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Article

Arabic School, 10th century, male.

Died 997.

Painter.

None of the works of this artist are known.

Article

10th century, male.

Painter.

This artist is thought to have lived at the court of Constantine Porphyrogenetus.

Article

Aimi  

Japanese, 9th – 10th century, male.

Active in Kyoto 9th-10th century.

Painter. Religious subjects.

Aimi was the son and pupil of Kose no Kanaoka, the founder of the Kose school, and a member of the imperial bureau of painting. Like his father he painted mainly Buddhist subjects as well as imaginary scenes....

Article

Egyptian, 10th century, male.

Painter. Historical subjects, landscapes.

Al-Kutami was a member of the Kutama tribe and was brought up by Banu-el-Muallim, who painted the mosque situated high up in the Karafa mountains, near Cairo in 976 AD. He painted a work entitled Joseph at the Fountain...

Article

German, 10th century, male.

Died 958.

Painter.

Westphalian school.

Originally from Westphalia, this artist was a monk in the abbey of Corvey.

Article

Andreas  

10th century, male.

Painter.

This artist worked in Byzantium and is said to have been the most famous painter of the time of Constantine Porphyrogenetus.

Article

Korean, 6th century, male.

Active in Japan from 597.

Painter.

Prince Asa was the son of the King of Paekche (Kudara in Japanese) and went to Japan in 597 during the reign of Empress Suiko. A portrait in Chinese style was formerly attributed to him. It represents Prince Shotoku (who lived from 573 to 622) and his two sons (Princes Eguri and Yamashiro). The source of the attribution is the biography of Prince Shokotu compiled by the monk Kenshin of the Horyu temple. However, the figures portrayed in the painting show similarities with the Chommmoryujo byobu (Screen with Beauty beneath a Tree) in the Shoso-in, Nara, and the murals in the tomb of the Tang Crown Prince Yide (706). The portrait of Prince Shokotu in fact dates from the 8th century and its attribution to Prince Asa is simply legend. The painting was in the Horyuji Yamato temple and belongs to the Imperial Family....

Article

9th century, male.

Painter.

According to F.-W. Unger this artist made several caricatures of the patriarch Ignatius.

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time....

Article

Italian, 8th century, male.

Painter.

Lombard School.

The Lombard king Astolfo commissioned this artist to build the church of S Pier-Somaldi in Lucca.

Article

Richard K. Emmerson

Illuminated Ottonian manuscript (205×295 mm; Bamberg, Staatsbibl., MS. Bibl. 140) comprising 106 folios, divided into two halves, the first containing 50 miniatures illustrating the Book of Revelation, the second with 5 full-page miniatures illustrating Gospel readings from the Nativity to Pentecost. Separating the sections are two full-page images each with two registers. On the left St Peter and St Paul crown a young ruler, who is given obeisance by personifications of the four peoples of the empire, depicted below. They recall the personifications bringing gifts to the emperor in the Gospels of Otto III (Munich, Bayer. Staatsbib., Clm. 4453). Facing this imperial scene, on the right, Old Testament figures are paired with four personifications of the victorious virtues they model for the ruler: Abraham/Obedience, Moses/Purity, David/Repentance, and Job/Patience. The Apocalypse miniatures, of varying size and interspersed within the Latin text, are painted on gold grounds. Their iconography, descending from a Roman archetype, is related to the Carolingian Valenciennes Apocalypse (early 9th century; Valenciennes, Bib. Mun., MS. 99) and the contemporary Apocalypse fresco of Novara Baptistery. The vigorous colours and sumptuous execution of the miniatures, including an early detailed ...

Article

Adam S. Cohen and Shirin Fozi

Illuminated manuscript (292 × 225 mm; London, BL, Add. MS. 49598) containing liturgical prayers recited by the bishop, produced in Winchester between ad 971 and 984 for Aethelwold, Bishop of Winchester, a leader of Anglo-Saxon monastic reform. It is a sumptuous work, with 28 full-page miniatures (another 15 have been lost) and 2 historiated initials lavishly executed in gold and vibrant colours (...

Article

Chinese, 8th – 9th century, male.

Active at the court of Chang’anc.785-802.

Painter.

Bian Luan was a painter of the Tang dynasty and the most important bird painter of his generation. All that remains of his work is one signed album leaf, Dove on a Branch...

Article

Katherine Forsyth

Illuminated Gospel book (Cambridge, U. Lib., MS. Ii.6.32) made in the 10th Century. This is the oldest extant Gospel book with a securely Scottish provenance. Housed since 1715 in Cambridge University Library, it belonged in the early 12th century to the monastery of Deer, Aberdeenshire, as shown by a series of property grants recorded in its margins. These notes constitute, by some three centuries, the oldest surviving documents in Scottish Gaelic. The Book is a small-format, abbreviated Gospels intended for personal devotion and intimate pastoral use. As such it is an exceptional survival from the period. It contains the complete Latin text of John’s Gospel, and the beginnings of the other three. At an early date the text of a communion service for the sick and dying was inserted on a separate leaf. The Book was produced ...

Article

In the 20th century, discussion of the relationship between Byzantine art and the art of the Latin West evolved in tandem with scholarship on Byzantine art itself. Identified as the religious imagery and visual and material culture of the Greek Orthodox Empire based at Constantinople between ...

Article

German, 9th century, male.

Painter.

A monk in the abbey of Fulda.

Article

Heather Pulliam

Term usually applied to the full-page ornamental designs that occur in Insular Gospel books. Carpet pages typically occur at the beginning of a section of text and several scholars have argued that they may serve an apotropaic function, marking the viewer’s entrance into the sacred text. Michelle Brown has also suggested that these pages could refer to the temple veil as well as to the silk cloth that was sometimes used to cover and protect painted images within manuscripts....

Article

Delia Kottmann

Italian village in Lazio, north of Rome, known for its church. The church of SS Anastasius and Nonnosus is all that remains of the 6th-century Benedictine monastery, which submitted to Cluny in ad 940. Apart from some re-used fragments, the architecture is Romanesque, with a ...

Article

Bent L. Pedersen

Chinese painter . He was a painter of birds, flowers and insects, following the style of Teng Changyou ( fl ad 907–20). Although paintings attributed to him are not genuine, they provide an indication of his style. These works can be divided into two groups: one of relatively small paintings of flowers and another of larger pictures, with birds, insects, trees, rocks and flowers....

Article

Chinese, 8th century, male.

Born in Kuaiji (Zhejiang).

Painter.

Chen Hong was introduced into the Tang court during the Kaiyuan period (713-742). He is known to have painted portraits of the emperors Xuanzong (713-756) and Suzong (756-762) and illustrations of imperial hunting parties.

Kansas City (Nelson-Atkins MA): ...