Portuguese painter, graphic artist, critic and art administrator . In 1947 he was a founder-member of the Grupo Surrealista de Lisboa, with which he exhibited in 1949. By 1952 he was one of the few remaining members of the original group still involved in Surrealism. That year he held a large exhibition with two other artists, showing ...
English conceptual artist, writer and photographer. He studied painting at the Royal College of Art from 1962 to 1965 and philosophy and fine art at Yale University from 1965 to 1967. From the late 1960s he adhered to Conceptual art using combinations of photographic images and printed texts to examine the relationship between apparent and implicit meaning. In his ...
Italian, 20th century, male.
Born 11 February 1881, in Quargnento (Alessandria); died 13 April 1966, in Milan.
Painter, watercolourist, draughtsman, collage artist, engraver (including etching), lithographer, decorative designer, art theorist. Landscapes, landscapes with figures, urban landscapes, seascapes. Frescoes.
Futurism, Pittura Metafiscia (Metaphysical Painting), Novecento Italiano, Magic Realism...
Native American (Confederated Salish and Kootenai Tribes of the Flathead Nation), 20th–21st century, male.
Born 1946, in Montana.
Printmaker, photographer, conceptual artist, installation artist.
Corwin Clairmont, or ‘Corky’, received his MFA from California State University, Los Angeles in 1971. His early work, concerning social and environmental issues, earned him a Ford Foundation Grant (...
French, 20th century, male.
Active in Paris.
Installation artist, art theorist.
Edmond Couchot is director of research projects and professor at the Université Paris VIII. He directs the department Arts et Technologies de l'Image (Arts and Technologies of the Image). As a theoretician, Couchot is interested in the relationship between art and technology, notably image arts and computer techniques. He has published several articles and a book on the subject. As an artist, he stresses the notion of the interactivity between man and computers using sound and the voice. Techno-scientific capability with regard to computer visualisation is an invitation to more extended thinking about the range of the so-called numerical image. The latter is not a representation of reality, but rather it gives a simulation of it, or more precisely according to F. Popper's definition, 'the numerical image of synthesis is no longer the optical projection of a pre-existing object, but the visualisation of a numerical model that simulates the object'. Virtuality follows on from the discovery of digitizing, from the possibility of handling all support material according to a logical mathematical matrix of numbers, which reciprocally becomes speech, sound, music, painting, drawing, writing or noise. The numerical image includes images of synthesis, images of graphic, photographic, cinematographic or videographic origin. This new image is no longer static once and for all; it continually reacts to programmed data. From the reality of life, it is towards the virtuality of experience that we are oriented, where space and time are, in principle, recreated....
Mary M. Tinti
Architecture, design and conceptual art partnership. Diller Scofidio + Renfro [Diller + Scofidio] was formed in 1979 by Elizabeth Diller (b Lodz, Poland, 1954) and Ricardo Scofidio (b New York, NY, 1935) as an interdisciplinary design practice based in New York....
American, 20th century, male.
Born 7 June 1931, in Eatonton (Georgia).
Painter, draughtsman (including ink), collage artist, print artist, sculptor, collector, art historian. Religious subjects, figures, portraits, figure compositions, scenes with figures, landscapes. Designs for stained glass.
David C. Driskell earned a BFA at Howard University in ...
Not-for-profit organization, founded 1966.
In late 1965, the artist Robert Rauschenberg and the engineer Billy Klüver organized a project for 10 artists – John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and Robert Whitman – to collaborate with a group of 30 engineers and scientists from Bell Telephone Laboratories to develop performances that incorporated the new technology....
Native American (Okanagan), 20th–21st century, male.
Born 1953, in Omak, Washington.
Printmaker, muralist, sculptor, mixed-media artist. Collage, glass.
Born in 1953, Joe Feddersen is an Okanagan member of the Colville Confederated Tribes, and a Native American artist. He earned his BFA at the University of Washington (...
Italian painter, sculptor and theorist of Argentine birth. He moved with his family to Milan in 1905 but followed his father back to Buenos Aires in 1922 and there established his own sculpture studio in 1924. On settling again in Milan he trained from 1928 to 1930...
Native American (Cheyenne and Arapaho), 20th–21st century, male.
Born 22 November, 1954, in Wichita (Kansas).
Painter, draughtsman, sculptor, printmaker, installation artist, conceptual artist, educator.
Edgar Heap of Birds is one of the most distinguished North American indigenous artists of his generation. His works reveal a distinctly critical and historical awareness of the ways that American Indian peoples, their histories and their viewpoints have been ignored and written over under colonialism. He has received numerous honours, presenting his work in competition for the United States Pavilion at the 52nd Venice Biennale (...
German, 20th – 21st century, male.
Born 1961, in Brussels.
Installation artist, video artist.
From 1979 to 1985 Höller studied agronomy in Kiel, before embarking on his artistic career. His work is based on the future and the Darwinian theory of the evolution of the species as developed most famously by biologist Richard Dawkins. This theory repudiates, as far as evolution is concerned, any notion of romanticism about universal love and the well-being of species. Effectively, genes programme the living organism in a selfish way; their primary function is replication. So Carsten Höller's works, which are mainly interactive installations, take pleasure in demythologizing our so-called altruistic, but unconsciously selfish, behaviour and propose new approaches to the subject, particularly in the fields of sex and passion. Nevertheless, the human species has the ability to operate in the cultural domain, as demonstrated in his video, ...
American, 20th century, female.
Born 5 April 1938, in Worcester, Massachusetts; died 8 February 2014, in New York.
Sculptor, installation artist, filmmaker, photographer. Land Art, Environmental Art, Public Art, Post-Minimalism.
Nancy Holt received a BA in Biology from Tufts University in 1960 and then briefly travelled through Europe, before moving to New York City. There, she met influential Minimalist and Post-Minimalist artists, many of whom would become collaborators, including: Carl Andre, Dan Graham, Eva Hesse, Joan Jonas, Donald Judd, Sol LeWitt, Robert Morris, and Richard Serra. Holt’s early artistic output was primarily photography, video, and Concrete poetry, mediums in which she continued to work throughout her career....
M. N. Sokolov
Russian installation artist and theorist. The son of a Spanish Republican émigré, Infante studied at the Surikov Art Institute in Moscow from 1956 to 1962. From 1962 to 1968 he was a member of the group Dvizheniye (Movement), which elaborated the principles of kinetic art. In ...
Hungarian writer, painter, theorist, collagist, designer, printmaker and draughtsman. His family moved to Budapest in 1904, and, after finishing an apprenticeship as a blacksmith, in 1908 he began publishing stories and poems. In 1909–10 he travelled across Western Europe and spent some time in Paris, becoming acquainted with modern art and anarchist ideas. He published short stories, plays and poems in Budapest and from ...
Term applied to works of art concerned with real and apparent movement. It may encompass machines, mobiles and light objects in actual motion; more broadly, it also includes works in virtual or apparent movement, which could be placed under the denomination of
Russian, 20th–21st century, male.
Born 8 August 1943, in Tripoli, USSR (now Republic of Georgia)
Photographer, painter, sculptor, printmaker, installation artist.
Soviet Nonconformist Art; Moscow Conceptualism.
Collective Actions (group).
Igor Makarevich grew up Tbilisi, Georgia before moving to Moscow in 1951. From 1955 to 1962...
African American painter, writer, film production designer, and multimedia installation artist. Marshall’s works portray idealized subjects derived from African American experience in large-scale, multiple-figure paintings and installations that share many characteristics with European history painting in the “grand manner” of Peter Paul Rubens, Benjamin West...
American, 20th–21st century, female.
Born 27 May 1944, in New York City.
Installation artist, sculptor, designer. Land Art, environmental art, site-specific art.
Mary Miss studied at the University of California at Santa Barbara, graduating with a BA in 1966. She received her MFA from the Rhinehart School of Sculpture at the Maryland Art Institute in ...