Chinese painter, calligrapher, collector and forger . From an artistic family, he began to paint under the tutelage of his mother, Ceng Yi, and did his first paid painting for the local fortune-teller when he was 12 years old. Zhang’s elder sister gave him his first lessons in the classics. At 15 he embarked on three years of schooling at the Qiujing Academy in Chongqing. In ...
Elizabeth F. Bennett
Japanese, 18th – 19th century, male.
Born 1747, in Edo (now Tokyo); died 1818, in Edo.
Kokan, a pupil of Harunobu (1725?-1770), one of the great ukiyo-e masters, is infamous as one of the most brilliant forgers of his master’s work, openly admitting his wrongdoing in his autobiography ...
Noémie Goldman and Kim Oosterlinck
Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....