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John N. Lupia

Type of ewer, usually of metal, used for the washing of hands in a liturgical or domestic context. It is often zoomorphic in form and usually has two openings, one for filling with water and the other for pouring. In their original usage aquamanilia expressed the symbolic significance of the lavabo, the ritual washing of the hands by the priest before vesting, before the consecration of the Eucharist and after mass. The earliest production of ...

Article

John Williams

Sardonyx cup with gold mounts (h. 184 mm, diam. 173 mm; León, Mus.–Bib. Real Colegiata S Isidoro), given by Urraca (c. 1032–1101), the eldest daughter of Ferdinand I, King of Castile-León (reg 1035–65), and sister of Alfonso VI, King of Castile-León (...

Article

Danielle B. Joyner

From the time John Cassian established the first female foundation in Marseille in ad 410, monastic women lived in varying states of enclosure and were surrounded by diverse images and objects that contributed to their devotion, education and livelihood. The first rule for women, written in 512 by St Caesarius of Arles, emphasized their strict separation from men and the world, as did the ...

Article

Jutland  

Harriet Sonne de Torrens

Mainland peninsula of modern-day Denmark and one of the three provinces (Jutland, Zealand and Skåne, southern Sweden) that constituted medieval Denmark. The conversion of the Danes to Christianity initiated a reorganization of the economic, social and legal structures of Denmark that would change the shape of Jutland dramatically between the 11th and 14th centuries. Under Knut the Great, King of Denmark and England (...

Article

I. G. Bango Torviso

Term traditionally used to describe the art of Christians living in the areas of the Iberian peninsula ruled by Muslims in the 10th and 11th centuries. The Castilian word derives from the Arabic musta‛rib (‘Arabized’) and is to be contrasted with Mudéjar, the term used to describe the art of Islamic inspiration produced for non-Muslim patrons in the areas of the Iberian peninsula reconquered by Christians between ...

Article

French, 11th century, male.

Born 985, in Sens.

Sculptor, goldsmith.

A monk in the monastery of St-Pierre-le-Vif, Odoranne fashioned a crucifix and reliquaries.

Article

Ravello  

Antonio Milone

Italian cathedral city in the province of Salerno, Campania. Ravello has been documented as an urban centre since the 10th century and as a bishopric since 1087. The centre, near the Toro quarter, is high up between the two rivers that separate the city from ...

Article

John Williams

Spanish silver reliquary (813×330×445 mm; León, Mus.–Bib. Real Colegiata S Isidoro) made for the relics of St Isidore, which arrived from Seville in December of 1063 as a result of King Ferdinand I’s subjection of the Muslim city. They were placed in a wooden chest covered with silver gilt and lined with silk fabrics of Islamic origin and deposited in the Treasury of S Isidoro, León. No previous Hispanic shrine of comparable size, technique, or iconography is known. In ...

Article

Elizabeth B. Smith

Italian Benedictine abbey in the Abruzzo region. Founded in the 9th century by Emperor Louis the Pious (reg 814–40) and dedicated to St Clement I, whose relics it claimed, the abbey flourished under Abbot Leonate (reg 1155–82), a member of the papal curia. Leonate began an ambitious rebuilding project starting with a new façade, complete with rose window, and a portico for the church, both of which were decorated with monumental stone sculpture carved by masters who were probably not local but rather of French or north Italian origin, perhaps on their way to or from the Holy Land. An elaborately carved pulpit and paschal candelabrum also date to the time of Leonate, as does the ...

Article

Scala  

Antonio Milone

Italian cathedral city in the province of Salerno, Campania. According to the 10th-century Chronicon Salernitanum, where it is referred to as Cama, Scala is the oldest centre along the entire Amalfi coast and has its origins in Late Antiquity. However, documentary proof that the city existed is only available from the beginning of the 10th century. Throughout history it has been home to a commercial aristocracy with commercial and political power throughout the entire Kingdom of Sicily. The Sasso and d’Afflitto families stood out from others in this group. Monasteries have been recorded in the city from the 10th century and it was under the control of the Duchy of Amalfi for the entire medieval period....

Article

During the Middle Ages silver was used for coinage, reliquaries, domestic decorative objects, liturgical objects, jewellery, and as an embellishment on armour. Goldsmiths worked with both gold and silver.

Silver for Merovingian coinage was mined in Melle in Poitou, France. Sardinia became a source in the 11th century through to the 12th for the republics of Genoa and Pisa, and in the 12th century Crusaders brought silver coinage to the Latin Kingdoms in the eastern Mediterranean. Production of silver objects increased in ...

Article

Sinú  

Warwick Bray and Trent Barnes

Archaeological zone and style of metalwork produced in the three great 16th-century chiefdoms of Fincenú, Pancenú, and Cenúfana in the Caribbean lowlands of Colombia during the millennium before the Spanish Conquest. The Sinú style also extended to the San Jorge Basin and the lower Cauca and Nechí drainages. Many of these lowland areas are seasonally flooded but were turned into prime farmland by the construction of more than 500,000 ha of ridged and drained fields linked by a canal network. Besides landscape architecture, the Sinú zone is noted for its goldwork (...

Article

In its most general sense, spolia (pl., from Lat. spolium: ‘plunder’) denotes all artifacts re-employed in secondary contexts, from building blocks reused in a wall to pagan gems mounted on a Christian reliquary. It is a matter of debate whether this broad application of the term is justified, or whether it should be restricted to the relatively small subset of reused objects that were taken or ‘stripped’ (like spoils) from their original context, rather than found, purchased, inherited or otherwise acquired by non-violent means. It is likewise debated when the use of spolia should be considered meaningful, if at all. Arnold Esch defined five possible motives for using spolia: convenience, profanation, Christianization, political legitimation and aesthetic attraction. Michael Greenhalgh has argued for reducing the motives to three (at least with regard to marble): pragmatism, aesthetics and ideology; while Finbarr Barry Flood cautioned against reductive interpretations generated by any taxonomy, insisting that reused objects are mutable in meaning and capable of multiple interpretations during their life cycle....