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Helen M. Hills

Italian architect, writer and painter. He trained as a priest in Palermo and entered the Padri Ministri degl’Infermi. Another member of this Order was Giacomo Amato, with whom he worked, although they were not related. While serving as a chaplain Amato studied geometry, architecture, optics and engraving. His earliest known artistic work is a painting on copper of the ...

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Spanish architect, painter and writer. He was trained in architecture by the Jesuits and in painting by Claudio Coello and worked mainly as an architect. Two overdoors showing multiple allegorical scenes of the Battle of Lepanto (1721; Madrid, Pal. Arzobisp.) and a St Barbara...

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Maryvelma O’Neil

Italian painter, draughtsman and writer . He executed canvases and frescoes of religious and mythological subjects, and portraits. He was given important commissions by popes and aristocrats and sold his works to patrons in Italy and abroad. Baglione’s arguably greater fame as a writer derives from ...

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Ugo Ruggeri

Italian painter, draughtsman and etcher. His artistic formation was complex. He knew contemporary Emilian art, from Giacomo Cavedoni to Lionello Spada and Guercino, and was intensely interested in 16th-century painters from Venice and the Po Valley, ranging from Giorgione to Titian, from Altobello Meloni to Romanino and of course Dosso Dossi. Caletti was mainly interested, as was Pietro della Vecchia, in a revival of 16th-century Venetian art, and, like della Vecchia, although at times he produced forgeries of 16th-century pictures, he more often interpreted such sources with irony and powerful emotion, as in the ...

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Flemish architect, painter, draughtsman, engineer and writer. He was the son of an Antwerp painter, Jacques Francart (b before 1550; d 1601), and he was trained as a painter in Rome, where his father worked for some years. He greatly admired Michelangelo, Jacopo Vignola, Giacomo della Porta and Carlo Maderno. In ...

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Richard Bösel

Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist’s role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola’s ...