Gilded copper altar (c. 1150; Stockholm, Stat. Hist. Mus.) from Broddetorp Chuch in Västergötland (Sweden). The Broddetorp Altar is one of the so-called ‘golden altars’ that are characteristic of Romanesque metalwork from the second quarter of the 12th century to the beginning of the 13th in Scandinavia. The altars were likely produced in ...
Lighting fixture suspended from the ceiling, equipped with multiple lamps or candles. The massive, crown-shaped, Romanesque chandeliers, for example that made c. 1166 for Frederick I, King of Germany and Holy Roman Emperor, for the Palatine chapel in Aachen Cathedral, were gradually superseded by a form that emerged in the 15th century in the Low Countries. This type comprises a central moulded shaft, from which 6–36 upward-curving branches radiate, embellished with Gothic ornament and sometimes human, bird or animal figures. These ...
German metalworker and enameller. A monk in the monastery of St Pantaleon, Cologne, he was one of the principal masters of its important workshop and among the most outstanding German metalworkers of the Romanesque period. His name is engraved as part of an inscription on a small portable altar (ex-Welf treasure; Berlin, Tiergarten, Kstgewmus.), produced ...
P. Cornelius Claussen
French goldsmith. His known works indicate that he was one of the leading metalworkers of his day and an early exponent of the classicizing styles around 1200 that formed a transition between Romanesque and Gothic. In his two dated signatures,
French, 11th century, male.
Born 985, in Sens.
A monk in the monastery of St-Pierre-le-Vif, Odoranne fashioned a crucifix and reliquaries.
Swiss, 9th – 10th century, male.
Active in St Gall from 895 to 912.
Painter, architect, sculptor, goldsmith.
Tuotilo was a monk. There are two embossed bindings by him depicting God the Father, the Virgin and St Gall. He also carved ivory.