New Zealand photographer. Aberhart became a leading photographer in New Zealand from the 1970s with his distinctive 8×10 inch black-and-white photographs, taken with a 19th-century large format Field Camera. He is particularly well known for his images of disappearing cultural history, often melancholic in tone, in New Zealand....
Australian watercolourist, Soldier, colonist and businessman of English descent. The son of the watercolour painter John Absolon (1815–95), he served in the Queen’s Rifles and exhibited paintings and sketches with the Society of British Artists before first visiting Western Australia in 1869. Shipboard watercolour sketches and many studies of the bushland environs of Perth, such as ...
Italian painter and art teacher active in Australia. He trained at the Accademia di S Luca, Rome. His conservative style emulates his teacher Alessandro Capalti’s use of drape, column and rhetorical gesture, as seen in Capalti’s portraits at the University of Sydney. On Bishop James Quinn’s advice, Anivitti emigrated to Brisbane in ...
Australian architect. He served articles with William Salway (1844–1902) in Melbourne and practised alone from the late 1880s to the early 1930s, with a circle of clients and friends drawn from varying levels of Melbourne society. As well as a commitment to the ideals of the Arts and Crafts movement, he aimed to create an Australian idiom and saw architecture as an art rather than a profession. His talent for sketching and his flair for writing on architecture were also recognized at an early stage in local building journals....
Australian architect of Irish birth. He trained in the London office of the architect Charles Beazley and worked for five years for John Rennie, before spending eight years in architectural and engineering work in Ireland. In 1826 he was appointed Civil Engineer for Van Diemen’s Land (now Tasmania), and he arrived at Hobart Town in ...
J. N. Mané-Wheoki
New Zealand architect of English birth. In 1862, after a lengthy apprenticeship in Melbourne, Australia, Armson arrived in New Zealand. He spent two years (1862–4) in the engineering department of the Otago provincial government, Dunedin, and from 1866 to 1870 he practised in Hokitika on the West Coast. Christchurch, where he finally settled in ...
Within a half-century of the signing of the Treaty of Waitangi between the British Crown and Maori chiefs in 1840—the event from which the beginning of New Zealand (Aotearoa) is generally dated (and leaving aside from the present discussion the tribal art of the indigenous ...
Australian painter and writer . He attended the West London School of Art and, following the end of the Franco-Prussian War in 1871, the Académie Julian in Paris. In 1878 the newspaper owner David Syme invited Ashton to Melbourne to produce black-and-white illustrations for the Illustrated Australian News...
British, 19th – 20th century, male.
Active from 1878 active in Australia.
Born 1851, in Surrey; died 1942, in Melbourne.
Painter, watercolourist, pastellist, draughtsman, illustrator. Portraits, genre scenes, landscapes.
Julian Rossi Ashton was a pupil at South Kensington School in London and Académie Julian in Paris. He settled in Australia, founded Sydney Art School in 1896, and taught there. He was a member of the committee of the National Art Gallery in Sydney from 1889 to 1899....
Australian, 19th century, male.
Born in Adelaide.
Painter. Portraits, landscapes.
Will Ashton featured at the exhibition of Australian art held at London's Grafton Gallery in 1898, at the Royal Society for the Arts 1906 exhibition in Sydney, New South Wales, and at the Salon de la Société Nationale des Beaux-Arts in Paris in ...
British, 19th century, male.
Born 15 November 1863, in Leeds; died 16 February 1896, in New Zealand.
Robert Atkinson and Robert Atkinson Fox do not seem to have been related. A pupil of Richard Walter in England, Robert Atkinson also studied in Antwerp and went on to exhibit at the Royal Academy in London....
Australian, 19th – 20th century, male.
Australian Aboriginal painter and leader of the Wurundjeri people of Woi-Worung. His ancestral country was that surrounding the Yarra River and Port Phillip in Melbourne. He was related to the signatories of Batman’s Treaty of 1835 in which the Woi-Worung are thought to have ceded their land to the British Crown. Educated by Presbyterian missionaries, Barak fought a succession of governments who acted in the interests of pastoralists, in an effort to maintain the land that had been ‘granted’ to them at Coranderrk, near Healesville in Victoria....
Australian, 19th – 20th century, female.
Born in Tasmania.
Dorothy Willis Barclay exhibited at the Société Nationale des Beaux-Arts in Paris in 1910.
Danish, 19th century, male.
Born 2 October 1848, in Faaborg.
Robert Barnekow studied at the Copenhagen academy, and exhibited some landscapes and genre scenes between 1878 and 1882. He emigrated to New Zealand in 1890.
Australian architect of Scottish birth. He studied at the School of Design in London and emigrated to Sydney in 1854. After working for Edmund Blacket, he joined the New South Wales Colonial Architect’s Office as a clerk of works in 1860; in 1862 he was appointed Colonial Architect, responsible for all public buildings in the state except railway structures and schools. The period ...
Australian, 19th – 20th century, female.
Baskerville exhibited a statue entitled Young Girl Picking Flowers at the third annual exhibition of the
He arrived in Melbourne in 1854, where at the age of 16 he became assistant to Henry Beaufoy Merlin (1830–73), photographing views throughout the colony of Victoria, usually of buildings, often with the occupants posed before their façades. After five years they moved to Sydney, then to the goldfields of New South Wales, still concentrating on view pictures. Bayliss specialized in panoramas, and after Merlin’s death, the latter’s erstwhile patron, ...
He studied classics and natural science at the Ludwig Georg Gymnasium, Darmstadt, continuing his studies at Frankfurt am Main in lithography, geology, botany, meteorology and music. Aged 16 he illustrated Jakob Kaup’s Gallerie der Amphibien and in the following years produced further scientific illustrations. In ...
He attended the National Gallery School in Melbourne from 1896 to 1904. In 1904 he went to Paris, where he studied under Jean-Paul Laurens from 1904 to 1906. While in Paris he rebelled against his academic training, but he also rejected the principles of Impressionism and Post-Impressionism. In paintings such as ...