Fall in his chiaroscuro woodcut of ...

Article

South Netherlandish painter, draughtsman, engraver and publisher. He was the son of the sculptor Balten Janszoon de Costere (fl 1524). In 1550 he became a master in the Guild of St Luke in Antwerp and in 1569 its dean. Primarily on the authority of van Mander, Baltens was long considered to be an inferior imitator of ...

Article

Fiorella Sricchia Santoro

Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumi’s works is signed or dated, but his highly personal ...

Article

Riccardo Lattuada

Italian painter, engraver and draughtsman. He studied with Esprit Grandjean (fl 1642–55), a painter working at the court of Savoy in Turin from 1642, and won the protection of Christina, Duchess of Savoy (1606–63). By 1652 Beinaschi had settled in Rome. This date appears on the engraving he made (...

Article

Michel Sylvestre

French painter, etcher and draughtsman. His known artistic activity dates only from 1602 to 1616 and he is now familiar chiefly for his etchings and drawings, all his decorative works and most of his paintings having perished. His highly idiosyncratic style was inspired by such Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists including Albrecht Dürer and Bartholomeus Spranger. His work would seem to express a private and nervous religious sensibility through a style of the greatest refinement. It is among the latest and most extreme expressions of Mannerism. He was influential on other Lorraine artists: ...

Article

French, 17th century, male.

Born 4 June 1640, in St-Mihiel (Meuse), in 1637 according to some sources, in 1639 according to others; died 24 January 1711, in Paris, in 1709 according to some sources.

Painter, watercolourist, engraver, draughtsman, decorative designer, designer of ornamental architectural features...

Article

German painter, teacher, draughtsman and printmaker. His frescoes and altarpieces and his teaching established him as the dominant figure in the art life of Augsburg in the earlier 18th century. He came from a family of well-known Swabian sculptors, cabinetmakers and painters, with whom he probably initially trained. The Bavarian Duke ...

Article

French, 17th century, male.

Born 1592, in Paris; died 1661, in Paris.

Sculptor, painter, engraver, draughtsman, architect.

Son of Pierre Biard the Elder, and a pupil of Pierre Franqueville, Pierre Biard studied art in Italy. On his return to France, he was appointed sculptor to the king in ...

Article

Federica Lamera

Italian painter, draughtsman and etcher. He was taught by his father, Giovanni Andrea Biscaino, a mediocre landscape painter, and entered the workshop of Valerio Castello (ii), probably at the end of the 1640s. The chronology of his oeuvre, truncated by his early death in a plague, is hard to reconstruct. Only two paintings bear early documentation: ...

Article

Lucie Galactéros-de Boissier

French painter, draughtsman, architect, sculptor and printmaker. He trained in Paris, where he came into contact with Jacques Sarazin, who advised him to study painting rather than sculpture. He probably studied (c. 1637–45) with Simon Vouet, becoming familiar with perspective, the Mannerism of the School of Fontainebleau and the Baroque, then newly introduced to Paris. Around ...

Article

Michael Eissenhauer

German painter, draughtsman and etcher. The son of a Memmingen artist, he was in Lucerne in 1512–13 and was taxed in Konstanz from 1515 to 1544. Leaving Konstanz in 1543, he stayed briefly in Colmar, then worked in Montbéliard (1544–6). From 1552 until his death he was employed painting the town hall (built ...

Article

Jetty E. van der Sterre

Flemish painter, engraver and draughtsman. His identity is confused: it is known that a painter called Pieter van der Borcht worked in Mechelen for the Antwerp publisher Christoph Plantin from 1564 onwards. From 1552 until at least 1592 this artist—referred to as Pieter van der Borcht IV by Hollstein and as Pieter van der Borcht II by ...

Article

Alfonso E. Pérez Sánchez

Italian painter and etcher, also active in Spain. He was the son of a Florentine carpenter and stepbrother of the sculptor and architect Giulio Lasso. He accompanied Lasso to Sicily, and his earliest known work is a modest painting, in a Mannerist tradition, of St Gregory in his Study...

Article

Thierry Bajou

French painter, draughtsman and engraver. Although he was one of the most successful painters of the mid-17th century in France and highly praised by the writer André Félibien, he was also widely criticized for never achieving a fixed style of his own. He began his career as an imitator of the Bamboccianti and of Giovanni Benedetto Castiglione. He later produced altarpieces in a vigorous Baroque style and portraits in the manner of Anthony van Dyck before coming under the classicizing influence of Nicolas Poussin. Towards the end of his career, in a lecture to the Académie Royale, he recommended that young artists reject uniformity of inspiration. Remarkably, he was able to give a personal flavour to his work in any style and genre....

Article

German painter, draughtsman and etcher. Trained by Johann Georg Dathan (1703–c. 1748) in Speyer, he was a court painter in Mannheim from 1733 until his death, from 1755 gallery director and from 1757 a privy councillor. Of the religious works that, as a court painter, he was obliged to produce, the only ones that survive are frescoes (spandrel paintings) depicting the ...

Article

Daniele Benati

Italian painter, draughtsman and engraver. He studied with Bartolomeo Passerotti and afterwards at the Accademia degli Incamminati, founded by the Carracci, where he participated in group projects supervised by Ludovico Carracci. These included frescoes (c. 1598–1600) in the Palazzo Fava in Bologna depicting scenes from the ...

Article

Janez Höfler

German painter, draughtsman, engraver and woodcut designer. He worked in Fulda from c. 1520 to the mid-1540s, as is known from a series of dated paintings and copper engravings, including portraits of distinguished citizens of Fulda. Of the few surviving portraits, mainly from the 1520s, only one, that of ...