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José Miguel Rojas

Costa Rican engraver, painter, illustrator, draughtsman, writer and critic. He studied for a year from 1931 at the Escuela Nacional de Bellas Artes but was otherwise initially self-taught, using Louis Gonse’s L’Art japonais (Paris, 1883) as a source. He produced a series of caricature drawings, influenced by Cubism, in the ...

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Ugo Ruggeri

Italian painter, draughtsman and etcher. His artistic formation was complex. He knew contemporary Emilian art, from Giacomo Cavedoni to Lionello Spada and Guercino, and was intensely interested in 16th-century painters from Venice and the Po Valley, ranging from Giorgione to Titian, from Altobello Meloni to Romanino and of course Dosso Dossi. Caletti was mainly interested, as was Pietro della Vecchia, in a revival of 16th-century Venetian art, and, like della Vecchia, although at times he produced forgeries of 16th-century pictures, he more often interpreted such sources with irony and powerful emotion, as in the ...

Article

Italian painter, biographer, draughtsman and engraver. He was a pupil of Giuseppe Varotti (1715–80). While a student at the Accademia Clementina, Bologna, he received two awards, including the Premio Marsili for the Sacrifice of Noah (1758; Bologna, Accad. B.A. & Liceo A.). He pursued literary interests throughout his life and became a member of the avant-garde Accademia Letteraria degli ‘Ingomiti’ in Bologna in ...

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John Milner

Russian draughtsman, architect, printmaker, painter, illustrator, designer, photographer, teacher, and theorist.

After attending school in Smolensk, he enrolled in 1909 at the Technische Hochschule, Darmstadt, to study architecture and engineering. He also travelled extensively in Europe, however, and he made a tour of Italy to study art and architecture. He frequently made drawings of the architectural monuments he encountered on his travels. These early graphic works were executed in a restrained, decorative style reminiscent of Russian Art Nouveau book illustration. His drawings of Vitebsk and Smolensk (...

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Italian, 19th century, male.

Born 9th December 1823, in Ravenna; died 29th July 1896, in Ravenna.

Painter, draughtsman, engraver (burin). Architectural views. Decorative schemes.

Luigi Ricci was the father of Corrado Ricci, the art historian. Luigi was taught by Francesco Cocchi of Bologna between 1846...

Article

Anja Buschow Oechslin

Italian painter, engraver, architect and theorist. He trained with Giovanni Antonio Pellegrini and was first mentioned as a painter in 1711. Visentini first earned fame with a volume of his drawings engraved by Vicenzo Mariotti (d 1734) as Iconographia della Ducal Basilica dell’Evangelista di S Marco...

Article

Marita Sturken

Culture of images and visuality that creates meaning in our world today. This includes media forms such as photography, film, television, and digital media; art media such as painting, drawing, prints, and installations; architecture and design; comic books and graphic novels; fashion design, and other visual forms including the look of urban life itself. It also encompasses such social realms as art, news, popular culture, advertising and consumerism, politics, law, religion, and science and medicine. The term visual culture also refers to the interdisciplinary academic field of study that aims to study and understand the role that images and visuality play in our society; how images, gazes, and looks make meaning socially, culturally, and politically; how images are integrated with other media; and how visuality shapes power, meaning, and identity in contemporary global culture....

Article

Madeleine Van De Winckel

Dutch designer, architect and painter, active in the southern Netherlands and throughout the Holy Roman Empire. Though an artist of many talents, it was through his engravings that he most influenced his contemporaries. The distribution of his works by the publishers of Antwerp made him one of the leading and best-known exponents of Mannerist decoration and the instigator of a new urban vision in northern and central Europe....