French sculptor, painter and printmaker. Barye was a realist who dared to present romantically humanized animals as the protagonists of his sculpture. Although he was a successful monumental sculptor, he also created a considerable body of small-scale works and often made multiple casts of his small bronze designs, marketing them for a middle-class public through a partnership, ...
Glenn F. Benge
He first trained with Pierre Lacour the elder (1745–1814) in Bordeaux and on going to Paris studied with François André Vincent and then Jacques-Louis David. While a pupil of David, he became friendly with both François-Marius Granet and Jean-Auguste-Dominique Ingres. Bergeret played a major role in introducing ...
English printmaker, painter and poet. His reputation as a visual artist increased during the 20th century to the extent that his art is as well known as his poetry (see fig.). Yet in his own mind Blake never completely separated the two, and his most original work is to be found in hand-printed books of prophecy, which developed a personal mythology of limitless intellectual ambition. In these books, text and design are completely integrated in what he called ‘illuminated’ printing. He also made many pen and watercolour drawings, prints in various media and a small number of tempera paintings, but even in these his broader aims were primarily theological and philosophical: he saw the arts in all their forms as offering insights into the metaphysical world and therefore potentially redemptive of a humanity he believed to have fallen into materialism and doubt....
French, 19th century, male.
Born 1810, in Paris; died 1870, in Châtenay.
A true romantic, Joseph Bouchardy called himself: Bouchardy Saltpetre Heart ( Bouchardy Cœur de salpêtre). He engraved several plates after Géricault, Paul Delaroche and Lorentz.
Russian, 19th century, male.
Born 1801, in Milan, Italy; died 1875, in St Petersburg.
Draftsman, painter, engraver, etcher. Historical subjects, religious subjects.
Active in Rome 1819–1841.
Born in Milan, Fedor Bruni moved to Russia with his family in 1808, where his father worked as a decorative artist at Tsarskoe Selo. The next year he began studying at the school of the Imperial Academy of Arts in St Petersburg, where he studied alongside Karl Briullov and Aleksandr Ivanov with the leading teachers Aleksei Egorov, Vasilii Shebuev, and Andrei Ivanov. After ranking second in the Academy’s gold medal competition in ...
G. A. Printseva
Russian painter, etcher, teacher and museum director of Italian birth. He was the son of the Swiss artist Antonio Baroffi Bruni (1767–1825), who moved to Russia with his family in 1807, taking the name Anton Osipovich Bruni. In 1809 he became a pupil at the St Petersburg Academy of Arts, where he studied under ...
Gerardo Pérez Calero
Spanish painter, watercolourist and illustrator. He trained at the Escuela de Nobles Artes in Seville (1833–40) and subsequently at the Real Academia de S Fernando in Madrid. He became a member of the Academia de S Isabel de Hungria of Seville in 1848...
Maltese painter and lithographer. He was the most significant Maltese disciple of Tommaso Minardi, whom he met and befriended while studying in Rome at the Accademia Nazionale di San Luca. In Malta he established himself as one of the leading artists of his generation and received prestigious commissions from both the Church and the British administration. He also produced prints intended for the tourist market and was the first Maltese to own a ...
Donald A. Rosenthal
French painter and printmaker (see fig.). In 1822 Chassériau moved with his family to Paris, where he received a bourgeois upbringing under the supervision of an older brother. A precociously gifted draughtsman, he entered Ingres’s studio at the age of 11 and remained there until Ingres left to head the Académie de France in Rome in ...
Fronia E. Wissman
French painter, draughtsman and printmaker.
After a classical education at the Collège de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in ...
Andrew W. Moore
English painter and etcher.
Cotman was born in the parish of St Mary Coslany, Norwich, the son of Edmund Cotman, a hairdresser, later a haberdasher, and Ann Sell. In 1793 he entered Norwich Grammar School as a ‘freeplacer’. In 1798 he moved to London, where he worked as an assistant to the publisher ...
Donald A. Rosenthal
French painter, illustrator and writer. His early training was as a theatrical scene painter and a designer of lithographic illustrations. In Bordeaux he studied with Pierre Lacour (ii) (1778–1859) and worked with Thomas Olivier (1772–1839), chief scene designer at the Grand-Théâtre. He subsequently studied in Paris in the studio of the landscape and history painter ...
Dewey F. Mosby
French painter, draughtsman and printmaker. With his brother Maurice-Alexandre (1804–52), the art critic and essayist, he spent some years of his youth at Orsay, in Picardy, ‘in order to learn to rise early and know the hard life of the fields’. The artwork of the peasants stimulated an interest in drawing. He entered the atelier of ...
French painter, draughtsman and lithographer. He was one of the greatest painters of the first half of the 19th century, the last history painter in Europe (see History painting, §II) and the embodiment of Romanticism in the visual arts. At the heart of Delacroix’s career is the paradox between the revolutionary and the conventional: as the arch-enemy of ...
Antoinette Le Normand-Romain
French sculptor, painter, etcher, architect and writer. The son of a decorative sculptor, he entered the Ecole des Beaux-Arts, Paris, in 1824 as a pupil of Charles Dupaty (1771–1825), moving in 1825 to the studio of James Pradier. Ingres also took an interest in his education, and Etex’s gratitude towards him and Pradier was later expressed in projects for monuments to them (that to Pradier not executed, that in bronze to Ingres erected Montauban, Promenade des Carmes, ...
Swedish painter, printmaker and designer. He trained at the Royal Academy of Arts in Stockholm in 1891–2. Subsequently he studied with Bruno Liljefors and Carl Larsson, assisting them with such decorative schemes as Larsson’s fresco at the Nationalmuseum, Stockholm (1896). In 1897 he moved to the Arvika district of Värmland, where he worked together with his wife, ...
Jens Christian Jensen
German painter, draughtsman, and printmaker. Along with Phillip Otto Runge, he was the leading artist of the German Romantic movement, notable especially for his symbolic and atmospheric treatment of landscape (see fig.).
Bohemian painter, printmaker and teacher. Until he was 18 he was trained by his father, Wenzel Führich, a painter and mason. In 1819, at the academy exhibition in Prague, he made his début with two history paintings. Their success enabled him to study in Prague. Dürer was the first powerful influence on his style; on a visit to Vienna in ...
Finnish painter, graphic artist and designer. He learnt the elements of drawing and painting in Helsinki at the School of the Finnish Arts Society and the studio of the painter Adolf von Becker (1831–1909).
His first significant painting, The Boy and the Crow...
French engraver, draughtsman, print publisher and dealer. He was the son of the goldsmith Pierre Gaultier, but probably not, as has been stated, the son-in-law of Antoine Caron and brother-in-law of Thomas de Leu. His first dated engravings (1576; Linzeler, 13–120) form part of a suite of 108 plates illustrating the New Testament. He was a very prolific engraver—his output reached at least 985 prints—and treated various genres, producing religious engravings, allegories, coats of arms and above all portraits and book illustrations. Although he copied the suite of engravings by ...