American painter, sculptor, fibre and installation artist of Egyptian birth. Amer, one of the few young artists of African origin to gain prominence in the late 1990s international art scene, studied painting in France at the Villa Arson EPIAR, Nice (MFA, 1989), and the Institut des Hautes Etudes en Art Plastique, Paris (...
French, 20th century, male.
Born 26 June 1909, in Dijon; died 6 December 1996, in Paris.
Painter, collage artist, engraver, draughtsman. Wall decorations, designs for mosaics, stained glass windows, tapestries, stage costumes and sets.
A pupil at the École des Beaux-Arts in Lyons in 1930, Bertholle studied in Paris from 1932-1934, and subsequently attended classes run by the painter Roger Bissière at the Académie Ranson, where he met his friends and associates Manessier, Etienne-Martin, Le Moal and Véra Pagava. He was artistic director of the Gien porcelain factory from 1943-1957, and taught at the École des Beaux-Arts in Paris from 1965-1980. He was a member of the Institut de France, a Chevalier of the Légion d'Honneur and a Commander of the Ordre des Arts et des Lettres. Initially an admirer of Puvis de Chavannes, whose work he had encountered at the city museum in Lyons, Bertholle later discovered Manet (at the Paris Exposition Universelle of 1932), and through the latter, Van Gogh and Renoir. Following his early, highly-coloured Expressionist period, Bertholle was greatly influenced by the Flemish fantasies of Breughel and Heironymus Bosch, and ultimately by the Surrealists - as may be seen in his painting of the ...
American sculptor and multimedia artist working in fibre, installation, video, and performance. The youngest of seven sons born into a central Missouri family, Cave demonstrated an early acumen with hand-made objects and throughout his career has created works out of texturally rich materials imbued with cultural meaning. Cave received his BFA (...
Brazilian painter, sculptor, interactive artist and art therapist. She was a cofounder in 1959 of the Neo-Concrete movement, whose members laid the foundation for much of Brazilian contemporary art. The Neo-Concretists broke with the rigidity of the rationalism of Concrete art and advocated a more sensorial, interactive art. Lygia Clark and her creative soul-mate, ...
Canadian, 20th–21st century, female.
Born 1937, in Marquette (Manitoba).
Sculptor, mixed-media artist. Fabric art, environmental art.
Aganetha Dyck is best known for her sculptural work that involves a long-term collaboration with bees. Dyck places ready-made items in beehives, often repeatedly, and the bees build honeycombs onto the surfaces of these objects. An early example is her series ...
Korean mixed-media artist, active also in the USA. Kim studied painting at Hongik University, Seoul, graduating in 1984. That same year she received a scholarship to study art at the Ecole Nationale Supérieure des Beaux-Arts in Paris. During the mid-1980s Kim became interested in employing commonly used Korean textiles in her work. Distinctively patterned and coloured, the textiles offered different formal possibilities, and early works featured various swathes cut and sewn together to form large, continuous surfaces. In ...
Romanian, 20th century, female.
Born 1940, in Cluj.
Textile sculptor, installation artist, environmental artist. Designs for tapestries.
Ana Lupas trained at the Ioan Andreesco Fine Arts Institute in Cluj, where she later taught. She has produced monumental tapestries for the students' hall in Cluj and for the History Museum in Iasi. She lives in Cluj. Her technique could be called 'free tapestry' and lends itself to environment-like installations. Ana Lupas has been involved in symposia and conferences on tapestry and has participated in several collective exhibitions in Romania including the 7th International Aesthetics Congress in Bucharest (...
Romanian tapestry designer and installation artist. She studied tapestry design at the ‘Ion Andreescu’ Institute of Fine and Decorative Art in Cluj-Napoca, first exhibiting her work at the National Exhibition for Decorative Arts, Bucharest, in 1965. She evolved from a two-dimensional concept of tapestry towards an original attempt to work in a three-dimensional context. She was quickly recognized internationally as an innovative designer, whose suppleness of technique (passing from high warp to ikat, or the Oriental tassel technique) enabled her to move beyond the confines of conventional tapestry design to participate in installations and happenings. In her work the textile is set in opposition to hard elements, such as wood or stone, or unexpected ones, such as leather or fruit, forming only the ambient structure of an idea of a space. An organic and disquieting element appeared in her ...
Paula J. Birnbaum
American conceptual artist. Reichek earned a BFA from Yale University and a BA from Brooklyn College, where she studied painting with Ad Reinhardt. Well versed in the traditions of modernist painting, Reichek began critiquing those traditions in the 1970s by making art using the vehicles of embroidery, knitting, and weaving. She then engaged in a range of large-scale installation projects that retool domestic media and formats to analyse the patriarchal and modernist assumptions of American culture. In her series of samplers, including ...
Andrew Cross and Mary Chou
British sculptor, painter and installation artist. Born to Nigerian parents, he grew up in Nigeria before returning to England to study Fine Art in London at Byam Shaw School of Art and Goldsmiths’ College where he completed his MFA. Shonibare’s West African heritage has been at the heart of his work since he started exhibiting in ...
Irish, 20th – 21st century, female.
Born 1939, in India, to an Irish mother and an English father.
Painter (mixed media), tapestry maker, engraver.
Maria Simonds-Gooding's family returned from India in 1947 and settled in County Kerry. She studied at the National College of Art in Dublin, the Centre de Peinture in Brussels and at Bath Academy in Corsham, England. In ...
American fibre and mixed-media artist . In 1941 she married George Tawney, who died shortly afterwards in 1943. Tawney attended the University of Illinois in Champaign-Urbana from 1943 to 1945 and then completed coursework in drawing, weaving and sculpture at the Chicago Institute of Design from ...
Chinese installation artist. Lin studied art at Capital Normal University, Beijing in 1984. In 1987 she and her husband, the video artist Wang Gongxin (b 1960), moved to New York where, in 1989, she took courses at the Art Students League. In 1995...
Native American (Seneca Nation of New York), 21st century, female.
Born 1967, in Seattle.
Installation artist, sculptor, printmaker.
Marie Watt, an artist with Seneca ancestry, chooses to work in the areas of installation, sculpture and lithography to address themes which historically have had an impact on wider indigenous experience, including the ideas of community, continuity and exchange. She was born in Seattle, Washington, in ...
American, 20th – 21st century, male.
Born 1961, in West Palm Beach (Florida).
Painter, installation artist, performance artist. Figures.
Keneth Weaver is based in New York. In the 1970s, he created the series Sexual Positions. In the wake of Warhol, he works on the mechanical reproduction of images, but ascribes some of his know-how to the 19th-century Romantic tradition. He has taken part in collective exhibitions in New York and has shown his works in solo exhibitions, notably in ...
American, 20th – 21st century, female.
Born 1949, in Illinois.
Installation and textile artist.
Anne Wilson received her BFA from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 1972, and her MFA from the California College of Arts and Crafts, Los Angeles in 1976. She is Professor of Fiber and Material Studies at the Art Institute of Chicago, where she has taught since ...
American sculptor, animation, performance, and installation artist. Wilson was a leading figure among artists who began working in the progressive contemporary craft movement of the 1970s and1980s and gained prominence in the art mainstream by the 1990s. Influenced by the alignment of textiles with feminist art that emerged in the 1970s, Wilson employed the cultural associations of diverse source materials (table linens, bed sheets, human hair, lace, thread, wire, glass) to interrogate how craft and context can define a feminist position in art by subverting the boundaries of middle-class propriety and social values....