1-16 of 16 results  for:

  • CE 500–1000 x
Clear all

Article

David A. Hinton

Anglo-Saxon jewel made of gold, rock crystal, and enamel (Oxford, Ashmolean), made in the reign of King Alfred (reg 871–99) and found in Somerset in 1693. The crystal is a teardrop-shaped polished, flat slab, with bevelled sides, set in a gold frame. Below the crystal, there is a cloisonné enamel figure of a seated male figure, apparently holding two flowering plants. Behind the enamel is a gold plate, engraved with a different plant. The frame is soldered to a sheet-gold beast’s head, its jaws holding a short tube with a rivet through the end. Soldered to the head and the sloping-sided frame are plain, beaded, and twisted gold wires, and gold granules. Cut into the frame are openwork Old English letters reading AELFRED MEC HEHT GEWRYCAN (‘Alfred ordered me to be made’)....

Article

John N. Lupia

Type of ewer, usually of metal, used for the washing of hands in a liturgical or domestic context. It is often zoomorphic in form and usually has two openings, one for filling with water and the other for pouring. In their original usage aquamanilia expressed the symbolic significance of the lavabo, the ritual washing of the hands by the priest before vesting, before the consecration of the Eucharist and after mass. The earliest production of ...

Article

J. V. S. Megaw and M. Ruth Megaw

Style of European Iron Age art (see also Prehistoric Europe, §VI). The term is used to describe the distinctive art produced by the La Tène culture (named after the site of La Tène in Switzerland), which flourished c. 450–c. 50 bc in temperate continental Europe, extending to ...

Article

Einhard  

D. A. Bullough

German patron, writer, and possibly metalworker. He married Emma, sister of Bernharius, Bishop of Worms, and they possibly had a son, Hussin. He received his early education at Fulda Abbey, where he wrote documents between 788 and 791, although he was not ordained or professed as a monk. He then moved to the court at Aachen, which had recently been established, to continue his studies under Alcuin (...

Article

Danielle B. Joyner

From the time John Cassian established the first female foundation in Marseille in ad 410, monastic women lived in varying states of enclosure and were surrounded by diverse images and objects that contributed to their devotion, education and livelihood. The first rule for women, written in 512 by St Caesarius of Arles, emphasized their strict separation from men and the world, as did the ...

Article

Thurstan Shaw

Town in Nigeria (pop. c. 15,000 in the 1990s), situated 40 km south-east of Onitsha, which is on the River Niger. The name means ‘Great Igbo’ in the Igbo language. It is also the name given to the ancient culture that produced the elaborate metalwork and ceramics, dated to the 10th century ...

Article

Carola Hicks

Term used to describe a period spanning the decline and fall of the Roman Empire and the foundation of the medieval Christian kingdoms of Europe between the 5th and 8th centuries ad. The arts of the European Migration period are varied, reflecting the styles, techniques, and beliefs of the many different peoples involved, yet there are so many common features that it is possible to speak of Migration period art as a unified concept. From the surviving evidence, it is mainly a metalworkers’ art, carried out in a highly skilled manner by able craftsmen; the stone sculpture and architecture of the Classical civilizations were copied, though with a different approach. There must also have been much richly decorated organic material, but the survival of wood, leather, and textiles is only fragmentary....

Article

I. G. Bango Torviso

Term traditionally used to describe the art of Christians living in the areas of the Iberian peninsula ruled by Muslims in the 10th and 11th centuries. The Castilian word derives from the Arabic musta‛rib (‘Arabized’) and is to be contrasted with Mudéjar, the term used to describe the art of Islamic inspiration produced for non-Muslim patrons in the areas of the Iberian peninsula reconquered by Christians between ...

Article

Carola Hicks

Term used to describe the art produced by the Ostrogoths, barbarian peoples whose invasion of the declining Roman Empire helped to transform Late Antique into medieval art. They occupied Italy in ad 488, and they were followers of Arianism. Their king Theodoric the Great (...

Article

Italian, 9th century, male.

Born 776, in Verona; died 846, in Verona.

Sculptor (including wood), architect, goldsmith.

An archdeacon, he built in the city and province of Verona several churches and chapels that are now either entirely or partially destroyed.

Article

Ravello  

Antonio Milone

Italian cathedral city in the province of Salerno, Campania. Ravello has been documented as an urban centre since the 10th century and as a bishopric since 1087. The centre, near the Toro quarter, is high up between the two rivers that separate the city from ...

Article

Elizabeth B. Smith

Italian Benedictine abbey in the Abruzzo region. Founded in the 9th century by Emperor Louis the Pious (reg 814–40) and dedicated to St Clement I, whose relics it claimed, the abbey flourished under Abbot Leonate (reg 1155–82), a member of the papal curia. Leonate began an ambitious rebuilding project starting with a new façade, complete with rose window, and a portico for the church, both of which were decorated with monumental stone sculpture carved by masters who were probably not local but rather of French or north Italian origin, perhaps on their way to or from the Holy Land. An elaborately carved pulpit and paschal candelabrum also date to the time of Leonate, as does the ...

Article

Scala  

Antonio Milone

Italian cathedral city in the province of Salerno, Campania. According to the 10th-century Chronicon Salernitanum, where it is referred to as Cama, Scala is the oldest centre along the entire Amalfi coast and has its origins in Late Antiquity. However, documentary proof that the city existed is only available from the beginning of the 10th century. Throughout history it has been home to a commercial aristocracy with commercial and political power throughout the entire Kingdom of Sicily. The Sasso and d’Afflitto families stood out from others in this group. Monasteries have been recorded in the city from the 10th century and it was under the control of the Duchy of Amalfi for the entire medieval period....

Article

Sinú  

Warwick Bray and Trent Barnes

Archaeological zone and style of metalwork produced in the three great 16th-century chiefdoms of Fincenú, Pancenú, and Cenúfana in the Caribbean lowlands of Colombia during the millennium before the Spanish Conquest. The Sinú style also extended to the San Jorge Basin and the lower Cauca and Nechí drainages. Many of these lowland areas are seasonally flooded but were turned into prime farmland by the construction of more than 500,000 ha of ridged and drained fields linked by a canal network. Besides landscape architecture, the Sinú zone is noted for its goldwork (...

Article

In its most general sense, spolia (pl., from Lat. spolium: ‘plunder’) denotes all artifacts re-employed in secondary contexts, from building blocks reused in a wall to pagan gems mounted on a Christian reliquary. It is a matter of debate whether this broad application of the term is justified, or whether it should be restricted to the relatively small subset of reused objects that were taken or ‘stripped’ (like spoils) from their original context, rather than found, purchased, inherited or otherwise acquired by non-violent means. It is likewise debated when the use of spolia should be considered meaningful, if at all. Arnold Esch defined five possible motives for using spolia: convenience, profanation, Christianization, political legitimation and aesthetic attraction. Michael Greenhalgh has argued for reducing the motives to three (at least with regard to marble): pragmatism, aesthetics and ideology; while Finbarr Barry Flood cautioned against reductive interpretations generated by any taxonomy, insisting that reused objects are mutable in meaning and capable of multiple interpretations during their life cycle....

Article

Tuotilo  

Swiss, 9th – 10th century, male.

Active in St Gall from 895 to 912.

Painter, architect, sculptor, goldsmith.

Tuotilo was a monk. There are two embossed bindings by him depicting God the Father, the Virgin and St Gall. He also carved ivory.