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Gordon Campbell

Workshop founded in Bologna in 1898 by the architect Alfonso Rubbiani (1848–1913), modelled on the English Arts and Crafts Movement; its formal name was Società Cooperativa Aemilia Ars. At first the workshop produced a wide range of products, including glass and pottery, but from ...

Article

Alan Crawford

Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.

The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....

Article

Alan Crawford

English designer, writer, architect and social reformer . He was educated at King’s College, Cambridge. As a young man he was deeply influenced by the teachings of John Ruskin and William Morris, and particularly by their vision of creative workmanship in the Middle Ages; such a vision made work in modern times seem like mechanical drudgery. Ashbee played many parts and might be thought a dilettante; but his purpose was always to give a practical expression to what he had learnt from Ruskin and Morris. An intense and rather isolated figure, he found security in a life dedicated to making the world a better place....

Article

James D. Kornwolf

English architect, interior designer, garden designer and writer . He was articled to Charles Davis (1827–1902), City Architect of Bath, from 1886 until 1889 but learnt little and was largely self-taught. In 1889 he started his own practice on the Isle of Man, where he built a number of buildings, including his own Red House, Douglas (...

Article

Gordon Campbell

English family of furniture designers and artist-craftsmen. Ernest (1863–1926) and his brother Sidney (1865–1926) worked with Ernest Gimson in the design and construction of furniture in the tradition of the Arts and Crafts Movement. Sidney’s son Edward (1900–87) carried on the business at a shop established in Froxfield (Petersfield, Hants) in ...

Article

He was educated at Winchester and Oxford, and in 1877 he was articled to the architect Basil Champneys. Encouraged by William Morris, in 1880 Benson set up his own workshop in Hammersmith specializing in metalwork. Two years later he established a foundry at Chiswick, a showroom in Kensington and a new factory at Hammersmith (all in London), equipped with machinery to mass-produce a wide range of forms, such as kettles, vases, tables, dishes and firescreens. Benson’s elegant and spare designs were admired for their modernity and minimal use of ornament. He is best known for his lamps and lighting fixtures, mostly in copper and bronze, which are fitted with flat reflective surfaces (e.g. ...

Article

Roderick Gradidge

English architect. He was articled to Wilson & Aldwinckle in 1883. In 1888, when he was sketching Abbeville Cathedral in France, he met John Ruskin and they toured Italy together. Ruskin persuaded Blow to give up his architectural training to learn about building, and in ...

Article

Dutch potter and sculptor. He trained as a drawing teacher but took a particular interest in bookbinding, decorative woodcuts and household pottery. From the example of the Arts and Crafts Movement he learnt the value of traditional techniques and craftsmanship. In 1898 he settled in Gouda in order to perfect his technical knowledge of pottery-making. Three years later he started his own ceramics firm in Leiderdorp. His ceramics are characterized by their intentionally plain shapes, combined with mostly geometric linear ornament and frequently with sculptural decoration applied in low relief. His work attracted international attention and gained awards at several exhibitions, including the Esposizione Internazionale d’Arte Decorativa in Turin (...

Article

Robert M. Craig

The term ‘Bungalow’, outside the USA, connotes a generic, one-storey, vernacular dwelling. The building type developed into one of the most frequently adapted house forms in the world—it is the most popular residential style in American architecture (rivalled only by the ranch house)—and it is probably the only type of dwelling known, by name and form, on every continent of the world. The term derives from a simple structure of mud, thatch, and bamboo: a Bengalese hut or ‘banggolo’. Its Anglo-American roots spring from a simple peasant cottage of the 17th century and from later colonial permutations of indigenous dwellings at the far reaches of the empire: the Anglo-Indian hut, for instance. The early bungalow was a square dwelling surrounded by a verandah, which might be partially enclosed, that developed into rural or suburban domestic forms. The bungalow eventually took on symbolic associations with a freer or simpler way of life, increasingly employed for summer cottages, beach houses, and country or suburban residences....

Article

John Maidment

Australian architect of English birth. Articled in Barnstaple to Alexander Lauder (1880–84), Butler moved to J. D. Sedding’s office in London in 1885, also travelling and sketching widely in Britain and Europe. In 1888 Butler emigrated to Melbourne, initially in partnership with Beverley Ussher (...

Article

Kathy Niblett

English potter. As a young boy he watched Edwin Beer Fishley (1832–1911) potting at Fremington, Devon. He won a scholarship to Oxford University but almost failed to graduate because he made pots rather than study in the holidays. In 1923 he joined Bernard Leach...

Article

Style rooted in 19th-century antiquarian studies of ancient Celtic art in Britain and Ireland. It was a mainly decorative style and first appeared in the 1840s, remaining fashionable from the 1890s to c. 1914 and lingering on through the 1920s. Derived from the complex, intertwining, linear motifs of ancient Celtic ornament, it was employed in metalwork, jewellery, embroidery, wall decoration, wood inlay, stone-carving and textiles. The Celtic Revival was closely related to the English Arts and Crafts Movement’s aim of social and artistic reform and was part of the general upsurge of Romantic interest in the Middle Ages. Its chief characteristics were raised bosses, tightly enmeshed roundels and bands of sinuous, criss-crossing lines, similar to but more abstract than Art Nouveau designs. Sources of inspiration were such Celtic antiquities as the Tara Brooch and the Ardagh Chalice (both 8th century ...

Article

Henry James Bartlett-Ellis

English bookbinder and writer. Between 1859 and 1863 he attended Owens College (now Victoria University of Manchester). He then read classics at Trinity College, Cambridge University, and later studied law there. He was called to the Bar in 1871 and was immediately commissioned to work for the London & North Western Railway. Becoming ill through overwork, he was sent in ...

Article

Ian Molyneux

Australian architect of English birth. He was articled to Thomas Lockwood and Sons at Chester, and later he worked for Guy Dawber. In 1904 he emigrated to Western Australia due to ill-health; he practised architecture in Bunbury (1906–13) and then established a partnership with ...

Article

Arnold Berke

American architect and designer. Raised in St Paul, MN, Mary (Elizabeth Jane) Colter graduated in 1890 from the California School of Design in San Francisco, then taught mechanical drawing at a St Paul high school and contributed to local Arts and Crafts societies as lecturer and craftswoman. These pursuits nourished Colter’s love of Native American art and the Southwest, interests also fostered by her first professional projects—the interior of the Indian Building at the Santa Fe Railway’s Albuquerque station (...

Article

Gordon Campbell

English school of furniture design. In 1892 Ernest Gimson and Ernest and Sidney Barnsley moved from London to the Cotswolds, where they made such Arts and Crafts furniture as rush-seated, ladder-backed chairs, plain oak pieces and more elaborate inlaid cabinets. They were joined in 1902...

Article

Robert M. Craig

Early 20th-century American manifestation of the late 19th-century international Arts and Crafts Movement and similarly grounded on the ideas of John Ruskin and William Morris. The Craftsman Movement married Ruskin’s concept of an architectural morality with Morris’s ideal of art as quintessentially “doing a right thing well,” and called for artists to embrace the idea that the worth of an object is inherent in the pleasure in its making. Led in America by furniture maker ...

Article

British, 19th – 20th century, male.

Born 15 August 1845, in Liverpool; died 14 March 1915, in Horsham (West Sussex).

Painter (including gouache), watercolourist, engraver, illustrator, designer. Genre scenes, figures, landscapes, landscapes with figures. Designs for wallpapers.

Arts and Crafts.

Walter Crane studied under his father Thomas Crane and under William Linton. He was associated with the Pre-Raphaelite movement early on in his career, but only later began the work that made him famous. He designed wallpaper and illustrated books. He also wrote to clarify his artistic intentions and to provide a kind of code to his design practice. He became director of Manchester School of Art....

Article

Christopher Newall

English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808–59). A series of illustrations to Tennyson’s The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver ...

Article

British, 19th – 20th century, male.

Born 1862, in Birmingham; died 4 June 1928.

Painter, watercolourist, draughtsman, illustrator, worker in precious metals, designer. Religious subjects, allegorical subjects, portraits. Jewellery.

Arts and Crafts.

Arthur Joseph Gaskin studied at the Birmingham School of Art, where he later taught. He was a member of the Arts and Crafts movement founded by William Morris, whose aim was to revitalise the decorative arts. From 1899, together with his wife Georgina Cave France, he created gold and silver jewellery, sometimes decorated with enamel. In 1902, he replaced R. Catterson Smith as director of the Birmingham School of Jewellery. He exhibited paintings at the Royal Academy in London in 1889 and 1890 and jewellery at the 1900 Paris Exposition Universelle....