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Kyla Mackenzie

New Zealand photographer. Aberhart became a leading photographer in New Zealand from the 1970s with his distinctive 8×10 inch black-and-white photographs, taken with a 19th-century large format Field Camera. He is particularly well known for his images of disappearing cultural history, often melancholic in tone, in New Zealand....

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In the 1990s, Aboriginal art gained for the first time a substantial audience as contemporary art. Ten years earlier it had been the preserve of anthropologists and marketed as ‘primitive fine art’ to collectors of tribal art. In 1980, Andrew Crocker, the newly-appointed manager of Papunya Tula Artists Pty Ltd—the Western Desert artist-run company formed in ...

Article

Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between ...

Article

John Hovell

Maori painter, carver, weaver, costume and stage designer. His involvement with art began at Te Aute Maori Boys’ College (1954–7), Hawke’s Bay, Waipawa County, and continued with formal art training at Ardmore Teachers’ College (1958–9) and at Dunedin Teachers’ College (...

Article

Australian, 20th century, female.

Born in Sydney.

Miniaturist, watercolourist.

While studying in Paris with Camille Carlier-Vignal, Lilian Albert exhibited at the Salon des Artistes Français, obtaining an honourable mention in 1930 for a watercolour, The Soup, and a miniature.

Article

Michael Dunn

New Zealand painter. She studied at the Elam School of Fine Arts, Auckland, from 1960 to 1963 and subsequently travelled extensively in the USA and Europe. Her paintings are abstractions with a basis in nature, to which she alludes in her titles. An early and enduring influence on her work were the colour paintings of Helen Frankenthaler. Albrecht’s painting is distinguished by its strong colouring and feeling. Among her most important works are her ...

Article

Australian, 20th century, male.

Born 1888; died 1973.

Painter (gouache), watercolourist. Landscapes, seascapes.

Sydney, 6 Oct 1976: Seaside, Newport (oil on canvas remounted on board, 18 × 24 ins/46 × 61 cm) AUD 800

Sydney, 21 March 1978: The Loch Etive (1930, watercolour...

Article

Australian, 20th century, male.

Active in Australia from 1888 to the 1920s.

Born 1881, in Middlesborough, North England; died 1965, in London.

Painter.

Altson was a pupil of the English portrait painter, Bernard Lindsay Hall. He studied design and painting at the National Gallery of Victoria Schools in Melbourne ...

Article

Jennifer Taylor

Australian architect. After graduation from the Sydney Technical College in 1929, Ancher travelled in Europe. He formed a partnership with Reginald Prevost in Sydney, 1936–9, and in 1946 established Sydney Ancher and Partners. Ancher’s most influential work, principally his early houses, combines the visual characteristics of the International Style with a sensitive response to Australia’s geography (...

Article

Jennifer Taylor

Australian architect. He graduated from the University of Sydney in 1956 and from the Graduate School of Design, Harvard, in 1958. He established his practice in Toronto in 1962 and received early acclaim for the design of Scarborough College (1963), University of Toronto. This was followed by major commissions throughout North America, including Gund Hall (...

Article

Michael Dunn and Edward Hanfling

New Zealand painter. Angus studied at the Canterbury School of Art, Christchurch (1927–33). In 1930 she married the artist Alfred Cook (1907–70) and used the signature Rita Cook until 1946; they had separated in 1934. Her painting Cass (1936; Christchurch, NZ, A.G.) is representative of the regionalist school that emerged in Canterbury during the late 1920s, with the small railway station visualizing both the isolation and the sense of human progress in rural New Zealand. The impact of North American Regionalism is evident in Angus’s work of the 1930s and 1940s. However, Angus was a highly personal painter, not easily affiliated to specific movements or styles. Her style involved a simplified but fastidious rendering of form, with firm contours and seamless tonal gradations (e.g. ...

Article

Australian group of mixed-media artists active in 1962. They formed for the purpose of staging an exhibition of the same name. Ross Crothall (b 1934), Mike Brown and Colin Lanceley worked together in Crothall’s studio in Annandale, a suburb of Sydney, in 1961...

Article

George Tibbits

Australian architect. He served articles with William Salway (1844–1902) in Melbourne and practised alone from the late 1880s to the early 1930s, with a circle of clients and friends drawn from varying levels of Melbourne society. As well as a commitment to the ideals of the Arts and Crafts movement, he aimed to create an Australian idiom and saw architecture as an art rather than a profession. His talent for sketching and his flair for writing on architecture were also recognized at an early stage in local building journals....

Article

Janet Spens

Australian group of artists formed in Melbourne in February 1959 and active until January 1960. The founder-members were the art historian Bernard Smith (b 1916), who was elected chairman, and the painters Charles Blackman, Arthur Boyd, David Boyd (b 1924), John Brack, ...

Article

Wystan Curnow

New Zealand sculptor and conceptual artist. He studied at the Royal College of Art in London in the early 1960s and first showed his work alongside that of fellow students such as David Hockney and Derek Boshier, helping to mark the emergence of British Pop art. The pseudonym that he adopted in ...

Article

Australian, 20th century, male.

Born c. 1920; died 1985.

Sculptor.

Apuatimi, an Aborigine, sculpted figures using the basic traditional technique, whereby the defining features - in other words the eyes, nose, mouth and dress - are painted on and feathers or various other decorations added. The risk of this type of relic of primitive art in the context of a developed society is that the primitive arts are easily reduced to folkloric handicrafts....

Article

Marco Livingstone

Australian painter. While studying painting at Prahran College, Melbourne, from 1969 to 1971, he discovered airbrushes, technical tools employed by commercial artists which he adopted with alacrity as his favoured instrument for picture-making. At art school Arkley met the collage artist and painter Elizabeth Gower...

Article

Within a half-century of the signing of the Treaty of Waitangi between the British Crown and Maori chiefs in 1840—the event from which the beginning of New Zealand (Aotearoa) is generally dated (and leaving aside from the present discussion the tribal art of the indigenous ...

Article

The collecting cycles and art market trends in Australia from 1995 to 2010 clearly reflected the developments in art markets all around the world. The market for all periods in Australian art peaked in 2007, decreasing by a third before forming a plateau. Primarily, the building of Australian art collections dominated art sales, with only a small percentage of collectors involved in collecting international art. Although the latter was a growing trend, accessibility to the international art market limited this area of collecting....

Article

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