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Peyton Skipwith

He was articled to an architect and studied at Westminster School of Art under Frederick Brown and at the Royal Academy Schools. Later he worked in the studio of Aimé Morot in Paris and travelled to Italy. Bell belonged to the group of artist–craftsmen who brought about the last flowering of the Pre-Raphaelite movement. He painted in oil and watercolour and was among the pioneers of the revival of the use of tempera. He was an illustrator and also worked in stained glass and mosaic. He is best known for a series of bas-reliefs in coloured plaster, a group of which was used in the interior decoration at Le Bois de Moutiers, a house in Varengeville, Normandy, designed by ...

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British, 19th century, male.

Born 28 August 1833, in Birmingham, England; died 17 June 1898, in Fulham (London), England.

Painter, decorative artist, draughtsman, watercolourist, illustrator. Figures, scenes with figures. Designs for tapestries, designs for stained glass, designs for mosaics.

Symbolism.

Pre-Raphaelite.

The son of Edward Richard Jones and Elisabeth Coley, Edward Burne-Jones began to prepare for a career in the church and enrolled as a theology student at Exeter College, Oxford, where a fellow pupil was William Morris. However, his sight of a drawing by Dante Gabriel Rossetti, an illustration for William Allingham’s ...

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Christopher Newall

English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808–59). A series of illustrations to Tennyson’s The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver ...

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Peter Stansky

English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites. In ...