1-19 of 19 results  for:

  • Oceanic/Australian Art x
  • South/Southeast Asian Art x
Clear all

Article

Gensler  

Sara Stevens

American architectural firm started by Arthur Gensler Drue Gensler, and Jim Follett in 1965 in San Francisco, CA. M. Arthur Gensler jr (b Brooklyn, New York, 1935) attended Cornell University to study architecture (BArch, 1957). The firm began doing build-outs for retail stores and corporate offices, and initially established itself in the unglamorous area of interior architecture. Thirty years later and without mergers or acquisitions, it had grown to become one of the largest architecture firms in the world, having pioneered the global consultancy firm specializing in coordinated rollouts of multi-site building programmes. By ...

Article

Anthony Gardner

Malaysian conceptual artist, active also in Australia. Gill studied at the University of Western Sydney, completing her MA in 2001. Despite working in a range of media, she is best understood as a process-based artist who has consistently explored notions of migration and transformation within material culture. These include the effects of international trade on such everyday activities as cooking and eating. The spiral form of ...

Article

Rory Spence

American architects and designers, also active in Australia and India. Marion Mahony Griffin (née Mahony) (b Chicago, 14 Feb 1871; d Chicago, 10 Aug 1961) worked together with her husband Walter Burley Griffin (b Maywood, IL, 24 Nov 1876; d Lucknow, 11 Feb 1937...

Article

Nadia Tscherny

English painter. He first attended classes at William Shipley’s Academy in the Strand, London, and from 1758 to 1765 was apprenticed to Richard Wilson (about whom he published a short biographical essay in 1790). Hodges followed Wilson’s classical landscape style periodically throughout his career, but, particularly during his travels, he also occasionally abandoned it in favour of freer handling, bolder juxtapositions of colour and a more empirical response to the natural world....

Article

Philip Stott, Miranda Bruce-Mitford, J. Dumarçay, Frederick Mathewson Denny, Jan Fontein, R. Soekmono, Helen Ibbitson Jessup, Victor T. King, Urs Ramseyer, Michael Hitchcock, Sheila S. Blair, Jonathan M. Bloom, John N. Miksic, Ruth Barnes, Mattiebelle Gittinger, Ward Keeler, Angela Hobart, Victoria M. Clara van Groenendael, Wolfgang Marschall, Bernard Arps, H. I. R. Hinzler, Sian E. Jay, Dawn F. Rooney, Robert S. Wicks, Daniëlle Grosheide and Lewis G. Hill

In 

See Indonesia, Republic of

Article

Philip Stott, Miranda Bruce-Mitford, J. Dumarçay, Frederick Mathewson Denny, Jan Fontein, R. Soekmono, Helen Ibbitson Jessup, Victor T. King, Urs Ramseyer, Michael Hitchcock, Sheila S. Blair, Jonathan M. Bloom, John N. Miksic, Ruth Barnes, Mattiebelle Gittinger, Ward Keeler, Angela Hobart, Victoria M. Clara van Groenendael, Wolfgang Marschall, Bernard Arps, H. I. R. Hinzler, Sian E. Jay, Dawn F. Rooney, Robert S. Wicks, Daniëlle Grosheide and Lewis G. Hill

In 

See Indonesia, Republic of

Article

Michael Hitchcock, Sheila S. Blair and Jonathan M. Bloom

In 

See Indonesia, Republic of

Article

Philip Stott, Miranda Bruce-Mitford, J. Dumarçay, Frederick Mathewson Denny, Jan Fontein, R. Soekmono, Helen Ibbitson Jessup, Victor T. King, Urs Ramseyer, Michael Hitchcock, Sheila S. Blair, Jonathan M. Bloom, John N. Miksic, Ruth Barnes, Mattiebelle Gittinger, Ward Keeler, Angela Hobart, Victoria M. Clara van Groenendael, Wolfgang Marschall, Bernard Arps, H. I. R. Hinzler, Sian E. Jay, Dawn F. Rooney, Robert S. Wicks, Daniëlle Grosheide and Lewis G. Hill

Country in South-east Asia comprising over 13,700 islands that extend in an arc straddling the equator, from Sumatra, west of Peninsular Malaysia, to the island of New Guinea, north of Australia (see fig.). Irian Jaya, the easternmost province of Indonesia, comprises the western half of the island of New Guinea; its population and cultures are Melanesian rather than Indonesian, and it is therefore treated elsewhere (...

Article

Sarah Cook and Marialaura Ghidini

Sarah Cook and Marialaura Ghidini

Art that uses the Internet not only as its tool of production and distribution but also as its source material or medium, and exploits or reflects the Internet’s inherently connective characteristics. While not a distinct art form or style, Internet art has been discussed in connection to the history of media art, predominantly through studies of the screen (see Bosma, ...

Article

A. A. Gerbrands

Indonesian province, comprising the western half of New Guinea and surrounding islands, with a population of c. 2.7 million. Formerly a Dutch colony, it was administered by Indonesia under the authority of the United Nations from 1963 until 1969, when it was formally incorporated into the Republic of Indonesia. Culturally Irian Jaya is generally classified as Melanesian rather than Indonesian. Its art has been quite widely studied and illustrated (see bibliography). There are also a number of important museum collections, both in Irian Jaya itself (e.g. Agats, Asmat Mus. Cult. & Prog.) and in the West (e.g. New York, Mus. Primitive A.: Basle, Mus. Vlkerknd.; Amsterdam, Tropenmus.; Leiden, Rijksmus. Vlkenknd.)....

Article

Philip Stott, Miranda Bruce-Mitford, J. Dumarçay, Frederick Mathewson Denny, Jan Fontein, R. Soekmono, Helen Ibbitson Jessup, Victor T. King, Urs Ramseyer, Michael Hitchcock, Sheila S. Blair, Jonathan M. Bloom, John N. Miksic, Ruth Barnes, Mattiebelle Gittinger, Ward Keeler, Angela Hobart, Victoria M. Clara van Groenendael, Wolfgang Marschall, Bernard Arps, H. I. R. Hinzler, Sian E. Jay, Dawn F. Rooney, Robert S. Wicks, Daniëlle Grosheide and Lewis G. Hill

In 

See Indonesia, Republic of

Article

H. I. R. Hinzler

In 

See Indonesia, Republic of

Article

Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....

Article

William Main

New Zealand photographer and decorative artist of Dutch origin. He was educated in the Netherlands and in New Zealand, where he attended the Canterbury School of Fine Arts, Christchurch, in 1939. Shortly after this he gradually withdrew from Western cultural influences and began to draw upon Asian and Polynesian influences for his artistic inspiration. While attempting to trace early examples of Maori art he studied cave drawings in remote parts of New Zealand, and also photographed geothermal formations in the centre of North Island. Influenced by the Maori artist Pine Taiapa, he revived an almost forgotten Maori art form by decorating gourds with intricate moko designs. Finally, he took up the carving of jade ornaments, and his success in this work led to the publication of his book ...

Article

Philip Stott, Miranda Bruce-Mitford, J. Dumarçay, Frederick Mathewson Denny, Jan Fontein, R. Soekmono, Helen Ibbitson Jessup, Victor T. King, Urs Ramseyer, Michael Hitchcock, Sheila S. Blair, Jonathan M. Bloom, John N. Miksic, Ruth Barnes, Mattiebelle Gittinger, Ward Keeler, Angela Hobart, Victoria M. Clara van Groenendael, Wolfgang Marschall, Bernard Arps, H. I. R. Hinzler, Sian E. Jay, Dawn F. Rooney, Robert S. Wicks, Daniëlle Grosheide and Lewis G. Hill

In 

See Indonesia, Republic of

Article

Philip Stott, Miranda Bruce-Mitford, J. Dumarçay, Frederick Mathewson Denny, Jan Fontein, R. Soekmono, Helen Ibbitson Jessup, Victor T. King, Urs Ramseyer, Michael Hitchcock, Sheila S. Blair, Jonathan M. Bloom, John N. Miksic, Ruth Barnes, Mattiebelle Gittinger, Ward Keeler, Angela Hobart, Victoria M. Clara van Groenendael, Wolfgang Marschall, Bernard Arps, H. I. R. Hinzler, Sian E. Jay, Dawn F. Rooney, Robert S. Wicks, Daniëlle Grosheide and Lewis G. Hill

In 

See Indonesia, Republic of

Article

Susie Lingham

Singapore-born installation artist, active in Australia . A recipient of numerous scholarships, Victor graduated from the University of Western Sydney with a BA Honours (1997) and an MA Honours (2000). Victor’s career ranged from prize-winning painter in the late 1980s, to ‘subversive’ in the early 1990s, and eventually to internationally esteemed artist with prestigious public art commissions to her name. Victor’s themes revolve around a critique of power and its subversion, sexuality and desire, notions of abjection and the cultural aftermath of post-colonialism in South-east Asia. Her work operates from a sophisticated, idiosyncratic aesthetic that runs counter to the dematerializing, technological trend of contemporary conceptual art. A key feature in her works is movement, achieved through mechanisms, engaging the viewer both physiologically and psychologically. The dynamic conflation of theatrical images, sumptuous materiality, movement, and multi-tiered concepts epitomizes Victor’s oeuvre....

Article

See Indonesia, Republic of

Article

Philip Stott, Miranda Bruce-Mitford, J. Dumarçay, Frederick Mathewson Denny, Jan Fontein, R. Soekmono, Helen Ibbitson Jessup, Victor T. King, Urs Ramseyer, Michael Hitchcock, Sheila S. Blair, Jonathan M. Bloom, John N. Miksic, Ruth Barnes, Mattiebelle Gittinger, Ward Keeler, Angela Hobart, Victoria M. Clara van Groenendael, Wolfgang Marschall, Bernard Arps, H. I. R. Hinzler, Sian E. Jay, Dawn F. Rooney, Robert S. Wicks, Daniëlle Grosheide and Lewis G. Hill

In 

See Indonesia, Republic of