1-5 of 5 results  for:

  • Nineteenth-Century Art x
Clear all

Article

Joseph R. Kopta

American architectural historian. Conant was the leading 20th-century American architectural historian specializing in Romanesque architecture, and was the primary archaeologist of the monastic complex at Cluny. He earned his degrees from Harvard, including a BA in Fine Arts in 1915, an MArch. in 1919, and a PhD with a dissertation on the Cathedral of Santiago de Compostela, supervised by ...

Article

International organization dedicated to the recording and documentation of all known examples of Romanesque sculpture in Britain and Ireland. The organization was the brainchild of George Zarnecki, scholar of Romanesque art and former Deputy Director of the Courtauld Institute of Art. His aim was to develop a photographic and scholarly archive in which every known example of Romanesque sculpture in Britain and Ireland would be recorded for posterity. In ...

Article

Tim Mowl

Architectural style, predominantly used for castles and churches built in Britain in the 18th and 19th centuries, which was based on English Romanesque. The Norman Revival is usually treated as a minor strand of the Gothic Revival—part of that interest in medieval styles of building that ran parallel with, but counter to, classical architecture; yet the earliest buildings in a round-arched medieval style pre-date by a decade accepted pioneers of the Gothic Revival, such as ...

Article

Style of architecture used chiefly in western Europe and North America from the 1820s until the end of the 19th century. In Europe it was related to the Rundbogenstil and the Byzantine Revival, and in England it was an extension of the Norman Revival. It derived ultimately from Romanesque church architecture of the 11th and 12th centuries. Its principal characteristics were the semicircular arch and the barrel or groin vault. In Bavaria, for example, ...

Article

Margaret Moore Booker

Term referring to an architectural style popular in mid- to late 19th-century America inspired by the 11th- and 12th-century Romanesque architecture of Spain, France, and Italy. Admired for its overall picturesque qualities, the signature features of the style were a multitude of round-topped ‘Romanesque’ arches (often springing from clusters of short columns), recessed entrances, cylindrical towers with conical roofs, heavy masonry walls, ornamental corbelling, and asymmetrical massing....